Essays Before a Sonata (Ives, Charles)

It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1923 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.

Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Contents

Performances

Recordings

No files submitted.

Sheet Music

Scores

PDF scanned by Sloan Foundation
Schissel (2011/3/15)

Publisher. Info. New York: The Knickerbocker Press, 1920.
Copyright
Purchase
Javascript is required for this feature.
PMLP197850-essaysbeforesona00ives bw.pdf
Javascript is required to submit files.

General Information

Work Title Essays Before a Sonata
Alternative. Title
Composer Ives, Charles
Movements/SectionsMov'ts/Sec's 6
First Publication. 1920 by New York: The Knickerbocker Press
Copyright Information Possibly public domain in EU and elsewhere.
This item, public domain in its country of origin, is possibly likewise public domain in the EU due to the EU's implementation of Rule of the Shorter Term for non-EU works. This EU ruling might be superseded by bilateral treaties still in force between some EU countries and countries outside the EU (notably the USA).
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Language English
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation Book.


Misc. Comments

  • "Written primarily as a preface or reason for the second pianoforte sonata-Concord, Mass., 1845" - from the description at archive.org.
  • (Would tag as autobiographies but seems not quite on-target. Preface? - Schissel)
  • Though it had a definite connection to the second piano sonata, Grove Music describes this as "his most detailed statement of his aesthetics", so it has a far more general subject matter. Aesthetics doesn't easily fall into the music theory category, so I've tagged it as music history. (Steltz)