Eulenburg

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History

Founded in 1874 by Ernst Eulenburg (1847-1926) in Leipzig, Germany. For the first two decades, his catalog consisted mostly of educational and choral works. Eulenburg purchased the study score series of the Leipzig publisher Payne (1891) and that of the London publisher Donajowski (1894) to form the basis of the well-known miniature score series - Eulenburg's Kleine Partitur-Ausgabe. Ernst's son Kurt joined the company in 1911 and took over the reigns after his father's death. With the increasing brutality of the Nazi regime in Germany, Eulenburg abandoned the Leipzig headquarters in 1939 for the London office, which became the new company headquarters. Following the war, branch offices were opened in Zurich (1947) and Stuttgart (1950). After Kurt Eulenburg's retirement in 1968, the London headquarters (Ernst Eulenburg & Co., Ltd. - London and Ashford, Kent) and German branch office (Ernst Eulenburg & Co., GmbH - Mainz) were sold to Schott, while the Zurich office remained independent.

Plate numbers

All plate numbers for the study score series, which forms the vast majority of the Eulenburg catalog, begin with the prefix. "E.E." Several hundred Eulenburg titles were actually reprinted from study scores originally issued by the publishers Payne and Donajowski, which were sold to Eulenburg in 1891 and 1894 respectively. While most Eulenburg study scores are actually re-engraved, some are simply licensed reprints from other publishers. A number of study scores were apparently issued concurrently by C. F. Peters starting in the 1920s. Eulenburg frequently issued prefaces by several different authors and editors over the years for the same work without changing either the edition or plate number. Edition and plate numbers would remain the same even if the works was re-engraved fresh (Beethoven: Symphony No. 9, for example). While some prefaces are public domain due to natural expiration of copyright term, others may still be protected, even if the music itself is public domain. Eulenburg's plate numbering scheme is apparently not in any chronological order, but serves simply as an identifier for a particular publication.

Plate numbers with the E.E. prefix (includes the study score series)

PlateEditionComposerWorkYear
1081 - 83 Sitt 3 Fantasy Pieces Op.58 for Viola and Piano (1894)
1105 5 Cherubini String Quartet No.1 in E Flat (1900)
1160 60 Schubert Octet, D.803
1204 104 Beethoven Trio for 2 Oboes and English Horn, Op.87
1205 106 Dittersdorf String Quartet No.1 in D (ed. W. Altmann) 1938
1206 107 Dittersdorf String Quartet No.2 in B flat (ed. W. Altmann) 1937
1222 122 Beethoven Piano Trio No.1 (ed. Max Unger) (1925)
2634 Paganini Non più Mesta, Op. 12 (ed. Fritz Kreisler) 1905
2635 Paganini J Palpiti, Op. 13 (ed. Fritz Kreisler) 1905
3611 411 Beethoven Symphony No.9, 391 p.
(Reissue of Donajowski. Original plate number = E. 3179 D.)
(1894-1925)
3611 411 Beethoven Symphony No.9 (ed. Max Unger), 284 p. (1925)
3627 431 Haydn Symphony No.99 1935
434 Haydn Symphony No.100 1936
3634 439 Haydn Symphony No.101 1934
3633 438 Haydn Symphony No.102 1934
3638 469 Haydn Symphony No.103 1938
409 Haydn Symphony No.104 1936
3672 500 Tchaikovsky Manfred Symphony, Op.58 1924
3691 491 Borodin Symphony No.2
3702.4381 602 Weber Der Freischütz, Op.77 - Overture (ed. Hermann Abert)
Odd case with double plate number. Abert died in 1927
3827 738 Franck Variations Symphoniques
4020 Sitt 15 Etudes for Viola, Op.116 1913
4285 Niemann Butterfly, Op.82 1921
6018 893 Chabrier España
6021 525 Dvořák Symphony No.8, Op.88
6022 195 Haydn Trumpet Concerto, Hob.VIIe:1 (ed. H. F. Redlich)
6053 897 Grieg Holberg Suite, Op.40
6054 969 Brahms Ein deutsches Requiem, Op.45
6056 288 Reger String Trio No.1, Op.77b (1940)
6322 501 Borodin Symphony No.3 (compl. Glazunov) (1920)
6420 560 Tchaikovsky Symphony No.1, Op.13 (1910)
6630 1118 Borodin Prince Igor: Overture (1950)
6705 Scriabin Symphony No.5, 'Prometheus, Le Poème du Feu', Op.60 (1965)
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