Cantate Domino, SwWV 96 (Sweelinck, Jan Pieterszoon)

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Synthesized/MIDI

MID file (audio/video)
Coulonnus (2011/11/7)

Performers Christof K. Biebricher
Publisher Info. Christof K. Biebricher
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For 2 Trumpets and 2 Trombones (Rondeau)

MID file (audio/video)
Reccmo (2012/5/18)

Performers Synthesized MIDI
Publisher Info. Michel Rondeau
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Sheet Music

Scores

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Coulonnus (2011/9/25)

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Reccmo (2012/2/12)

Editor Christof K. Biebricher
Language German
Publisher. Info. Christof K. Biebricher
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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WIMA.bedb-swee96ps.pdf

Arrangements and Transcriptions

For 2 Trumpets and 2 Trombones (Rondeau)

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Reccmo (2012/5/18)

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Reccmo (2012/5/18)

PDF typeset by arranger
Reccmo (2012/5/18)

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Reccmo (2012/5/18)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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WIMA.a580-SCDSco.pdf

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General Information

Work Title Cantate Domino canticum novum
Alternative. Title Sing, Erde, sing in frohen Chören ; Psalm 96
Composer Sweelinck, Jan Pieterszoon
Opus/Catalogue NumberOp./Cat. No. SwWV 96
Key D minor
Movements/SectionsMov'ts/Sec's 1
First Publication. 1621?
Librettist Psalms
Language French
Average DurationAvg. Duration 1–3 minutes
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation Mixed Chorus (SATB)
External Links RISM 400215539 (title is partially in French here, and it is on page 96 of a larger volume- appropriately)
RISM 400253791 (composer given as Sweling)
RISM 400100325 (these three copies, incomplete sets of parts, at the library at Biblioteca Fundaziun Planta, Samedan, Switzerland)
RISM 400164632 (at Chur, Switzerland. Just soprano part here)

Misc. Comments

Other recordings come in around 2 minutes, including van der Kamp in the Glossa recording of Sweelinck's complete psalms.
(Not a cantata ; cantate is "sing" from the Latin title.)

Does not seem to be the same as his setting of the same text in Cantiones sacrae (no.63), which seems on the basis of a Amazon.com sound sample to be considerably more elaborate (and a recording of which takes 3 minutes 40, though that is not inconsistent.) (setting is in French? Title is Latin, anycase. RISM has key as D minor; admittedly in Renaissance this can be hard to settle - D minor/modal with opening more in A minor / D with flattened 7? or A minor with ending on the subdominant? Inclined to former interpretation, strongly so; makes much more sense.)