Essai sur le doigté du violoncelle, et sur la conduite de l'archet (Duport, Jean-Louis)

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Fynnjamin (2012/9/28)

Language French
Publisher. Info. Paris: A. Cotelle, n.d. (c.1840), Plate 296.
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Fynnjamin (2012/9/28)

Language English
Translator John Bishop (d. 1890) (1817–1890), English text)
Publisher. Info. London: Messrs. R. Cocks & Co., n.d. (c.1852), Plate 9746.
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Generoso (2008/12/29)

Editor August Lindner (1820-1878)
Language German / English / French
Publisher. Info. Offenbach: Johann André, No.2599, n.d.(ca.1880). Plate 296*
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Misc. Notes *The Etudes are reprinted from the 1st edition (Imbault - see below)
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PMLP58001-Duport - Instruction on the Fingering and Bowing of the Violoncello.pdf

Instruction Manual

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Generoso (2010/12/17)

Language French / German
Publisher. Info. Offenbach: Johann André, n.d.(ca.1809). Plate 2599.
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PMLP58001-Duport - Essai sur le doigté du Violoncelle et sur la conduite de l'archet French-German Offenbach (ca1809).pdf

21 Etudes: Original version (2 parts)

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Mostad (2010/11/23)

Editor First edition
Publisher. Info. Paris: Imbault, n.d.(ca.1805). Plate 296.
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Misc. Notes This is a facsimile of the Imbault Edition. I have scanned the pages of the Duport method book that contains the etudes and added the front page of the method book. The etudes are two part, and the one part editions used today by many cellists have just left out the second part, intended for the teacher. Take notice of the old notation used in the 19th century where the G-clef, if not preceeded by a part written in tenor clef, should be played one octave lower than the pitch notated. Hence 8va in this edition actually means loco.
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PMLP43246-21 Etudes.pdf

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Generoso (2008/12/16)

Publisher. Info. Unidentified Publisher, n.d.(ca.1880).
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PMLP43246-Duport - Etudes for 2 Cellos Part2.pdf

21 Etudes: Revised version (1 part)

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Generoso (2008/7/6)

Editor Friedrich Grützmacher (1832-1903)
Publisher. Info. Leipzig: C.F. Peters, No.2508, n.d.(ca.1895), Plate 8180.
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Misc. Notes Only one of the two original parts
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TN-Duport-21-Etudes.jpg

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Generoso (2011/7/9)

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Generoso (2011/7/9)

Editor Robert Hausmann (1852–1909)
Publisher. Info. Leipzig: Steingräber Verlag, n.d.(ca.1900). Plate 1016a.
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PMLP58001-Duport - 21 exercices for Cello and 2nd Cello (Hausmann) book1 (Nos1-13).pdf

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Generoso (2012/6/22)

Editor Johannes Klingenberg (1852-1905)
Publisher. Info. Braunschweig: Henry Litolff's Verlag, n.d.(ca.1900). Collection Litolff No.2065.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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PMLP58001-Duport - 21 Exercices for Cello (Klingenberg).pdf

21 Etudes Preceded by 15 Exercises

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Generoso (2011/3/15)

Editor Jules Loeb (1852-1933), author of exercises
Publisher. Info. Paris: Maurice Senart, 1915. Plate M.S. 5081 I.F.M.R.P. 21 330.
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Misc. Notes cleaned by Generoso
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General Information

Work Title Instruction on the Fingering and Bowing of the Violoncello
Alternative. Title Anleitung zum Fingersatz auf dem Violoncell
Essai sur le doigté du violoncelle, et sur la conduite de l'archet
Composer Duport, Jean-Louis
Movements/SectionsMov'ts/Sec's 18 Sections + 21 Etudes
  • I. Accord du violoncelle
  • II. Manière de tenir le violoncelle
  • III. De la position de la main
  • IV. Des gammes dans le manche
  • V. Des gammes sur la même corde
  • VI. Des quatre premières positions dans le manche
  • VII. Des gammes doigtées par trois, et sans à-vide
  • VIII. De la gamme chromatique
  • IX. Des sons harmoniques
  • X. De la double corde
  • XI. Du doigté de l'arpégio et des extensions qui s'y rencontrent
  • XII. Passages propres à développer et mettre en pratique tous les principes du doigté
  • XIII. De la cadence ou trillo
  • XIV. De la nécessité de la révision des unissons et des oct. avec les à-vides
  • XV. Observations sur la manière d'accorder l'instrument
  • XVI. Des vibrations et de la coalition des vibrations
  • XVII. Explication de la distance que les doigts doivent avoir entre-eux dans les quatre premières positions du manche, et la preuve de l'unité de ces quatre positions en comparant la 2e, la 3e et la 4e avec la première, sous tous ses rapports
  • XVIII. De l'archet
  • XIX. 21 Exercises (for 2 cellos)
  1. Andante in F major
  2. Allegro in F minor
  3. Allegro in C major
  4. Allegro moderato e ben marcato in C minor
  5. Moderato in C minor
  6. Allegro in G major - by Martin Berteau
  7. Exercise in G minor (for solo cello)
  8. Adagio cantabile in D major (for solo cello) - by Jean-Pierre Duport
  9. Allegro moderato in D minor
  10. Allegro in A major - by Jean-Pierre Duport
  11. Allegro in A minor
  12. Allegro moderato quasi Andante in E major
  13. Allegro in E minor
  14. Andante grazioso in B major
  15. Allegro in B minor
  16. Adagio in E major
  17. Allegro in E minor
  18. Allegro maestoso in A major
  19. Allegro moderato in B major
  20. Allegro in B minor
  21. Allegro in D major
Year/Date of CompositionY/D of Comp. 1806 Paris
Language French
Composer Time PeriodComp. Period Classical
Piece Style Classical

Misc. Comments

Essai sur le doigté
Essai sur le doigté du violoncelle et sur la conduite de l'archet dédié aux professeurs de violoncelle par J.L. Duport, premier violoncelle de la chapelle de s.m. le roi de Prusse