Bonjour mon coeur (Lassus, Orlande de)

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 MIDI Performance
#204386 - 0.00MB - 1:02 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 181x

MID file (audio/video)
Jeko89 (2012/4/15)

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Synthesized MIDI

Publisher Info.:

Fritz Brodersen

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Scores and Parts

 Complete score
#149327 - 0.02MB, 2 pp. -  2.0/10 2 4 6 8 10 (1) - !N/!N/!N - 2560x

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Jeko89 (2011/11/10)

 Soprano part
#149328 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 213x

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Jeko89 (2011/11/10)

 Alto part
#149329 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 139x

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Jeko89 (2011/11/10)

 Tenor part
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 Bass part
#149331 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 129x

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Jeko89 (2011/11/10)

 Engraving files (Capella)
#204387 - 0.01MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 195x

ZIP typeset by editor
Jeko89 (2011/11/10)

WIMA.9517-Bonjour-mon-coeur.pdf
Editor:

Fritz Brodersen

Publisher Info.:

Fritz Brodersen

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

Purchase:

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Arrangements and Transcriptions

Addfilenum[2]

For Organ (Schmid)
See: Bon jour mon cuer by Bernhard Schmid I
For Keyboard (Paix)
See: Bonjour mon cuer by Jakob Paix
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General Information

Work Title Bonjour mon coeur
Alternative Title Bon jour mon coeur; Christ est mon Dieu
Composer Lassus, Orlande de
First Publication 1564 in Quatriesme livre des chansons a 4 et 5 parties, RISM 1564c (No.1)
Librettist Pierre de Ronsard (1524–1585)
Language French
Piece Style Renaissance
Instrumentation SATB voices
External Links CPDL page


Misc. Comments

  • From RISM possibly LV 167.
  • "Christ est mon Dieu" is not a translation of the original text, it is the same melody set to a religious text of a different origin (not Ronsard). It is unclear whether this was done by Lassus or someone else, but it became a very popular tune in both forms, and there are several settings of both.
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