Konzertstück No.1, Op.113 (Mendelssohn, Felix)

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Sheet Music

Scores and Parts

PDF scanned by D-Mbs
CBo (2009/12/19)

Editor Julius Rietz (1812–1877)
Publisher. Info. Felix Mendelssohn-Bartholdys Werke, Serie 7 (pp.39-47)
Leipzig: Breitkopf & Härtel, 1875. Plate M.B. 30.
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PMLP103902-Mendelssohn Op 113.pdf

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2010/7/6)

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2010/7/6)

Editor Julius Rietz (1812–1877)
Publisher. Info. Felix Mendelssohn-Bartholdys Werke, Serie 7
Leipzig: Breitkopf & Härtel, 1875. Plate M.B. 30.
Copyright
Misc. Notes Pale copies, scanned at 600dpi monochrome, not cleaned at all.
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PMLP103902-Mendelssohn,Felix,Op.113,Clar.pdf

PDF typeset by j4zz3d
j4zz3d (2012/4/23)

Editor W. Jordan Robson
Publisher. Info. W. Jordan Robson
Copyright
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PMLP103902-Concertpiece No. 1 (Bass Clarinet).pdf
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General Information

Work Title Concert Piece No.1, Op.113
Alternative. Title Concertstück für Clarinette und Bassethorn mit Begleitung des Pianoforte: Nr.1, Op. 113
Composer Mendelssohn, Felix
Opus/Catalogue NumberOp./Cat. No. Op.113
Key F minor
Movements/SectionsMov'ts/Sec's 3
Year/Date of CompositionY/D of Comp. 1832 (December 30), piano version
1833 (January 6), orchestration
First Performance. 1833-01-01
Dedication Heinrich Bärmann, sen. and Carl Bärmann, jun.
Average DurationAvg. Duration 8 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation original: clarinet, basset horn, piano
composer's orchestration: clarinet, basset horn, orchestra


Misc. Comments

  • According to Grove, this was originally written for clarinet, basset horn and piano, and orchestrated by Mendelssohn himself 7 days later.
  • Other editions include one by International Music Co. (IMC), edited by Eric Simon, and with a copyright notice of 1957. However, in comparing the piano parts, it is an exact reprint of the Breitkopf & Härtel edition above. The title and instrument names have been translated into English, and the composer's name has been moved to the right margin, but as far as the music goes, the typeface of the tempo markings are the same, and even the collisions between accents and staff lines are exactly the same. The clarinet/basset horn parts are yet to be compared, but the piano part is not edited in any way.