IMSLP:Featured - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

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This featured list is intended to give special attention to rare editions, complete collections, or just nice things (complete operas, sets of parts, etc.). Pay attention to the scan quality of the score, which, of course, has to be excellent. Of particular interest are editions that have a certain musicological historical value.
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If you have any questions, ask me. Snailey _{Yell at me Email me}

Contents

1 Criteria (suggested)
2 Instructions
3 Current
4 Archive
5 Suggestions

Criteria (suggested)

Must have verified publisher information.
Must be PD in all three categories.
Should be complete, rare or nice (see above).
Should be good quality scans (8+).

Instructions

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Current

The holograph manuscript of Clara Schumann’s Prelude and Fugue in F-sharp minor.
The first edition of Marpurg’s Abhandlung von der Fuge, published by A. Haude and J. C. Spener.
The autograph manuscript of Beach’s Variations on Balkan Themes, Op.60.
The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 7, published by Angelo Gardano.
The first edition of Pachelbel’s Scherzi Melodichi from Hexachordum Apollinis, published by Cornelius Nicolaus Schurtz.

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Archive

The holograph manuscript of Clara Schumann’s Praeludien ICS 17.
The first edition of Descartes’s Musicae compendium, published in 1650.
The autograph manuscript of Beach’s Valse-Caprice, Op.4.
The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 6, published by Angelo Gardano.
The first edition of Telemann’s Scherzi Melodichi from Pyrmonter Kurwoche, published by the composer.
The holograph manuscript of Clara Schumann’s Etude in A-flat major, WoO 4.
The first and second editions of Cerone’s Le regole più necessarie per l'introduttione del canto fermo, published by Giovanni Battista Gargano and Lucrecio Nucci.
The autograph manuscript of Beach’s Romance, Op.23.
The first edition (parts) of Marenzio’s Canzonette alla Napolitana, Book 2, published by Giacomo Vincenti.
The first edition of Telemann’s Nouvelles sonatines (continuo part lost), published by the composer.
The holograph manuscript of Schumann’s Einfache Praeludien für Schüler.
The first and second editions of Cerone’s El melopeo y maestro, published by Giovanni Battista Gargano and Lucrecio Nucci.
The autograph manuscript of Beach’s Piano Quintet, Op.67.
Scotto’s Il secondo libro delle muse, published in 1562.
The first edition of Telemann’s Musikalisches Lob Gottes, published by the composer.
The holograph manuscript of Schumann’s Waldszenen, Op.82.
The first and second editions of Heyden’s Musicae stoicheiōsis, published by F. Peypus.
The autograph manuscript of Beach’s Mass in E-flat major, Op.5.
Scotto’s Il primo libro delle muse, published in 1562.
The first edition of Telemann’s Fugues légères & petits jeux, TWV 30:21-26, published by the composer.
The autograph manuscript of Schumann’s Szenen aus Goethes Faust, WoO 3.
The first and second editions of Heyden’s De arte canendi, published by Johannes Petraeum.
The autograph manuscript of Beach’s Jephthah's Daughter, Op.53.
Scotto’s Musica quinque vocum (possibly by Eleonora d'Este), published in 1569.
The first edition of Telemann’s Ew'ge Quelle, milder Strom, TWV 1:546, published by the composer.
The autograph manuscript of Schumann’s Symphony No.4, Op.120.
The holograph manuscript of Weber’s Euryanthe, Op.81.
The autograph manuscript of Beach’s Hermit Thrush, Op.92.
Scotto’s Musica de' virtuosi della florida capella di Baviera, published in 1569.
The first edition of Telemann’s Der getreue Music-Meister, published by the composer.
The autograph manuscript of Schumann’s Phantasiestücke, Op.88.
The first edition of Schubert’s Wehmut, D.772, published by Sauer & Leidesdorf.
The autograph manuscript of Beach’s The Chambered Nautilus, Op.66.
Scotto’s Motetti a 3 voci, Book 2, published in 1549.
The first edition of Telemann’s 6 Trio Sonatas for oboe and violin, published by the composer.
The autograph manuscript of Schumann’s Phantasie for Violin and Orchestra, Op.131.
The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
The autograph manuscript of Beach’s Ballade, Op.6.
Scotto’s 6 Missae cum quinque vocibus, published in 1542.
The first edition of Telemann’s 6 Sonates à violon seul accompagné par le clavessin, published by the composer.
The autograph manuscript of Schumann’s canon Fest im Takt, im Tone rein, Op.68 Anh..
The first edition of Schubert’s Suleika, D.720, published by Sauer & Leidesdorf.
The autograph manuscript of Beach’s Bal masqué, Op.22.
Scotto’s Missae cum quatuor vocibus paribus decantandae, published in 1542.
The first edition of Telemann’s 6 Sonates corellisantes, published by Blavet, Boivin, and Le Clerc.
The autograph manuscript of Schumann’s 2 Endenicher Choräle.
The first edition of Schubert’s Selige Welt, D.743, published by Sauer & Leidesdorf.
The first edition (parts) of Sousa’s 4 Marches for Regimental Drums and Trumpets, published by Harry Coleman.
Scotto’s Missae cum 4 vocibus, Liber 1, published in 1540.
The first edition of Telemann’s 6 Sonatas, TWV 40:124-129, published by Blavet, Boivin, and Le Clerc.
The autograph manuscript of Schumann’s Bilder aus Osten, Op.66.
The first edition of Schubert’s Sehnsucht, D.516, published by Diabelli.
The first edition (parts) of Sousa’s Across the Danube, Op.36, published by Harry Coleman.
Scotto’s Magnificat cum 4 vocibus, Liber 1, published in 1542.
The first edition of Telemann’s 6 Overtures for Clavier, TWV 32:5-10, published by Balthasar Schmid.
The autograph manuscript of Mendelssohn’s Violin Concerto in D minor, MWV O 3.
The first edition of Schubert’s Schäfers Klagelied, D.121, published by Diabelli.
The first edition (parts) of Sousa’s Anchor and Star, published by Carl Fischer.
Scotto’s I madrigali a tre voci, published in 1541.
The first edition of Telemann’s 6 Concerts et 6 Suites, published by the composer.
The autograph manuscript of Mendelssohn’s Piano Quartet in D minor, MWV Q 10.
The first edition of Schubert’s Schwanengesang, D.744, published by Sauer & Leidesdorf.
The first edition (parts) of Sousa’s Ben Bolt, published by Harry Coleman.
Scotto’s Hymnorum musica, published in 1542.
The first edition of Telemann’s 3 Trietti methodichi e 3 Scherzi, published by Georg Christian Grund.
The autograph manuscript of Mendelssohn’s Piano Concerto in A minor, MWV O 2.
The first edition of Schubert’s Schatzgräbers Begehr, D.761, published by Sauer & Leidesdorf.
The first edition (parts) of Sousa’s Bonnie Annie Laurie, published by J.W. Pepper.
Susato’s L’unziesme livre des chansons, published in 1549.
The first edition of Handel’s Alexander's Feast, HWV 75, published by John Walsh.
The autograph manuscript of Mendelssohn’s 3 Fantaisies, Op.16.
The first edition of Schubert’s Rastlose Liebe, D.138, published by Diabelli.
The first edition (parts) of Sousa’s Boy Scouts of America, published by T.B. Harms.
Susato’s Le Dixiesme livre des chansons, published in 1545.
The first edition of Handel’s Acis and Galatea, HWV 49, published by John Walsh.
A set of early sketches for Mendelssohn’s Athalie, Op.74.
The first edition of Schubert’s Morgenlied, D.685, published by Diabelli.
The first edition (parts) of Sousa’s Bullets and Bayonets, published by Schirmer.
Georg Rhau’s Officiorum (ut vocant) de Nativitate etc., Tome 1, published in 1545.
The holograph manuscript of Bach’s Das wohltemperierte Klavier I, BWV 846-869.
The holograph manuscript of Berlioz’s Les Troyens, H 133.
The first edition of Schubert’s Memnon, D.541, published by Diabelli.
The first edition (parts) of Sousa’s Comrades of the Legion, published by Sam Fox.
Georg Rhau’s Officia Paschalia de resurrectione et ascensione Domini, published in 1539.
The holograph manuscript of Bach’s Wir danken dir, Gott, wir danken dir, BWV 29.
The holograph manuscript of Berlioz’s Symphonie fantastique, H 48 .
The first edition of Schubert’s Meeres Stille, D.216, published by Diabelli.
The first edition (parts) of Sousa’s Congress Hall, published by Harry Coleman.
Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 2, published in 1545.
The holograph manuscript of Bach’s Wer mich liebet, der wird mein Wort halten, BWV 59.
The holograph manuscript of Berlioz’s Harold en Italie, H 68.
The first edition of Schubert’s Lob der Tränen, D.711, published by Diabelli.
The first edition (parts) of Sousa’s Corcoran Cadets, published by Carl Fischer.
Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 1, published in 1545.
The holograph manuscript of Bach’s Hunt Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208.
The holograph manuscript of Berlioz’s Grande messe des morts, H 75.
The first edition of Schubert’s Geheimes, D.719, published by Diabelli.
The first edition (parts) of Sousa’s Dwellers of the Western World, published by John Church.
Georg Rhau’s Sacrorum hymnorum, Book 1, published in 1542.
The holograph manuscript of Bach’s Was mein Gott will, das g'scheh allzeit, BWV 111.
The holograph manuscript of Berlioz’s La damnation de Faust, H 111.
The first edition of Schubert’s Gebet, D.815, published by Diabelli.
The first edition (parts) of Sousa’s El Capitan March, published by John Church.
The first edition of Sweelinck’s Chansons a 5 parties, published by Pierre Phalèse.
The holograph manuscript of Bach’s Wär Gott nicht mit uns diese Zeit, BWV 14.
The holograph manuscript of Berlioz’s Béatrice et Bénédict, H 138.
The first edition of Schubert’s Erster Verlust, D.226, published by Diabelli.
The first edition (parts) of Sousa’s Flags of Freedom, published by John Church.
The Bergamo Organ Book, an important early source of Italian organ music.
The holograph manuscript of Bach’s Wahrlich, wahrlich, ich sage euch, BWV 86.
The full score and parts for Ravel’s Daphnis et Chloé, published by Durand.
The first edition of Schubert’s Erlafsee, D.586, published by Diabelli.
The first edition (parts) of Sousa’s From Maine to Oregon, published by John Church.
The The Robert ap Huw Manuscript, a major source of early Welsh music.*The holograph manuscript of Bach’s Unser Mund sei voll Lachens, BWV 110.
The full score and parts for Delibes’s Lakmé, published by Heugel.
The first edition of Schubert’s Die Liebe hat gelogen, D.751, published by Sauer & Leidesdorf.
The first edition (parts) of Sousa’s Invincible Eagle, published by John Church.
The Laudario di Cortona, a major 13th-century collection of laude.
The holograph manuscript of Bach’s Tritt auf die Glaubensbahn, BWV 152.
The full score and parts for Donizetti’s Lucia di Lammermoor, published by Ricordi.
The first edition of Schubert’s Die abgeblühte Linde, D.514, published by Diabelli.
The first edition (parts) of Sousa’s Picador March, published by Harry Coleman.
A 12th-century collection of Latin Sequences, Tropes, Cantiones, GB-Lbl AddMS.36881 housed in the British Library.
The holograph manuscript of Bach’s lute Suite in E major, BWV 1006a.
The first edition score and parts of Gounod’s Roméo et Juliette, published by Choudens.
The first edition of Schubert’s Der Zwerg, D.771, published by Sauer & Leidesdorf.
The first edition (parts) of Sousa’s Powhatan's Daughter, published by Harry Coleman.
The Toledo Codex, including Alfonso X of Castile's Cantigas de Santa Maria.
The holograph manuscript (parts) of Bach’s Sonata for Viola da Gamba in G major, BWV 1027.
The first edition score and parts of Gounod’s Faust, published by Choudens.
The first edition of Schubert’s Der Wanderer, D.489, published by Diabelli.
The first edition (parts) of Sousa’s Semper Fidelis, published by Harry Coleman.
The Cancionero de la Colombina, a major source for 15th-century Spanish music.
The holograph manuscript of Bach’s Sinfonia in D major, BWV 1045.
A condensed score sketch for Debussy’s Rapsodie for Orchestra and Saxophone.
The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
The first edition (parts) of Sousa’s Sound Off! March, published by Harry Coleman.
Phalèse’s Carminum quae chely vel testudine canuntur, printed in 1547.
The holograph manuscript of Bach’s Siehe, ich will viel Fischer aussenden, BWV 88.
The first edition of Chopin’s Mazurka in A minor, B.140, published by Chabal.
The first edition of Schubert’s Der Schäfer und der Reiter, D.517, published by Diabelli.
The first edition (parts) of Sousa’s The Beau Ideal March, published by Harry Coleman.
Attaingnant’s 13 Motetz nouvelement composez, printed in 1528.
The holograph manuscript of Bach’s Siehe zu, dass deine Gottesfurcht, BWV 179.
The first edition of Chopin’s Mazurkas, Op.7, published by Kistner.
The first edition of Schubert’s Der König in Thule, D.367, published by Diabelli.
The first edition (parts) of Sousa’s The Belle of Chicago, published by Harry Coleman.
Attaingnant’s 12 Motetz musicaulx a quatre et cinq voix, printed in 1529.
The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 183.
The first edition of Chopin’s Mazurkas, Op.17, published by Schlesinger.
The first edition of Schubert’s Der Jüngling auf dem Hügel, D.702, published by Diabelli.
The first edition (parts) of Sousa’s The Bride-Elect March, published by John Church.
Attaingnant’s Motettorum, Book 14, printed in 1539.
The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 44.
The first edition of Chopin’s Mazurkas, Op.24, published by Pleyel (reprinted by Schlesinger).
The first edition of Schubert’s Der Flug der Zeit, D.515, published by Diabelli.
The first edition (parts) of Sousa’s The Chantyman's March, published by Carl Fischer.
Attaingnant’s Motettorum, Book 13, printed in 1534.
The holograph manuscript of Bach’s Selig ist der Mann, BWV 57.
The first edition of Chopin’s Mazurkas, Op.33, published by Schlesinger.
The first edition of Schubert’s Der Fischer, D.225, published by Diabelli.
The first edition (parts) of Sousa’s The Charlatan March, published by John Church.
Attaingnant’s Motettorum, Book 12, printed in 1534.
The holograph manuscript of Bach’s Quodlibet, BWV 524.
The first edition of Chopin’s Mazurkas, Op.41, published by Troupenas.
The first edition of Schubert’s Antigone und Oedip, D.542, published by Diabelli.
The first edition (parts) of Sousa’s The Diplomat, published by John Church.
Attaingnant’s Motettorum, Book 11, printed in 1534.
The holograph manuscript of Bach’s O ewiges Feuer, o Ursprung der Liebe, BWV 34.
The first edition of Chopin’s Mazurkas, Op.56, published by Maurice Schlesinger.
The first edition of Schubert’s Am Strome, D.539, published by Diabelli.
The first edition (parts) of Sousa’s The Fairest of the Fair, published by John Church.
Attaingnant’s Motettorum, Book 10, printed in 1535.
The first edition of Bach’s Musikalisches Opfer, BWV 1079, published by the composer.
The first French edition of Chopin’s Mazurkas, Op.50, published by Maurice Schlesinger.
The first edition (parts) of Schubert’s 8 Variations on a French Song, D.624, published by Diabelli.
The first edition (parts) of Sousa’s The Free-Lance (march), published by John Church.
Attaingnant’s Motettorum, Book 9, printed in 1535.*The holograph manuscript of Bach’s Magnificat in E-flat major, BWV 243a.
The first edition of Chopin’s Mazurkas, Op.59, published by Maurice Schlesinger.
The first edition (parts) of Schubert’s 38 Waltzes, Ländler and Ecossaises, D.145, published by Diabelli.
The first edition of Sousa’s The High School Cadets, published by Harry Coleman.
Attaingnant’s Motettorum, Book 8, printed in 1534.
A holograph manuscript of Bach’s Jesus nahm zu sich die Zwölfe, BWV 22.
The first edition of Chopin’s Mazurkas, Op.63, published by Brandus.
The first edition (parts) of Schubert’s 36 Originaltänze, D.365, published by Diabelli.
The first edition (parts) of Sousa’s The Mikado March, published by Harry Coleman.
Attaingnant’s Motettorum, Book 7, printed in 1534.
A holograph manuscript of Bach’s Two-part Inventions, BWV 772-786.
The first edition of Chopin’s Mazurkas, Op.67, published by J. Meissonnier fils.
The first edition (parts) of Boyce’s 12 Trio Sonatas, published by John Walsh.
The first edition of Sousa’s The Washington Post, published by Harry Coleman.
Attaingnant’s Motettorum, Book 6, printed in 1534.
The holograph manuscript of Bach’s Ich bin vergnügt mit meinem Glücke, BWV 84.
The first edition of Chopin’s Mazurkas, Op.68, published by J. Meissonnier fils.
The first edition (parts) of Praetorius’s Terpsichore, Musarum Aoniarum, published by the Fürstliche Druckerei of Wolffenbüttel.
The holograph manuscript of Sousa’s The Stars and Stripes Forever.
Attaingnant’s Motettorum, Book 5, printed in 1534.
The holograph manuscript of Bach’s Ich bin in mir vergnügt, BWV 204.
The first edition of Chopin’s Nocturne in C minor, B.108, published by J. Maho.
The first edition (parts) of Praetorius’s Polyhymnia Caduceatrix et Panegyrica, published by Elias Holwein.
The holograph manuscript of Sousa’s The Directorate.
Attaingnant’s Motettorum, Book 4, printed in 1534.
The holograph manuscript of Bach’s Höchsterwünschtes Freudenfest, BWV 194.
The first edition of Chopin’s Nocturnes, Op.15, published by Maurice Schlesinger.
The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
The holograph manuscript of Sousa’s The Diplomat.
Attaingnant’s Motettorum, Book 4, printed in 1534.
The holograph manuscript of Bach’s Die Himmel erzählen die Ehre Gottes, BWV 76.
The first edition of Chopin’s Nocturnes, Op.27, published by Maurice Schlesinger.
The first edition (parts) of Praetorius’s Musae Sioniae, Theil 3, published by the composer.
The holograph manuscript of Sousa’s Corcoran Cadets.
Attaingnant’s Motettorum, Book 2, printed in 1534.
The holograph manuscript of Bach’s Herr Jesu Christ, wahr' Mensch und Gott, BWV 127.
The first edition of Chopin’s Nocturnes, Op.48, published by Maurice Schlesinger.
The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
The holograph manuscript of Sousa’s El Capitan (march).
Attaingnant’s Motettorum, Book 1, printed in 1534.
The holograph manuscript of Bach’s Halt im Gedächtnis Jesum Christ, BWV 67.
The first edition of Chopin’s Nocturnes, Op.62, published by Brandus.
The first edition (parts) of Praetorius’s Musae Sioniae, Theil 2, published by the composer.
The holograph manuscript of Sousa’s Boy Scouts of America.
Attaingnant’s Missarum, Book 3, printed in 1540.
The holograph manuscript of Bach’s Gott fähret auf mit Jauchzen, BWV 43.
The first edition of Chopin’s 3 Nouvelles études, B.130, published by Maurice Schlesinger.
The first edition (parts) of Praetorius’s Musae Sioniae, Theil 1, published by the composer.
Attaingnant’s Missarum, Book 2, printed in 1534.
The holograph manuscript of Bach’s Freue dich, erlöste Schar, BWV 30.
The first edition of Chopin’s Polish Songs, Op.74, published by Gustawa Gebethnera.
The first edition (parts) of Scheidt’s Cantiones sacrae, SSWV 1-38, published by Paul Langius.
The holograph manuscript of Strauss Jr.’s Die Fledermaus.
Attaingnant’s Missarum, Book 1, printed in 1534.
The holograph manuscript of Bach’s Flute Sonata in B minor, BWV 1030.
The first (French) edition of Chopin’s Polonaise in F-sharp minor, Op.44, published by Maurice Schlesinger.
The first edition of Scheidt’s Das Görlitzer Tabulaturbuch, SSWV 441-540, published by Martin Herman.
The full score and parts for Glazunov’s Saxophone Concerto, Op.109, published by Alphonse Leduc.
Attaingnant’s Chansons musicales esleves de plusieurs livres, printed in the 1530s.
The holograph manuscript of Bach’s Es ist euch gut, dass ich hingehe, BWV 108.
The first (French) edition of Chopin’s Polonaises, Op.26, published by Maurice Schlesinger.
The first and second editions of Niedt’s Musicalische Handleitung, including Mattheson's revisions, published by Benjamin Schiller.
The full score and parts for Rachmaninoff’s Piano Concerto No.1, Op.1, published by Muzgiz and A. Gutheil.
The Möller Manuscript, partially copied by J.S. Bach.
The holograph manuscript of Bach’s Es ist ein trotzig und verzagt Ding, BWV 176.
The first (French) edition of Chopin’s Polonaises, Op.40, published by Troupenas.
Robert Schumann’s collected letters, published by Breitkopf. Edited by Friedrich Gustav Jansen.
The full score and parts for Rachmaninoff’s Piano Concerto No.3, Op.30, published by A. Gutheil.
The Fayrfax Manuscript, a major source for 15th century English secular music.
The holograph manuscript of Bach’s Erfreut euch, ihr Herzen, BWV 66.
The first (French) edition of Chopin’s Polonaises, Op.71, published by J. Meissonnier.
The first edition of Martini’s Storia della musica, published by the Bologna Instituto delle scienze.
The full score and complete parts for Rachmaninoff’s Aleko, published by P. Jurgenson and Muzgiz.
The Basevi Codex, a major source for early 16th century music.
The holograph manuscript of Bach’s Er rufet seinen Schafen mit Namen, BWV 175.
The first (French) edition of Chopin’s Prelude in C-sharp minor, Op.45, published by Maurice Schlesinger.
The first edition of Schubart’s Musicalische Rhapsodien, published by the Stuttgart Carlschule.
The holograph manuscript of Bartók’s Allegro Barbaro, Sz.49.
Both books of Petrucci’s Tenori e contrabassi intabulati col sopran in canto figurato, published in 1509 and 1511.
The holograph manuscript of Bach’s Die Elenden sollen essen, BWV 75.
The first (German) edition of Chopin’s Rondo à la mazur, Op.5, published by Friedrich Hofmeister.
The first edition (parts) of Penna’s Li primi albori musicali per li principianti della musica figurata, published by Giacomo Monti.
The holograph manuscript of Brahms’s 1864 Albumblatt für Clara Schumann.
The first edition (1774) of Gerbert’s De cantu et musica sacra.
The holograph manuscript of Bach’s Ein Herz, das seinen Jesum lebend weiss, BWV 134.
The first (French) edition of Chopin’s Rondo in C minor, Op.1, published by Maurice Schlesinger.
The first edition (parts) of Penna’s Direttorio del canto fermo, published by Eredi Cassiani.
The holograph manuscript of Saint-Saëns’s song Danse macabre.
The Manuscript, V-CVbav MS S. Pietro B.80, a 15th-century source of music sung in St. Peter's, Rome.
The holograph manuscript of Bach’s Durchlauchtster Leopold, BWV 173a.
The first (French) edition of Chopin’s Rondo in E-flat major, Op.16, published by Maurice Schlesinger.
The first edition (parts) of Buonamente’s Varie sonate, Libro 4, published by Alessandro Vincenti.
The holograph manuscript of Saint-Saëns’s Danse macabre, Op.40.
The Manuscript, I-Rc MS 2856, a songbook made for Isabelle d'Este.
The holograph manuscript of Bach’s Du wahrer Gott und Davids Sohn, BWV 23.
The first (French) edition of Chopin’s Tarantella, Op.43, published by Troupenas.
The first edition (parts) of Buonamente’s Varie sonate, Libro 5, published by Alessandro Vincenti.
The holograph manuscript of Saint-Saëns’s song Les cloches de la mer.
The Mancini Codex, an important source for Italian Trecento music.
The holograph manuscript of Bach’s Brich dem Hungrigen dein Brot, BWV 39.
The first (French) edition of Chopin’s Variations brillantes, Op.12, published by Maurice Schlesinger.
The first edition and second English edition of Tosi’s Opinioni de’ cantori antichi e moderni.
The holograph manuscript of Saint-Saëns’s song L'attente.
The Manuscript, I-PEc MS 431, a monastic manuscript from the 1480s.
The holograph manuscript of Bach’s Bleib bei uns, denn es will Abend werden, BWV 6.
The first (French) edition of Chopin’s Variations sur un air national allemand, B.14, published by Maurice Schlesinger.
The first edition of Lenz’s Beethoven et ses trois styles, published by Bernard.

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