3 Songs (Chadwick, George Whitefield)

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 Cover Page
#91608 - 0.10MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 85x

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Cypressdome (2011/1/30)

 No.1: So Far Away
#91609 - 0.50MB, 5 pp. -  6.0/10 2 4 6 8 10 (1) - V/V/V - 255x

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 No.2: Good Night
#91610 - 0.36MB, 5 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 159x

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Cypressdome (2011/1/30)

 No.3: Across the Hills
#91611 - 0.58MB, 5 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 152x

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Cypressdome (2011/1/30)

TN-GWChadwick 3 Songs 1881 Cover.jpg
Editor:

First edition

Publisher Info.:

Boston: Oliver Ditson & Co., 1881. Plates 48267, 48278, 48279.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Original scans: 400dpi, black and white, losslessly-compressed tif files around 4400 by 5900 pixels. Cleaned up, deskewed, re-sampled to 600dpi.

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 Cover Page (color)
#94708 - 0.79MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 45x

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Cypressdome (2011/3/2)

 No.2: Good Night
#94709 - 0.28MB, 8 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 67x

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 No.3: Across the Hills
#94710 - 0.45MB, 10 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 61x

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Cypressdome (2011/3/2)

SIBLEY1802.9049.af41-39087012078269color cover.pdf
Publisher Info.:

Boston: Oliver Ditson, 1909. Plate 61607, 70109.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

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General Information

Work Title 3 Songs
Alternative Title
Composer Chadwick, George Whitefield
Key see listing
  1. C major
  2. A major
  3. B major
Movements/Sections 3 songs
  1. So Far Away
  2. Good Night
  3. Across the Hills
First Publication 1881 – Boston: Oliver Ditson
Librettist see listing
  1. poss. Eleanora Louisa Hervey (1811–1903)
  2. ?
  3. P.W. Lyall
Language English
Dedication see listing
  1. Mrs. G.M. Cummings, Boston
  2. Mrs. Jennie M. Noyes, Boston
  3. Mrs. G.M. Cummings, Boston
Piece Style Romantic
Instrumentation Voice, piano
External Links The Lied, Art Song, and Choral Texts Archive


Misc. Comments

Re no.1: not sure whether Eleanora Louisa Montagu Hervey wrote this, but it appears in 1869 a collection of poems under her name some of which she is careful to attribute to others, and her preface explains convincingly how it is that this (and other) poems in the collection (whether or not she wrote them) appear several times (uncredited) in different 1868 issues of journals before appearing in her 1869 collection.

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