12 Sonate da chiesa (McManus, Stephen)

Contents

Performances

Recordings

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Sonata No.1

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Sonata No.2

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Sonata No.3

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Sonata No.4

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Sonata No.5

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Sonata No.6

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Sonata No.7

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Sonata No.8

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Sonata No.9

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Sonata No.10

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Sonata No.11 'The Passion'

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Sonata No.12 'The Resurrection'

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Sheet Music

Scores and Parts

Sonata No.1

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PMLP320980-Brass Movs.I,II,III.pdf

Sonata No.2

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PMLP320980-Movs.I,II,III sonata 2.pdf.pdf

Sonata No.3

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PMLP320980-Movs.I,II,III Sonata 3.pdf

Sonata No.4

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PMLP320980-Movs.I,II,III Sonata 4.pdf

Sonata No.5

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PMLP320980-Movs.I,II,III,IV.pdf

Sonata No.6

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PMLP320980-Sonata 6.pdf

Sonata No.7

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PMLP320980-Sonata 7 complete score.pdf

Sonata No.8

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PMLP320980-Sonata 8.pdf

Sonata No.9

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PMLP320980-Sonata 9 Complete Score.pdf

Sonata No.10

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PMLP320980-Mov.I,II,III.pdf

Sonata No.11 'The Passion'

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Sonata No.12 'The Resurrection'

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PMLP320980-Res. Movs.I,II,III.pdf
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General Information

Work Title 12 Sonate da Chiesa
Alternative. Title
Composer McManus, Stephen
Movements/SectionsMov'ts/Sec's 12 sonatas
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation For instruments and organ (see above).


Misc. Comments

The Sonata da Chiesa are intended to be used as preludes to a Mass or Religious Service, but can be performed as independent pieces at a concert. Most have been written for instruments in C, the accompanying instrument is generally organ but other keyboard instruments may be used. When played on the organ registration and (in some instances) use of the pedal organ is left to the descretion of the organist. I encourage the player to extemporize where possible, using ornamentation and figuration to decorate melodic lines in repeat sections (a good example is the beginning of Sonata 7, to decorate the long cantus-firmus like notes with extemporized figurations). The pieces range from easy to difficult.

Although some ornamentation is provided, discretion is again left to the performer (following Baroque convention).