6 Organ Concertos, Op.26 (Corrette, Michel)

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Coulonnus (2016/6/27)

6 more: Violin I • Violin II • Violin III • Viola • Cello • Organ or Harpsichord solo

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

Editor First edition
Publisher. Info. Paris: l'auteur, n.d.(1756).
Copyright
Misc. Notes Cleaned, margins reduced, de-skewed and converted to monochrome.
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: C 3989
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General Information

Work Title 6 Concertos (for organ or harpsichord)
Alternative. Title VI Concerti a sei strumenti, cimbalo o organo obligati, tre violini, flauto, alto viola e violoncello
Composer Corrette, Michel
Opus/Catalogue NumberOp./Cat. No. Op.26
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 concertos:
  1. Organ Concerto in G major
  2. Concerto in A major
    I. Allegro, II. Adagio, III. Gigue
  3. Concerto in D major
    I. Allegro, II. Andante (Aria), III. Allegro
  4. Concerto in C major
    I. Allegro, II. Andante (Zampagna), III. Allegro
  5. Organ Concerto in F major
    I. Allegro, II. Aria e Variazioni, III. Allegro
  6. Concerto in D minor
    I. Allegro, II. Andante, III. Presto
First Publication. 1756 - Paris: L'auteur
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation organ (harpsichord), strings (violins I, II & III, viola, cello)

Misc. Comments

  • The flute part is needed for Concertos III & VI only.
    These concertos, being written in early classical style, do not need nor provide a continuo part, except for few measures in the IIIe Concerto.

Avertissement.

« Sur l’Orgue il faut toucher les Allegro sur le grand jeu, les Adagio sur les Flûtes, et les Solo sur le Cornet de Récit; à l’exception du 3e Concerto, les autres peuvent se toucher sur l’Orgue sans symphonie.

La partie de Flûte n’est nécessaire que lorsqu’on exécute ces Concerto[s] (III & VI) sur l’Orgue, et les pizzicati dans les parties de Violon ne doivent avoir lieu que quand on les exécutera sur le Clavecin.»