Féerique (Ibert, Jacques)

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This work likely not be in the public domain in the US (due to first publication with the required notice after 1922, plus renewal or "restoration" under the GATT/TRIPS amendments) in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years.

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Sheet Music

Full Scores

 Complete Orchestral Score (CA)
#293489 - 2.51MB, 39 pp. -  0.0/10 2 4 6 8 10 (0- V/21/33

PDF scanned by Unknown
Daphnis (2013/8/24)

Publisher Info.:

Paris: Alphonse Leduc, 1925. Plate A. L. 17,449.

Copyright:

Public Domain - Non-PD US, Non-PD EU [tag/del]

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Arrangements and Transcriptions

For Piano (Ibert)

 Complete Score (CA)
#296376 - 0.74MB, 10 pp. -  0.0/10 2 4 6 8 10 (0- V/21/33

PDF scanned by Unknown
Daphnis (2013/9/17)

Publisher Info.:

Paris: Alphonse Leduc, 1925. Plate A. L. 16,931.

Copyright:

Public Domain - Non-PD US, Non-PD EU [tag/del]

Purchase:

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General Information

Work Title Féerique
Alternative Title
Composer Ibert, Jacques
Key E major
Movements/Sections 1
Year/Date of Composition 1924, Houlgate, Calvados
First Publication 1925
Average Duration 6–10 minutes
Piece Style Early 20th century
Instrumentation Orchestra
piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (A),
bass clarinet, 3 bassoons
4 horns, 3 trumpets, 3 trombones, tuba
timpani, percussion, chimes, 2 harps, strings
External Links Notes to Naxos Recording
All Music Guide


Misc. Comments

Sometimes described (not by the composer so far as I can tell???) as a symphonic poem. Orchestration of an earlier piano work. (BBC sometimes broadcasts a Stokowski/Radiotelevisione italiana. Orchestra di Torino broadcast of this work from 1955 (8'40" in duration according to the CADENSA database (the BBC Sound and Moving Image Catalogue), also a recording conducted by Robert Ziegler lasting 8'11" from 1997 (same database); Daniels' "Orchestral Music: A Handbook" estimates 9 minutes so it is difficult to say if that is just a guess or if the three existing recordings- those conducted by Stokowski, Ziegler and Adriano - are cut (or too fast).- Schissel

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