Essai sur le doigté du violoncelle, et sur la conduite de l'archet (Duport, Jean-Louis)

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Complete Book

 Instruction manual and 21 Etudes
#26008 - 21.25MB, 238 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 4258x

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Generoso (29 December 2008)

Editor:

August Lindner (1820-1878)

Language:

German / English / French

Publisher Info.:

Offenbach: Johann André, No.2599, n.d.(ca.1880). Plate 296*

Copyright:

Public Domain [tag all]

Misc. Notes:

*The Etudes are reprinted from the 1st edition (Imbault - see below)

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Instruction Manual

 Instruction manual
#87583 - 18.58MB, 166 pages -  3.0/10 2 4 6 8 10 (2) - V/V/V - 994x

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Generoso (17 December 2010)

Language:

French / German

Publisher Info.:

Offenbach: Johann André, n.d.(ca.1809). Plate 2599.

Copyright:

Public Domain [tag all]

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21 Etudes: Original version (2 parts)

 Complete score
#85572 - 24.97MB, 89 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 2669x

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Mostad (23 November 2010)

Editor:

First edition

Publisher Info.:

Paris: Imbault, n.d.(ca.1805). Plate 296.

Copyright:

Public Domain [tag all]

Misc. Notes:

This is a facsimile of the Imbault Edition. I have scanned the pages of the Duport method book that contains the etudes and added the front page of the method book. The etudes are two part, and the one part editions used today by many cellists have just left out the second part, intended for the teacher. Take notice of the old notation used in the 19th century where the G-clef, if not preceeded by a part written in tenor clef, should be played one octave lower than the pitch notated. Hence 8va in this edition actually means loco.

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 Book 2 (Nos.14-21)
#25482 - 3.32MB, 40 pages -  2.0/10 2 4 6 8 10 (1) - C/C/C - 948x

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Generoso (16 December 2008)

Publisher Info.:

Unidentified publisher, n.d.(ca.1880).

Copyright:

Public Domain [tag all]

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21 Etudes: Revised version (1 part)

 Complete score
#18211 - 11.12MB, 70 pages -  9.0/10 2 4 6 8 10 (1) - V/V/V - 2993x

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Generoso (6 July 2008)

TN-Duport-21-Etudes.jpg
Editor:

Friedrich Grützmacher (1832-1903)

Publisher Info.:

Leipzig: C.F. Peters, No.2508, n.d.(ca.1895), Plate 8180.

Copyright:

Public Domain [tag all]

Misc. Notes:

Only one of the two original parts

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 Book 1 (Nos.1-13)
#108690 - 8.01MB, 47 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1098x

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Generoso (9 July 2011)

 Book 2 (Nos.14-21)
#108689 - 5.84MB, 35 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 387x

PDF file, Scanned by Russian State Library
Generoso (9 July 2011)

Editor:

Robert Hausmann (1852–1909)

Publisher Info.:

Leipzig: Steingräber Verlag, n.d.(ca.1900). Plate 1016a.

Copyright:

Public Domain [tag all]

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21 Etudes Preceded by 15 Exercises

 Complete Score
#96263 - 9.60MB, 61 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1052x

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Generoso (15 March 2011)

Editor:

Jules Loeb (1852-1933), author of exercises

Publisher Info.:

Paris: Maurice Senart, 1915. Plate M.S. 5081 I.F.M.R.P. 21 330.

Copyright:

Public Domain [tag all]

Misc. Notes:

cleaned by Generoso

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General Information

Work Title Instruction on the Fingering and Bowing of the Violoncello
Alternative Title Anleitung zum Fingersatz auf dem Violoncell
Essai sur le doigté du violoncelle, et sur la conduite de l'archet
Composer Duport, Jean-Louis
Movements/Sections 18 Sections + 21 Etudes
Year/Date of Composition 1806 Paris
Piece Style Classical
Instrumentation Cello solo (also 2 cellos)


Misc. Comments

Essai sur le doigté Essai sur le doigté du violoncelle et sur la conduite de l'archet dédié aux professeurs de violoncelle par J.L. Duport, premier violoncelle de la chapelle de s.m. le roi de Prusse

This tutor contains 21 exercises for 2 cellos (see XIX below) Contents:

  • I. Accord du violoncelle
  • II. Manière de tenir le violoncelle
  • III. De la position de la main
  • IV. Des gammes dans le manche
  • V. Des gammes sur la même corde
  • VI. Des quatre premières positions dans le manche
  • VII. Des gammes doigtées par trois, et sans à-vide
  • VIII. De la gamme chromatique
  • IX. Des sons harmoniques
  • X. De la double corde
  • XI. Du doigté de l'arpégio et des extensions qui s'y rencontrent
  • XII. Passages propres à développer et mettre en pratique tous les principes du doigté
  • XIII. De la cadence ou trillo
  • XIV. De la nécessité de la révision des unissons et des oct. avec les à-vides
  • XV. Observations sur la manière d'accorder l'instrument
  • XVI. Des vibrations et de la coalition des vibrations
  • XVII. Explication de la distance que les doigts doivent avoir entre-eux dans les quatre premières positions du manche, et la preuve de l'unité de ces quatre positions en comparant la 2e, la 3e et la 4e avec la première, sous tous ses rapports
  • XVIII. De l'archet
  • XIX. 21 Exercises (for 2 cellos)
  • No.1, Andante in F Major
  • No.2, Allegro in F minor
  • No.3, Allegro in C Major
  • No.4, Allegro moderato e ben marcato in C minor
  • No.5, Moderato in C minor
  • No.6, Allegro in G Major - by Martin Berteau
  • No.7, in G minor (for solo cello)
  • No.8, Adagio cantabile in D Major (for solo cello) - by Jean-Pierre Duport
  • No.9, Allegro moderato in D minor
  • No.10, Allegro in A Major - by Jean-Pierre Duport
  • No.11, Allegro in A minor
  • No.12, Allegro moderato quasi Andante in E Major
  • No.13, Allegro in E minor
  • No.14, Andante grazioso in B Major
  • No.15, Allegro in B minor
  • No.16, Adagio in E Major
  • No.17, Allegro in E minor
  • No.18, Allegro maestoso in A Major
  • No.19, Allegro moderato in B Major
  • No.20, Allegro in B minor
  • No.21, Allegro in D Major
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