List of works by Anton Bruckner

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Category:Bruckner, Anton.

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See also: List of compositions by Anton Bruckner on Wikipedia
  • WAB 1, Afferentur regi for Mixed Choir, and 3 Trombones ad lib. (1861), Universal Edition (Vienna) 1922
  • WAB 2, Am Grabe, for Male Choir a cappella (1861), Universal Edition (Vienna) 1923
  • WAB 3, 2 Asperges me, for Mixed Choir and Organ (ca.1845)
  • WAB 4, Asperges me, for Mixed Choir a cappella (ca.1843/44)
  • WAB 5, Ave Maria (I) for Soprano, Alto, Choir, Organ and Cello (1856), Johann Gross (Innsbruck) 1893
  • WAB 6, Ave Maria (II), for Mixed Choir (SAATTBB) a cappella (1861), Emil Wetzler (Vienna) 1887
  • WAB 7, Ave Maria (III), for Alto, Piano, Organ or Harmonium (1882), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 8, Ave regina caelorum, for Voices and Organ (ca.1886), Universal Edition (Vienna) 1921
  • WAB 9, Messe für den Gründonnerstag, for Mixed Choir a cappella, (1844-45), Anton Böhm & Sohn (Augsburg and Vienna) 1931. Kyrie and Gloria lost
  • WAB 10, Christus factus est (II), Choir (SSAATTBB), 3 Trombones and Strings ad lib. (ca. 1873), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 11, Christus factus est (III), Choir a cappella (1884), Theodor Rättig (Vienna) 1886
  • WAB 12, Dir, Herr, dir will ich mich ergeben, Choir a cappella (1845)
  • WAB 13, Ecce sacerdos magnus for Choir, 3 Trombones and Organ (1885), Universal Edition (Vienna) 1911
  • WAB 14, Entsagen - Cantata for Soprano (or Tenor), Choir, and Organ (or Piano) (ca.1851), Doblinger (Vienna) 1956
  • WAB 15, Festgesang - Cantata for Soprano, Tenor, Bass, Choir and Piano (1855)
  • WAB 16, Festkantate - Cantata for Male Choir, Bass-Solo, Male quartet, Winds and Timpani (1862), Doblinger (Vienna) 1955
  • WAB 17, In jener letzten der Nächte, (ca.1848), version 1: Voice and organ; version 2: Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931
  • WAB 18, Iam lucis orto sidere (In S. Angelorum custodem), version 1 (1868): Choir a cappella; version 2 (1868): Choir and organ; version 3(1886): Male choir a cappella
  • WAB 19, Inveni David (I), Male choir and 4 Trombones (1868)
  • WAB 20, Inveni David (II), Voice and Organ (1879) = Verse of Os justi, WAB 30, which was skipped in Theodor Rättig's edition (1886)
  • WAB 21, Libera me (I), Choir and Organ (ca.1843)
  • WAB 22, Libera me (II), Choir (SSATB), 3 Trombones, Cello, Contrabass and Organ (1854), Universal Edition (Vienna) 1922
  • WAB 23, Locus iste, Choir a cappella (1869), Theodor Rättig (Vienna) 1886
  • WAB 24, Magnificat, Soli, Choir, Strings without violas, 2 Trumpets, Timpani and Organ (1852)
  • WAB 25, Windhaager Messe (Choral-Messe C-Dur), Alto, 2 Horns, and Organ (1842)
  • WAB 26, Mass No.1 in D minor, Soli, Choir, Orchester, and Organ ad lib. (1864, rev. 1876, rev. 1881-82), Johann Gross (Innsbruck) 1892
  • WAB 27, Mass No.2 in E minor, Choir and Winds (1866, rev. 1876, 1882, 1885 and 1896), Doblinger (Vienna) 1896
  • WAB 28, Mass No.3 in F minor, Soli (SATB), Choir and Orchestra, and organ ad lib. (1867-68, rev. 1876, 1877, 1881 and 1890-93), Doblinger (Vienna) 1894
  • WAB 29, Missa solemnis, Soli, Choir, Orchestra and Organ (1854), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 30, Os justi, Choir a cappella (1879), Theodor Rättig (Vienna), 1886. Ending verse Inveni David skipped in Rättig's edition - See WAB 20
  • WAB 31, Pange lingua, Choir a cappella (ca.1835, rev. 1891)
  • WAB 32, Tantum ergo, Choir a cappella (ca.1845), issued as Pange lingua by Universal Edition (Vienna) 1914
  • WAB 33, Pange lingua, Choir a cappella (1868), Johann Gross (Innsbruck) 1895
  • WAB 34, Psalm 22, Choir and Piano (ca.1852)
  • WAB 35, Psalm 112, Choir (SSAATTBB) and Orchestra (1863), Universal Edition (Vienna) 1926
  • WAB 36, Psalm 114, Choir (SAATB) and 3 Trombones (1852)
  • WAB 37, Psalm 146, Soli, Choir (SSAATTBB) and Orchestra (ca.1856)
  • WAB 38, Psalm 150, Soprano, Choir and Orchestra (1892), Doblinger (Vienna) 1892
  • WAB 39, Requiem, Soli, Choir, Orchestra and Organ (1849), Benno Filser (Augsburg) 1930
  • WAB 40, Salvum fac populum, Choir a cappella (1884)
  • WAB 41, 4 Tantum ergo - version 1 (1846): Choir and organ ad lib.; version 2 (1888): Choir a cappella, Johann Gross (Innsbruck) 1893 (together with the Tantum ergo, WAB 42)
  • WAB 42, Tantum ergo, Choir (SSATB) and Organ (1846, rev. 1888), Johann Gross (Innsbruck) 1893 (together with the 4 Tantum ergo, WAB 41)
  • WAB 43, Tantum ergo, Choir and Organ (ca.1845)
  • WAB 44, Tantum ergo, Choir, 2 Violins, 2 Trumpets and Organ (ca.1854)
  • WAB 45, Te Deum, Soli (SATB), Choir (SATB), Orchestra and Organ ad lib. (1881, rev. 1884), Theodor Rättig (Vienna) 1885
  • WAB 46, Tota pulchra es, Tenor, Choir and Organ (1878), Emil Wetzler (Vienna) 1887
  • WAB 47, Totenlied No.1, Choir a cappella (1852)
  • WAB 48, Totenlied No.2, Choir a cappella (1852)
  • WAB 49, Trauungslied, Male Choir with Solo Quartet and Organ (1865)
  • WAB 50, Veni creator spiritus, Voice(s) and Organ (ca.1884)
  • WAB 51, Vexilla regis, Choir a cappella (1892), Josef Weinberger (Vienna) 1892
  • WAB 52, Virga Jesse, Choir a cappella (1885), Theodor Rättig (Vienna) 1886
  • WAB 53, Vor Arneths Grab, Male Choir and 3 Trombones (1854)
  • WAB 54, Zur Vermählungsfeier, Male Choir a cappella (1878), Universal Edition (Vienna) 1921
  • WAB 55, Der Abendhimmel (I), Male Quartet a cappella (1862)
  • WAB 56, Der Abendhimmel (II), Male Choir a cappella (1866), Doblinger (Vienna) 1902
  • WAB 57, Abendzauber, Male Choir, Tenor or Bariton Solo, 3 female Voices (“Yodelers”) and 4 Horns (1878), Universal Edition (Vienna) 1911
  • WAB 58, Wie bist du, Frühling, gut und treu (Amaranths Waldeslieder), Voice and Piano (ca.1858)
  • WAB 59, An dem Feste, Male Choir a cappella (ca.1843)
  • WAB 60, Mayer Cantata (Auf, Brüder, auf! Und die Saiten zur Hand), Cantata for Soli, Male Choir, Choir and Winds (1855)
  • WAB 61, Arneth Cantata, Cantata for Choir (SATTBB), 3 Horns, 2 Trumpets and Bass trombone
WAB 61a - Heil, Vater! Dir zum hohen Feste (1852)
WAB 61b - rev. 1857 as Auf Brüder! auf zur frohen Feier
WAB 61c - rev. 1870 as Heil Dir zum schönen Erstlingsfeste (not inclued in the Bruckner Gesamtausgabe as it is not known if Bruckner made any contribution to this version)
  • WAB 62, Des Dankes Wort sei mir vergönnt, Male Choir with Tenor and Bass Solo a cappella (1855)
  • WAB 63, Der deutsche Gesang (Das deutsche Lied), Male Choir, 4 Horns, 3 Trumpets, 3 Trombones and Basstuba (1892), Universal Edition (Vienna) 1911
  • WAB 64, Du bist wie eine Blume, Vocal Quartet a cappella (1861)
  • WAB 65, Das edle Herz (1.setting), Male Choir a cappella (ca.1851), Robitschek (Vienna) 1954
  • WAB 66, Das edle Herz (2.setting), Mixed Choir a cappella (1857)
  • WAB 67, Festlied, Male Choir a cappella, Anton Böhm (Augsburg and Vienna) 1928 – Transcription of An dem Feste (WAB 59), not included in the Bruckner Gesamtausgabe
  • WAB 68, Frühlingslied, Voice and Piano (1851)
  • WAB 69, Die Geburt, Male Choir a cappella (1851/52)
  • WAB 70, Germanenzug, Male Choir, Male quartet and Winds (1863-65), Josef Kränzl (Ried) 1865
  • WAB 71, Helgoland, for Male Choir and Orchestra with Cymbals (1893), Doblinger (Vienna) 1893
  • WAB 72, Herbstkummer, Tenor and Piano (ca.1868)
  • WAB 73, Herbstlied, Male Choir, 2 Soprano-Soli and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 74, Das hohe Lied, Soli (TTB) and Male choir (1876) - Reissued with accompaniment of strings and brass (1879), Doblinger (Vienna) 1902
  • WAB 75, Im April, for Voice and Piano (ca.1865), Doblinger (Vienna) 1899
  • WAB 76, Lasst Jubeltöne laut erklingen, Male Choir, 2 Horns, 2 Trumpets and 4 Trombones (1854)
  • WAB 77, Der Lehrerstand, Male Choir a cappella (ca.1847)
  • WAB 78, Das Lied vom deutschen Vaterland, Male Choir (ca.1845)
  • WAB 79, Mein Herz and deine Stimme, Voice and Piano (1868)
  • WAB 80, Mitternacht, Male Choir, Tenor-solo and Piano (1870), Doblinger (Vienna) 1903
  • WAB 81, Nachruf, Male Choir and Organ (1877)
  • WAB 82, Sängerbund, Male Choir a cappella (1882), Universal Edition (Vienna) 1911
  • WAB 83, 2 Sängsprüche for Male Choir a cappella (1851)
  • WAB 84, Ständchen, Male Quartet, Tenor-Solo a cappella (ca.1846), Robitschek (Vienna) 1954
  • WAB 85, Sternschnuppen, Male Quartet a cappella (ca.1848), Robitschek (Vienna) 1954
  • WAB 86, Tafellied, Male Choir a cappella (1893) – Reissue of An dem Feste (WAB 59)
  • WAB 87, Träumen und Wachen, Male Choir with Tenor-Solo a cappella (1890), Theodor Rättig (Vienna) 1891
  • WAB 88, Trösterin Musik, Male Choir and Organ (1886), Universal Edition (Vienna) 1911 – Reissue of Nachruf (WAB 81) with another text
  • WAB 89, Um Mitternacht (1.setting), Male Choir, Alto-Solo and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 90, Um Mitternacht (2.setting), Male Choir a cappella with Tenor-Solo (1886), Universal Edition (Vienna) 1911
  • WAB 91, Vaterländisch Weinlied, Male Choir a cappella (1866)
  • WAB 92, Vaterlandslied, Male Choir with Tenor- and Bariton-Solo a cappella (1866), Doblinger (Vienna) 1903
  • WAB 93, Vergissmeinnicht, originally entitled Musikalischer Versuch nach dem Kammer-Styl - Cantata for Choir (SSAATTBB), 4 Solo Voices and Piano (1845) – 2 versions; reissued as Vergissmeinnicht
  • WAB 94, Volkslied – 2 versions: Voice and Piano, and Male Choir a cappella (ca.1861)
  • WAB 95, 2 Wahlsprüche for choir a cappella (ca.1868)
  • WAB 96, March in D minor for Orchestra (1862)
  • WAB 97, 3 Pieces for Orchestra (1862)
  • WAB 98, Overture in G minor for Orchestra (1862, rev. 1863), Universal Edition (Vienna) 1921
  • WAB 99, Symphony in F minor (Study Symphony) (1863), Universal Edition (Vienna) 1913 (only the Andante)
  • WAB 100, Symphony in D minor 'Nullte' (1869), Universal Edition (Vienna) 1924
  • WAB 101, Symphony No.1 in C minor (Early draft 1865, Linz version 1866, Revised Linz version 1877, Vienna version 1891), Doblinger (Vienna) 1893 (Vienna version)
  • WAB 102, Symphony No.2 in C minor (1872 [1. Version], rev. 1875-76, 1877 [2. Version], and rev. 1892), Doblinger (Vienna) 1892 (rev. 1892)
  • WAB 103, Symphony No.3 in D minor "Wagner-Symphonie" (1873 [1. Version], rev. 1874, 1877 [2. Version], 1889 [3. Version], and rev. 1890), Theodor Rättig (Vienna) 1878 (2.Version), Theodor Rättig (Vienna), 1890 (3.Version)
  • WAB 104, Symphony No.4 in E-flat major "Die Romantische" (1874 [1. Version], rev. 1878, 1878-80 [2. Version] and rev.1888 [3. Version]), Albert J. Gutmann (Vienna) 1889 (3.Version)
  • WAB 105, Symphony No.5 in B-flat major "Die Katholische" (1876-78), Doblinger (Vienna) 1896 (Schalk revision)
  • WAB 106, Symphony No.6 in A major (1881), Doblinger (Vienna) 1899 (Schalk revision)
  • WAB 107, Symphony No.7 in E major (1883), Albert J. Gutmann (Vienna) 1885
  • WAB 108, Symphony No.8 in C minor "Die Apokalyptische" (1887 [1. Version], rev. 1888, 1890 [2. Version], rev. 1892), Haslinger-Schlesinger-Lienau (Vienna) 1892
  • WAB 109, Symphony No.9 in D minor (unfinished, parts of 4th movement lost) (1894-1896), Doblinger (Vienna) 1903 (Löwe's revision)
  • WAB 110, Abendklänge, Duo for Violin and Piano (1866)
  • WAB 111, String Quartet (1862), Musikwissenschaftlicher Verlag (Vienna) 1955
  • WAB 112, String Quintet (1879), Albert J. Gutmann (Vienna) 1884
  • WAB 113, Intermezzo for 2 Violins, 2 Violas and Cello (1879), Universal Edition (Vienna) 1913
  • WAB 114, Aequale (I) for 3 Trombones (1847)
  • WAB 115, Apollo-Marsch (ca.1862) – Actually not by Bruckner, but by Béla Kéler
  • WAB 116, Military March in E-flat major (1865)
  • WAB 117, Erinnerung for Piano (1868), Doblinger (Vienna) 1900
  • WAB 118, Fantasie in G major for Piano (1868), Hüni (Zürich) 1921
  • WAB 119, Klavierstück, Piece for Piano (ca.1856)
  • WAB 120, 4 Lancier-Quadrilles for Piano (ca.1850)
  • WAB 121, Quadrille for Piano 4 hands (ca.1854)
  • WAB 122, Steiermärker for Piano (ca.1850)
  • WAB 123, Stille Betrachtung an einem Herbstabend for Piano (1863)
  • WAB 124, 3 Kleine Vortragsstücke for Piano (4 hands) (1855), Universal Edition (Vienna) 1925
  • WAB 125, Fugue in D minor for Organ (1861). München: R. Piper & Co., 1911.
  • WAB 126, Postlude in D minor for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 127, Prelude in E-flat major for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 128, 4 Preludes for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 129, Perger Präludium in C major for Organ (1884), Universal Edition (Vienna) 1926
  • WAB 130, Prélude in D minor (Andante) for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 131, Vorspiel und Fuge for Organ (1847), Gustav Bosse (Regensburg) 1928
  • WAB 132, Litanei, Choir and Brass (ca.1844), lost.
  • WAB 133, Requiem, Male Choir and Organ (1845), lost.
  • WAB 134, Salve Maria (1844), lost.
  • WAB 135, Zigeuner-Waldlied (ca.1863), lost.
  • WAB 136, Domine, ad adjuvandum me festina (ca.1835), only sketch – not by Bruckner, but Johann Baptist Weiss
  • WAB 137, Wie des Bächleins Silberquelle, Duet for 2 sopranos and piano (ca.1845). Sketch (60 bars) - text reused for Ständchen, WAB 84
  • WAB 138, Mild wie Bäche, die durch Blumen wallen, Voice and Piano (ca.1845). Sketch (31 bars)
  • WAB 139, Mass in E-flat major, for choir, 2 oboes, 3 trombones, organ, and strings (ca.1846), only sketch (58 bars) of Kyrie
  • WAB 140, Missa pro Quadragesima, for choir, organ and trombone (ca.1845), only sketch (17 bars) for Kyrie
  • WAB 141, Requiem (1875), Sketch (18 bars) of Introit
  • WAB 142, Symphony in B-flat major (1869), only sketch of 1st movement
  • WAB 143, Finale for Symphony No.9 in D minor (1896), fragments.
  • WAB 144, Herz-Jesu-Lied, Choir and Organ (ca.1846). Authorship uncertain
  • WAB 145, O du liebes Jesu Kind, Voice(s) and Organ (ca.1846). Authorship uncertain
  • WAB 146, Kronstorfer Messe (Messe ohne Gloria und Credo), Choir a cappella (1844). Credo foreseen, but not composed.
  • WAB 147, Freier Sinn und froher Mut, Male Choir a cappella (1874)
  • WAB 148, 2 Mottos, Male Choir a cappella (1869)
  • WAB 149, Aequale (II) for 3 Trombones (1847) - Missing score of bass-trombone, completed by Hans Bauernfeind
  • WAB deest 1, Adagio in B major (Skizze zum Adagio der Neunten Symphonie) (ca.1890), for Organ
  • WAB deest 2, Andante in D minor (1862), for Piano
  • WAB deest 3, Andante in E-flat major (1862), for Piano
  • WAB deest 4, Chromatische Etüde in F major (1862), for Piano
  • WAB deest 5, Des Baches Frühlingsfeier (1861-62), for Voice and Piano
  • WAB deest 6, Etüde in G major (1862), for Piano
  • WAB deest 7, 4 Fantasien (1862), for Piano
  • WAB deest 8, Herzelied (1861-62), for Voice and Piano
  • WAB deest 9, Heut kommt ja Freund Klose zum Gause (1889), Canon for Vocal Quartet
  • WAB deest 10, Improvisationsskizze Bad Ischl (1890), Sketch for Organ based on the "Finale of Symphony No.1", "Händel's Alleluja" & the Kaiserhymne
  • WAB deest 11, Kyrie and Gloria (1845), for Mixed Chorus (SATB) - Lost Kyrie & Gloria for the Messe für den Gründonnerstag, WAB 9
  • WAB deest 12, Marsch in D minor (1862), for Piano
  • WAB deest 13, Mazurca in A minor (1862), for Piano
  • WAB deest 14, Menuett in C major (1862), for Piano
  • WAB deest 15, Menuett mit Trio in G major (1862), for Piano
  • WAB deest 16, Nachglück (1861-62), for Voice and Piano
  • WAB deest 17, O habt die Thräne gern (1862), for Voice and Piano
  • WAB deest 18, Polka in C major (1862), for Piano
  • WAB deest 19, Rondo in C minor (1862) for String Quartet, Musikwissenschaftlicher Verlag (Vienna) 1985 - Alternative Rondo for the String Quartet, WAB 111
  • WAB deest 20, Die Rose (ca.1885), lost piece
  • WAB deest 21, Scherzo in G minor (1862), for String Quartet
  • WAB deest 22, Sonatensatz in G minor (1862), for Piano, Musikwissenschaftlicher Verlag (Vienna) 1988
  • WAB deest 23, Thema und Variationen (1862), for Piano
  • WAB deest 24, Der Trompeter an der Katzbach (1862), for Voice and Piano
  • WAB deest 25, Von der schlummernden Mutter (1861-62), for Voice and Piano
  • WAB deest 26, Waltzer in C major (1862), for Piano
  • WAB deest 27, Waltzer in E-flat major (1862), for Piano
  • WAB deest 28, Wie neid ich dich, du stolzer Wald (1861-62), for Voice and Piano
  • WAB deest 29, Der Mondabend (ca.1850), for Voice and Piano, Anton Bruckner Institut Linz (2015)

Addendum:

  • Symphonic Prelude in C minor (1876), for Orchestra, Doblinger (Vienna) 2002. Authorship uncertain.
  • 3 Themes for an Organ Improvisation (1884), Franz Gräflinger (Munich) 1911