3 Morceaux, Op.11 (Lyadov, Anatoly)

Contents

Performances

Recordings

MP3 file (audio)
Luiskaludin (2023/2/5)

Performer Pages Luis Kolodin (Piano)
Publisher Info. Luis Kolodin, 2021.
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Naxos

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Synthesized/MIDI

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Vrj (2012/5/30)

Performer Pages Jos Van Roy (Computer)
Publisher Info. Jos Van Roy
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Sheet Music

Scores

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Emiles Mern (2017/3/11)

Editor Konstantin Igumnov (1873-1948)
Pavel Lamm (1882-1951)
Lev Oborin (1907-1974)
Publisher. Info. Polnoe Sobranie Sochinenii dlia Fortepiano, Vol.1 (pp.132-143)
Moscow: Muzgiz, 1947. Plate M. 18662 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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PDF scanned by Sallen112
Sallen112 (2017/9/25)

Publisher. Info. Preludes for Piano, Book I (pp.10-12)
Leningrad: Muzyka, 1985. Plate 3094.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Masters Music Publications, n.d.[1990].
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Misc. Notes 600 dpi. Page size is 8.34 x 11.31 inches.
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Silotissimus (2020/8/17)

Copyist Alexander Siloti (1863-1945)
Publisher. Info. Manuscript, 1919.
Copyright
Misc. Notes Alexander Siloti's manuscript of his revision of Lyadov's Prelude, op. 11, no. 1. Manuscript in black ink with additional pencil performance instructions. Select measures pasted over with music cut from print score (unknown publication information). Date of production inferred from English-language statement of responsibility. Siloti left Russia for England in 1919 and eventually settled in New York. (Description from "Stanford Libraries").
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Arrangements and Transcriptions

Complete

For Orchestra (Jin)

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Johnavon Jin (2023/7/20)

Arranger Johnavon Jin (b. 2003)
Publisher. Info. Johnavon Jin, 2023.
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Misc. Notes Arranged for Romantic Orchestra
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Prelude (No.1)

For Orchestra (Jin)

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Johnavon Jin (2021/8/18)

Arranger Johnavon Jin (b. 2003)
Publisher. Info. Johnavon Jin, 2021.
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Misc. Notes Prelude Only
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For Cello and Piano

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Generoso (2010/6/12)

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Generoso (2010/6/12)

Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.(ca.1896). Plate 5557.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Mazurka in Dorian Mode (No.2)

For Orchestra (Jin)

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Johnavon Jin (2022/4/4)

Arranger Johnavon Jin (b. 2003)
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Mazurka (No.3)

For Cello and Piano

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Generoso (2010/6/12)

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Generoso (2010/6/12)

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Generoso (2010/6/12)

Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.(ca.1896). Plate 5556.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Free Recordings

1. Prelude in B minor
2. Mazurka in Dorian Mode
3. Mazurka in F-sharp minor
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General Information

Work Title Trois morceaux
Alternative. Title
Composer Lyadov, Anatoly
Opus/Catalogue NumberOp./Cat. No. Op.11
I-Catalogue NumberI-Cat. No. IAL 34
Movements/SectionsMov'ts/Sec's 3 pieces:
1. Prelude in B minor
2. Mazurka in Dorian Mode
3. Mazurka in F minor
Year/Date of CompositionY/D of Comp. 1886
First Publication. 1886
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano