Asphodel (Fine, Vivian)
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Performances
Recordings
Complete performance
*#246006 - 23.15MB - 12:38 - (0) - - !N/!N/!N - 80x⇩
MP3 file (audio)
rhymesandchymes (2012/8/9)
Maria Tegzes, soprano; Leone Buyse, flute; William Wizesien, clarinet; Nancy Cirrilo, violin; Katherine Murdock, viola; Kim Scholes, cello; Dean Anderson, percussion; Sally Pinkas, piano, Richard Pittman, conductor.
Vivian Fine Estate
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
Recorded live April 10, 1989, Kathryn Bache Miller Theater, New York. The first section (3 minutes) is marred by clicking but the rest of the piece is OK. This is the only extant recording.
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Sheet Music
Scores
Complete score
*#177728 - 4.38MB, 33 pp. - (0) - !N/!N/!N - 232x⇩
PDF scanned by Paul Hawkins
rhymes&chymes (2012/2/11)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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Report performances to Vivian Fine Estate
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General Information
| Work Title | Asphodel |
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| Alternative Title |
| Composer | Fine, Vivian |
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| Year/Date of Composition | 1988 |
| First Performance | 1989-04-10 in New York, Kathryn Bache Miller Theater
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| Librettist | William Carlos Williams (1883–1963) |
| Language | English |
| Average Duration | 13 minutes |
| Piece Style | Modern |
| Instrumentation | Soprano, flute, clarinet, violin, viola, cello, percussion, piano |
| External Links | Vivian Fine website |
Misc. Comments
Commissioned by the Boston Musica Viva
Review
The text for the piece is about a long marriage and its weathering of storms; the lines come from a poem by William Carlos Williams. The speaker of the lines is apparently a man; he draws a comparison between himself and Orpheus, who went to hell for love’s sake. But in Fine’s music the singer becomes a coloratura soprano. The storms go by quickly, and the singer vocalizes flowering melismas of reconciliation over music that lifts the voice and wafts it like a gentle breeze. It’s a lovely piece, and Marla Tegzes sang it with sympathy and virtuosity.
- —Richard Dyer, The Boston Globe, April 22, 1989
- Works not in public domain
- Recordings
- Works Licensed through ASCAP
- Manuscripts
- Pages with scores
- Scores
- Fine, Vivian
- Modern
- Songs
- For voice, flute, clarinet, percussion, violin, viola, cello, piano
- Scores featuring the voice
- Scores featuring the soprano voice
- Scores featuring the flute
- Scores featuring the clarinet
- Scores featuring percussion soloists
- Scores featuring the violin
- Scores featuring the viola
- Scores featuring the cello
- Scores featuring the piano
- For voices with solo instruments
- English language
- Williams, William Carlos/Librettist

