Bishop Closes High Church (Hill, Malcolm)

Contents

Performances

Recordings

FLAC file (audio)
JemilonSM (2017/6/20)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/20)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/21)

FLAC file (audio)
JemilonSM (2017/6/20)

FLAC file (audio)
JemilonSM (2017/6/21)

Performer Pages Malcolm Hill (organ)
Publisher Info. Malcolm Hill
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General Information

Work Title Bishop Closes High Church
Alternative. Title
Composer Hill, Malcolm
Movements/SectionsMov'ts/Sec's 19 improvisations
  1. Apocalyptic Trumpeter Takes Her Place
  2. Octatonic Scherzo and Trio
  3. Distressed and Bent Reeds
  4. Care Passes By on the Other Side
  5. Feelings of Apprehension
  6. Thoughts on an Agnus
    based on composer's Plainsong Agnus Mode II
  7. Congregational Planctus
  8. Orthodox-Seeking
  9. Meditation on an Agnus
  10. Octatonic Scale in Paris
  11. Sanctus is Offered
    based on composer's Plainsong Sanctus Mode VII
  12. Asserting Historical English Elements
  13. Small Reeds Heard Around
  14. Minor 3 2 1
  15. Prospect of Displacement at the Octave
  16. Clusters Everywhere
  17. Trumpets Circle Around
  18. New Agnus Offered during Wartime
  19. New Gloria at the Dispersal
    based on composer's Plainsong Gloria Mode III
Year/Date of CompositionY/D of Comp. 2011
First Performance. 2011/02/07
First Publication. 2011
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation organ
Extra Information A series of 19 improvisations recorded at Holy Trinity Church, Queen Square, Bath UK two weeks before the church was closed.