Chromatisch Kwartet (Visser, Dick)

Movements/SectionsMov'ts/Sec's 4 movements
Composition Year 1984
Genre Categories Quartets; For 4 guitars; Scores featuring the guitar; For 4 players

Contents

Performances

Recordings

 1. Moderato
#494733 - 2.51MB - 1:50 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 234×⇩ - MP3 - Wim Hoogewerf

MP3 file (audio)
Wim Hoogewerf (2017/9/28)

 2. Allegro
#494734 - 3.84MB - 2:48 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 112×⇩ - MP3 - Wim Hoogewerf

MP3 file (audio)
Wim Hoogewerf (2017/9/28)

 3. Larghetto
#494735 - 3.39MB - 2:28 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 70×⇩ - MP3 - Wim Hoogewerf

MP3 file (audio)
Wim Hoogewerf (2017/9/28)

 4. Vivace
#494736 - 1.85MB - 1:21 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 72×⇩ - MP3 - Wim Hoogewerf

MP3 file (audio)
Wim Hoogewerf (2017/9/28)

Publisher Info. Dick Visser Estate
Performers Attacca Guitar Ensemble: Henk Hopman, Henk van Lingen, Pieter Loman and Martin Meijer
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes Artistic direction by Dick Visser
Purchase
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Sheet Music

Scores

 Complete Score
#494732 - 15.83MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 274×⇩ - Wim Hoogewerf

PDF scanned by editor
Wim Hoogewerf (2017/9/28)

Copyist Wim Hoogewerf (b. 1956)
Publisher. Info. Dick Visser Estate
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes Composer's manuscript
Purchase
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General Information

Work Title Chromatisch Kwartet
Alternative. Title
Composer Visser, Dick
I-Catalogue NumberI-Cat. No. IDV 9
Movements/SectionsMov'ts/Sec's 4 movements:
1. Moderato
2. Allegro
3. Larghetto
4. Vivace
Year/Date of CompositionY/D of Comp. 1984
First Performance. 1984
First Publication. 1985
Average DurationAvg. Duration 9 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 4 guitars

Navigation etc.

Note by the composer: « Chromatisch Kwartet » is in the so-called "widened tonality." In fact it is an harmonious composition, but the chromatic coloring of the harmonies and an optimal use of all possibilities in sound, broaden the idea of what is 'harmony'.

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