Mass in B minor, BWV 232 (Bach, Johann Sebastian)

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Contents

Performances

Recordings

Selections

Voices and Recorder Ensemble (Papalin)

MP3 file (audio)
Papalin (2011/6/17)

8 more: 1. Kyrie (Christe eleison) • 1. Kyrie (Kyrie eleison) • 2. Gloria (Gloria in excelsis - Et in terra pax) • 2. Gloria (Laudamus te) • 2. Gloria (Gratias agimus tibi) • 2. Gloria (Domine Deus - Qui tollis peccata mundi) • 2. Gloria (Qui sedes ad dextram Patris) • 2. Gloria (Quoniam tu solus sanctus - Cum Sancto Spiritu)

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Papalin (2011/6/17)

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Papalin (2011/6/17)

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Papalin (2011/6/17)

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Papalin (2011/6/17)

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Papalin (2011/6/17)

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Papalin (2011/6/17)

MP3 file (audio)
Papalin (2011/6/17)

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Papalin (2011/6/17)

Performer Pages Papalin (Recorder, Chorus)
Publisher Info. Papalin
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Naxos

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Synthesized/MIDI

Aria: Qui sedes ad dexteram Patris (No.10)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Crucifixus

For Mixed Chorus and Organ (Machella)

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Reccmo (2012/4/3)

Publisher Info. Maurizio Machella
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

Complete

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Irishmaestro (2014/1/8)

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Irishmaestro (2014/1/8)

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Ivdruiz (2010/10/2)

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Ivdruiz (2010/10/2)

Publisher. Info. Composer’s manuscript, n.d.(1733/1749). Mus. ms. Bach P 180
Copyright
Misc. Notes #310747 & 310748: Re-submission of the autograph of the Missa and Symbolum Nicenum originally submitted by Ivdruiz, supplemented by 9 of the 11 missing pages. Pages 55-56 are still missing from Bach Digital's scan.
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BachFan (2016/8/28)

11 more: No. 1. Missa / 1. Kyrie eleison • 2. Christe eleison - 4. Gloria in excelsis Deo • 5. Et in terra pax • 6. Laudamus te - 8. Domine Deus • 9. Qui tollis peccata mundi - 11. Quoniam tu solus sanctus • 12. Cum sancto spiritu • No. 2. Symbolum Nicenum / 13. Credo in unum Deum - 17. Crucifixus • 18. Et resurrexit • 19. Et in Spiritum sanctum - 21. Et expecto resurrectionem • No. 3. Sanctus / 22. Sanctus - 23. Pleni sunt coeli • No. 4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem / 24. Osanna - 27. Dona_nobis_pacem

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Jun T (2016/9/18)

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Jun T (2016/9/18)

Copyist Johann Sebastian Bach (1685-1750)
Publisher. Info. Manuscript, n.d.(ca.1733-1749).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 180
#439543-429553:
The PDF files generated from the full-resolution (500 dpi) TIFF files available from D-B. The degree of JPEG compression varies from one file to another so as to make the file size < 150 MB. Numbering of each piece according to that on D-B.
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Carolus (2011/5/29)

6 more: 1. Kyrie • 2. Gloria • 3. Credo • 4. Sanctus • 5. Agnus Dei • Appendix: / Original version (vocal parts) of “Et in unum Dominum”, / with “Et incarnatus est” text. (on page 172)

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MW (2006/8/11)

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MW (2006/8/11)

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MW (2006/8/11)

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MW (2006/8/11)

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MW (2006/8/11)

Editor Julius Rietz (1812–1877)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 6
Leipzig: Breitkopf und Härtel, 1856. Plate B.W. VI.
Copyright
Misc. Notes Error: page 139 (in Gloria, page 93 of PDF) is missing, replaced by page 239.
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Carolus (2009/6/23)

4 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Agnus Dei

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Carolus (2009/6/23)

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Carolus (2009/6/23)

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Carolus (2009/6/23)

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Carolus (2009/6/23)

Publisher. Info. Leipzig: Ernst Eulenburg, n.d.(ca.1925).
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Misc. Notes Based on BGA edition
(vis. identical errors at the beginning of the “Et in unum Dominum”)
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Perlnerd666 (2008/11/16)

Editor CCARH Team
Publisher. Info. Palo Alto: CCARH.
Copyright
Misc. Notes Based on BGA edition (vis. identical errors at the beginning of the “Et in unum Dominum”)
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Selections

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Peter (2008/11/3)

Editor Hermann Kretzschmar (1848–1924)
Publisher. Info. Composer’s manuscript, n.d. (1733/1749). P 180
Reprinted Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLIV.
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Aria: Qui sedes ad dexteram Patris (No.10)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

Editor Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Parts

Complete

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Perlnerd666 (2010/2/18)

11 more: Oboe 1, 2 / Oboe d’amore 1, 2 (A) • Bassoon 1, 2 • Horn (in D) • Trumpet 1, 2, 3 (D) • Timpani • Violins I • Violins II • Violas • Cellos/Basses • Organ (Continuo, with Soprano Cues) • Harpsichord (Continuo)

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Perlnerd666 (2010/2/18)

Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plates Orch.B. 1095-99
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes These files are part of the Orchestra Parts Project.
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M.kowalski49 (2014/5/29)

Editor Friedrich Smend (1893-1980)
Publisher. Info. Neue Bach Ausgabe, Ser.II, Vol.1
Kassel: Bärenreiter, 1955. BA 5001.
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Missa (Kyrie and Gloria)

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Ivdruiz (2010/2/26)

Publisher. Info. Manuscript, n.d.(18th century)
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Misc. Notes Manuscript Mus. 2405-D-21. See Misc. Comments
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Fynnjamin (2011/5/16)

13 more: Oboe d'amore 1, 2 • Bassoon • Horn, Trumpet 1, 2, 3, Timpani • Violins I • Violins II • Violas • Cellos • Continuo (figured) • Soprano I • Soprano II • Alto • Tenor • Bass

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

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Fynnjamin (2011/5/16)

Publisher. Info. Manuscript, n.d.(18th century)
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Misc. Notes Manuscript Mus. 2405-D-21. Some paper damage. Color scans.
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Aria: Qui sedes ad dexteram Patris (No.10)

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Michrond (2012/4/24)

6 more: Oboe • Violins I • Violins II • Violas • Cellos/Bassoon • Harpsichord

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Michrond (2012/4/24)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

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Michrond (2012/4/24)

Editor Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Vocal Scores

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worov (2010/12/2)

Arranger Gustav Rösler (1819-1882), piano reduction
Language Latin
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 8246.
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Aldona Jones (2012/4/12)

Publisher. Info. London: Novello, 1908. n.p.
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Misc. Notes Foreword by Arthur Sullivan (1842-1900), 1886; and F.G. Edwards, 1907
This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Kyrie I, Qui sedes, Crucifixus and Agnus Dei

For Piano Solo (Willner)

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Ralph Theo Misch (2010/11/2)

Arranger Arthur Willner (1881–1959)
Publisher. Info. Corona-Collection. J. S. Bach. II Piano Solo C. 332
Vienna: Universal Edition, n.d.(ca. 1931). Plate C.C. 98
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Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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Crucifixus

For Mixed chorus and Organ (Machella)

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Reccmo (2012/4/3)

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Reccmo (2012/4/3)

Arranger Maurizio Machella
Publisher. Info. Maurizio Machella
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Piano solo (Liszt)
See: Variationen über das Motiv von Bach, S.180, by Franz Liszt

Aria: Agnus Dei

For Cello and Piano (Roth)

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Generoso (2010/6/1)

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Generoso (2010/6/1)

Arranger Philipp Roth (1853–1898)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1895) Plate V.A.1562.
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For Organ (Repasky)

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Steve Repasky (2015/2/27)

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General Information

Work Title Mass in B minor
Alternative. Title The Great Catholic Mass
Name Translations B小调弥撒曲; B小調彌撒曲; Wielka msza h-moll; מיסה בסי מינור; 나단조 미사; Messe en si mineur; Misa en si menor; H-moll mise; Messa in Si minore; h-Moll-Messe; ミサ曲 ロ短調; Oferenn e si leiañ; Λειτουργία σε σι ελάσσονα; Hohe Messe; Mässa h-moll; Missa em Si Menor; H-Moll-Messe; Месса си минор; Missa en si menor; H-mollimessu; Меса сі мінор; Missa solemni toni Si minoris; Messe i h-moll; Mše h moll; Mass in B Minor; Миса во ха-мол; h moll missa; Misa în si minor; Si minör missa
Name Aliases B小調彌撒; B小调弥撒; Msza h-moll; המיסה בסי מינור; B단조 미사; BWV232; Gran Misa Católica; Hohe Messe in h-Moll; Messe in h-Moll; ロ短調ミサ曲; ロ短調ミサ; ミサ曲ロ短調; Missa de bach; Bachin H-mollimessu; H-molli-messu; Missa in si minor; Missa sollemnis toni B mollis; Messe i H-moll av Bach; H-moll-messen; Bach B minor mass
Authorities WorldCat; Wikipedia; VIAF: 178024721; LCCN: no97078986; GND: 300009879; SUDOC: 060826673; BNF: 13909552x; NLA: 35367783; NDL: 001093754
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 232 ; BC.E1
I-Catalogue NumberI-Cat. No. IJB 386
Key B minor
Movements/SectionsMov'ts/Sec's 4 sections
  • I. Missa (Kyrie & Gloria)
  • II. Symbolum Nicenum (Credo)
  • III. Sanctus
  • IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
Year/Date of CompositionY/D of Comp. 1748-49 (August to October)
First Performance. 1733-07-23(?) - actually no evidence of work being performed.
First Publication. 1833 - Bonn: Simrock (Kyrie and Gloria only)
1845 - Bonn: Simrock (complete)
Language Latin, Greek
Average DurationAvg. Duration 135 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Voices: 2 sopranos, alto, tenor, bass; mixed chorus (SSAATTBB)
Orchestra: 2 flutes, 3 oboes/2 oboes d’amore (A), 2 bassoons
horn (D), 3 trumpets (D), timpani, strings, continuo
External Links Wikipedia article
Bach.de (German)
Bach-Cantatas.com
Mass in B minor -  Scores at Sheet Music Plus

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Chronology

The Sanctus of the Mass was originally written for SSSATB in 1724 for Christmas; it was revised for SSAATB in the process of copying into the P 180 manuscript. The Kyrie and Gloria of the Mass were originally written 1733 for the Dresden court; some theorize that the Kyrie was a “Trauer-Ode” for Augustus I, and the Gloria a Coronation piece for Augustus II. It is unknown when the Credo was written, however, the manuscript is on a very different kind of paper, and Kobayashi dates it to near the end of Bach’s life. Further evidence of it not being copied wholesale is that the “Et in unum Dominum” was revised to include a separate “Et incarnatus est” movement. Also, the appearance of the “bridge” between the “Confiteor” and “Et expecto” shows clear signs of being a new composition (as does the Adagio introduction to the Kyrie).
The Osanna and Agnus Dei are all verifiable parody movements, but the date of composition is unknown. As Stauffer points out (2003), Bach may have had even more ambitious plans for the “Dona nobis pacem”, but was unable to complete it, and this explicates the extra staves ruled in the manuscript.

Print Sources Consulted

  1. Stauffer, George B. Bach / The Mass in B Minor / The Great Catholic Mass. 2 ed.
Yale Music Masterworks Series. No. 1, New Haven: Yale University Press, 2003.

Parodies

  • I. Missa (Kyrie & Gloria)
1-3: Kyrie I, Christe, Kyrie II - Mass in G minor by Hugo Wilderer
4: Gloria in excelsis Deo: possibly a reworking of the end movement of a Köthen concerto?; later Movement I of ''Gloria in excelsis Deo''
7: Gratias agimus tibi: Parody of Movement II of ''Wir danken dir, Gott, wir danken dir''
8: Domine Deus: Movement
  • II. Symbolum Nicenum (Credo)
  • III. Sanctus
  • IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem

Publication: Hofmeister's Monatsbericht (1833), p.95 ("Bach (J.S.) Messe f. 4 Singst. u. Orch. in Hm. Nach dem Autographum gestochen. Erste Lieferung. (Pag. 1–95.) Zürich, Nägeli, Subscriptions-Preis auf beide Lief.")
Hofmeister's Monatsbericht (1845), p.42 (Bach (J.S.) Die hohe Messe in Hmoll, nach dem Autographum gestochen. Partitur. 2te Lief. Bonn, Simrock).

Masses and Magnificats by Johann Sebastian Bach