After the Ball (Harris, Charles Kassell)

Free public domain sheet music from IMSLP / Petrucci Music Library
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Performances

Recordings

 Complete Performance
#98963 - 2.22MB - 2:25 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 490x

MP3 file (audio)
Olmsted (2011/4/12)

Performers:

George J. Gaskin (1863-1920)

Publisher Info.:

United States Phonograph Co., n.d.(ca.1893).
Digital transfer - Santa Barbara: University of California, Santa Barbara Library

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

The famous chorus starts at about 1:56.

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Sheet Music

Arrangements and Transcriptions

For Voice and Piano (Clauder)

 Complete Score
#98765 - 4.42MB, 5 (cvr + 4) pp. -  8.0/10 2 4 6 8 10 (1) - V/V/V - 816x

PDF scanned by US-Wc
Olmsted (2011/4/9)

PMLP202861-Harris-AfterTheBall-1892.pdf
Arranger:

Joseph Clauder (1853-1913)

Publisher Info.:

Boston: Oliver Ditson Co., 1892.
Charles K. Harris listed as copyright claimant on first page

Copyright:

Public Domain [tag/del]

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 Color Cover
#104309 - 10.45MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 99x

PDF scanned by In Harmony
Choul (2011/6/4)

 Score
#104310 - 0.16MB, 4 pp. -  6.5/10 2 4 6 8 10 (4) - V/V/V - 301x

PDF scanned by In Harmony
Choul (2011/6/4)

PMLP202861-After the Ball Cover-Harris.pdf
Arranger:

Joseph Clauder (1853-1913) not credited

Publisher Info.:

New York: Chas. K. Harris, 1892.
Reissue - after 1919.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Cleaned 600 dpi B/W Score.

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General Information

Work Title After the Ball
Alternative Title
Composer Harris, Charles Kassell
Year/Date of Composition 1892? - see talk page
First Publication 1892 - Milwaukee: Charles K. Harris & Co., 8 (4 music) pages
Librettist Composer
Language English
Piece Style Romantic
Instrumentation piano and voice
Extra Information Harris may have composed only the melody, engaging Clauder to create the piano accompaniment.
See the talk page for a more detailed discusison.


Misc. Comments

One of the most popular and financially-successful songs ever published. Used by Kern and Hammerstein in their musical, Show Boat (1927).

(4 minutes 54 in the eponymous recording ("After the Ball plus highlights from 'Vaudeville'") made by Joan Morris and William Bolcom for Nonesuch Records and first released on a 1974 LP.)

Published by Schott in 1917 or 1918 in a violin/piano arrangement, "Nach dem Ball: Blumenwalzer für Violine mit Pianoforte", rev. by Hugo Hartmann (see Hofmeister's Monatsbericht (1918), p.4).

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