Come Holy Ghost (Boyce, William)

Contents

Performances

Recordings

No files submitted.

Synthesized/MIDI

MP3 file (audio)
Tpatriarche (2016/12/22)

Publisher Info. D. Anthony Patriarche
Performers Tony Patriarche (Sibelius)
Copyright
Purchase
Javascript is required for this feature.
For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2018/4/22)

Publisher Info. Michel Rondeau, 2018.
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

Sheet Music

Scores

PDF typeset by editor
Tpatriarche (2016/12/22)

Editor D Anthony Patriarche
Publisher. Info. D. Anthony Patriarche
Copyright
Misc. Notes Editor's notes
Purchase
Javascript is required for this feature.

PDF typeset by editor
Tpatriarche (2017/1/11)

Editor D Anthony Patriarche
Publisher. Info. Musicus Arbutus, Victoria BC
Copyright
Misc. Notes Dotted notes are as in the original MS. The continuo doubles the choral parts.
Purchase
Javascript is required for this feature.

Arrangements and Transcriptions

For Trumpet and Organ (Rondeau)

PDF typeset by arranger
Michrond (2018/4/22)

ZIP typeset by arranger
Michrond (2018/4/22)

Arranger Michel Rondeau (b. 1948)
Publisher. Info. Michel Rondeau, 2018.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Come Holy Ghost
Alternative. Title
Composer Boyce, William
I-Catalogue NumberI-Cat. No. IWB 3
Key G major
Movements/SectionsMov'ts/Sec's 4 verses
Year/Date of CompositionY/D of Comp. 1761 for the Coronation of George III
Librettist John Cosin (1594-1672)
Language English
Average DurationAvg. Duration 2 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation Voices: mixed chorus (SATB)
continuo (see also below, Comments)

Navigation etc.

  • Facsimile of composer's MS, previously unpublished, made available by courtesy of The Bodleian Library, Oxford.
  • RISM gives the scoring as "S (2), A, T, B, b".
  • The keyboard continuo realization of the figured bass is a suggestion only; performers should feel free to improvise in the style of the period.