Concerto Grosso in G minor, HWV 324 (Handel, George Frideric)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2018/3/20)

Performer Pages Bamberger Symphoniker (orchestra)
Publisher Info. Berlin: Deutsche Grammophon, 1952.
Performers Fritz Lehmann (conductor)
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Naxos

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Sheet Music

Full Scores

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Piupianissimo (2015/12/6)

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Ottaviano (2019/2/11)

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Piupianissimo (2015/12/6)

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Ottaviano (2019/2/11)

Editor Adolf Hoffmann (1898-1983)
Hans Ferdinand Redlich (1903-1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 14: Zwölf Concerti Grossi Opus 6 (pp.117-50, 273)
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4016.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
#561138-561139: 600 dpi. Page size is 9.23 x 12.21 inches.
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M.kowalski49 (2021/8/6)

Editor Wilhelm Weismann (1900-1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4425.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1155.
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Parts

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7 more: Violin II Solo • Cello Solo • Violins I • Violins II • Violas • Continuo (Cellos/Basses) • Harpsichord

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M.kowalski49 (2021/8/6)

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M.kowalski49 (2021/8/6)

Editor Wilhelm Weismann (1900-1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4425.}
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1155.
Copyright
Misc. Notes Parts are 10x13 scans.
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PDF scanned by Unknown
M.kowalski49 (2021/8/6)

6 more: Violin I Solo • Violins I • Violin II Solo • Violins II • Violas • Cello Solo/Cellos/Basses/Bassoon

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M.kowalski49 (2021/8/6)

Editor Adolf Hoffmann (1898-1983)
Hans Ferdinand Redlich (1903-1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 14: Zwölf Concerti Grossi Opus 6
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4214.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7863.
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Misc. Notes Parts are 10x13 scans.
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Arrangements and Transcriptions

Complete

For 4 Accordions and Double Bass (Pasztor)

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Sonoptikon (2021/1/16)

Arranger Ernö Pasztor
Publisher. Info. SONOPTIKON, 2021.
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Misc. Notes Parts and Feedback
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For Violin and Piano (David)

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Schalltrichter (2018/9/10)

Arranger Ferdinand David (1810-1873)
Publisher. Info. Leipzig: Bartholf Senff, n.d. Plate 517.
Copyright
Misc. Notes The order of the last two movements has been reversed.
Hofmeister's Monatsbericht (1867), p.70
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For Piano 4 hands (Jadassohn)

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WilliamBunting (2011/7/19)

Arranger Salomon Jadassohn (1831-1902)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate 20261.
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For Piano (Vygodsky)

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Emiles Mern (2020/2/15)

Arranger Nikolay Vygodsky (1900-1939)
Editor Nikolai Zhilyayev (1881-1938)
Publisher. Info. Moscow: Muzgiz, 1934. Plate М. 14033 Г.
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Misc. Notes Dedicated to Romain Rolland (1866-1944)
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For Keyboard
See: A Second Set of Six Concertos (No.5)
See: Organ Concerto in G minor, HWV 300

Selections

For 2 Pianos (Gotlib)

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Mcroskell (2007/8/3)

Arranger M. Gotlib
Publisher. Info. Moscow: Muzgiz, n.d. Plate 28142.
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Misc. Notes This file is from the MIT archive project.
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Musette (No.3)

For Organ (Best)

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Keanur (2017/6/4)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.2 (pp.395-400)
London: Novello, Ewer & Co., n.d. Plate 2229.
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Allegro (No.5)

For Harmonium (Guilmant)
See: Harmonium Transcriptions by Alexandre Guilmant → Final

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General Information

Work Title Concerto Grosso in G minor
Alternative. Title
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 324 ; Op.6 No.6
I-Catalogue NumberI-Cat. No. IGH 135
Key G minor
Movements/SectionsMov'ts/Sec's 5 movements:
  1. Larghetto e affettuoso (58 bars)
  2. A tempo giusto (47 bars)
  3. Musette (58 bars)
  4. Allegro (92 bars)
  5. Allegro (52 bars)
Gavotte* (42 bars)
Year/Date of CompositionY/D of Comp. 1739-10-15
First Publication. 1740 in 12 Concerti Grossi, Op.6 (No.6)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Concertino: 2 violins, cello
Ripieno: strings, continuo
External Links Wikipedia article
Extra Information *The Gavotte was originally intended to follow the Musette but abandoned in favor of the two Allegro movements