Alto Horn Sonata (Hindemith, Paul)

This work is likely not in the public domain in the US (due to first publication with the required notice after 1922, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years.

Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Contents

Performances

Naxos Search

Search key:

Javascript not enabled.

Sheet Music

Scores and Parts

PDF scanned by Unknown
Madcapellan (2014/1/7)

PDF scanned by Unknown
Madcapellan (2014/1/11)

Editor First edition
Publisher. Info. London: Schott & Co., Ltd., No.4635, 1956. Plate 38601.
Copyright
Purchase
Javascript is required for this feature.
Javascript is required to submit files.

General Information

Work Title Alto Horn Sonata
Alternative. Title Sonate für Althorn (Waldhorn, Alt-Saxophon) in Es und Klavier
Composer Hindemith, Paul
Movements/SectionsMov'ts/Sec's 4 movements
I. Ruhig bewegt
II. Lebhaft
III. Sehr langsam
IV. Das Posthorn (Zwiegespräch):
Lebhaft (♩‧ and ♪.= 60)
Year/Date of CompositionY/D of Comp. 1943 September, South Egremont or New Haven
First Publication. 1956
Average DurationAvg. Duration 11 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Alto horn (or saxophone), piano
External Links Hindemith Foundation
Sheet Music Plus
Wikipedia article (French)

Misc. Comments

Wikipedia divides the finale here into two movements: "Dialogue « cor de postillon » sur un poème du compositeur:

l'ancien n'est pas bon pour la simple raison qu'il appartient au passé / le nouveau n'est pas d'avantage excellent parce que nous marchons avec lui / et personne n'a jamais éprouvé plus de bonheur / que ce qu'il était en mesure d'assumer et de comprendre /il t'appartient à toi, au delà de la hâte, du bruit et de la multitude / de retrouver et de préserver à nouveau / ce qui est permanent, le silence, le sens, la structure...

Finale"

(an unspecified finale preceded by a Dialogue. Hindemith's Horn Concerto also contains a movement with text, very occasionally - as for example on the cpo recording of the concerto - recited aloud during the work rather than e.g. read, and noted, silently for performer and audience guidance.) - Schissel