Direct-dimensional (Torre, Salvador)

Sheet Music

Scores and Parts

PDF typeset by composer
SaTo (2017/6/15)

Publisher. Info. Salvador Torré
Copyright
Misc. Notes All four instrumentalists should play in the same general score. Please print the score in separate sheets to could slide sheets on the stand
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PDF typeset by composer
SaTo (2017/6/15)

Publisher. Info. Salvador Torré
Copyright
Misc. Notes This is the realization in traditional writing of first three pages (3 minutes) of this work
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SaTo (2017/6/17)

Editor Salvador Torre
Publisher. Info. Salvador Torre
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General Information

Work Title Direct-dimensional
Alternative. Title Directional-Dimensional for String Quartet
Composer Torre, Salvador
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's one
Year/Date of CompositionY/D of Comp. 2017
Average DurationAvg. Duration 10 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 2 violins, viola, cello
Extra Information it may be played separately as an independent piece or with the whole String Quartet No.3 by Salvador Torré

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"Directional – Dimensional " : In the String Quartet has been practiced throughout the history of music the aspect of “Laboratory of forms, Methods, Styles, Compositional Substrates etc.” using old methods arises from the canonical imitative forms counterpoint or harmony, all combined with the today languages, the infinity of music we hear today from which, for me the Rock music is very important, as well as electroacoustic practices are evident in this quartet, mixtures and super-positions of elements in a space time either compacted or expanded, micro-imitations are now a days called “delays” or “echoes”. Different distortions caused by the ways of attacking, rub, overpressure, pull hitting different parts of the instrument etc. All this adding an important element today: Improvisation, the interpreter then is enrolled in a state of freedom, but because we are speaking on classical music, this classical style provides the concept of structure, it brings a certain rigorous form. This generates an open-closed form. The title of this piece "Directional-Dimensional" is the juxtaposition of the directionality of lines and internal musical movements, in opposition to “static and contemplatives” (?) sections.