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- The holograph manuscript of Clara Schumann’s Praeludien ICS 17.
- The first edition of Descartes’s Musicae compendium, published in 1650.
- The autograph manuscript of Beach’s Valse-Caprice, Op.4.
- The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 6, published by Angelo Gardano.
- The first edition of Telemann’s Scherzi Melodichi from Pyrmonter Kurwoche, published by the composer.
- The holograph manuscript of Clara Schumann’s Etude in A-flat major, WoO 4.
- The first and second editions of Cerone’s Le regole più necessarie per l'introduttione del canto fermo, published by Giovanni Battista Gargano and Lucrecio Nucci.
- The autograph manuscript of Beach’s Romance, Op.23.
- The first edition (parts) of Marenzio’s Canzonette alla Napolitana, Book 2, published by Giacomo Vincenti.
- The first edition of Telemann’s Nouvelles sonatines (continuo part lost), published by the composer.
- The holograph manuscript of Schumann’s Einfache Praeludien für Schüler.
- The first and second editions of Cerone’s El melopeo y maestro, published by Giovanni Battista Gargano and Lucrecio Nucci.
- The autograph manuscript of Beach’s Piano Quintet, Op.67.
- Scotto’s Il secondo libro delle muse, published in 1562.
- The first edition of Telemann’s Musikalisches Lob Gottes, published by the composer.
- The holograph manuscript of Schumann’s Waldszenen, Op.82.
- The first and second editions of Heyden’s Musicae stoicheiōsis, published by F. Peypus.
- The autograph manuscript of Beach’s Mass in E-flat major, Op.5.
- Scotto’s Il primo libro delle muse, published in 1562.
- The first edition of Telemann’s Fugues légères & petits jeux, TWV 30:21-26, published by the composer.
- The autograph manuscript of Schumann’s Szenen aus Goethes Faust, WoO 3.
- The first and second editions of Heyden’s De arte canendi, published by Johannes Petraeum.
- The autograph manuscript of Beach’s Jephthah's Daughter, Op.53.
- Scotto’s Musica quinque vocum (possibly by Eleonora d'Este), published in 1569.
- The first edition of Telemann’s Ew'ge Quelle, milder Strom, TWV 1:546, published by the composer.
- The autograph manuscript of Schumann’s Symphony No.4, Op.120.
- The holograph manuscript of Weber’s Euryanthe, Op.81.
- The autograph manuscript of Beach’s Hermit Thrush, Op.92.
- Scotto’s Musica de' virtuosi della florida capella di Baviera, published in 1569.
- The first edition of Telemann’s Der getreue Music-Meister, published by the composer.
- The autograph manuscript of Schumann’s Phantasiestücke, Op.88.
- The first edition of Schubert’s Wehmut, D.772, published by Sauer & Leidesdorf.
- The autograph manuscript of Beach’s The Chambered Nautilus, Op.66.
- Scotto’s Motetti a 3 voci, Book 2, published in 1549.
- The first edition of Telemann’s 6 Trio Sonatas for oboe and violin, published by the composer.
- The autograph manuscript of Schumann’s Phantasie for Violin and Orchestra, Op.131.
- The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
- The autograph manuscript of Beach’s Ballade, Op.6.
- Scotto’s 6 Missae cum quinque vocibus, published in 1542.
- The first edition of Telemann’s 6 Sonates à violon seul accompagné par le clavessin, published by the composer.
- The autograph manuscript of Schumann’s canon Fest im Takt, im Tone rein, Op.68 Anh..
- The first edition of Schubert’s Suleika, D.720, published by Sauer & Leidesdorf.
- The autograph manuscript of Beach’s Bal masqué, Op.22.
- Scotto’s Missae cum quatuor vocibus paribus decantandae, published in 1542.
- The first edition of Telemann’s 6 Sonates corellisantes, published by Blavet, Boivin, and Le Clerc.
- The autograph manuscript of Schumann’s 2 Endenicher Choräle.
- The first edition of Schubert’s Selige Welt, D.743, published by Sauer & Leidesdorf.
- The first edition (parts) of Sousa’s 4 Marches for Regimental Drums and Trumpets, published by Harry Coleman.
- Scotto’s Missae cum 4 vocibus, Liber 1, published in 1540.
- The first edition of Telemann’s 6 Sonatas, TWV 40:124-129, published by Blavet, Boivin, and Le Clerc.
- The autograph manuscript of Schumann’s Bilder aus Osten, Op.66.
- The first edition of Schubert’s Sehnsucht, D.516, published by Diabelli.
- The first edition (parts) of Sousa’s Across the Danube, Op.36, published by Harry Coleman.
- Scotto’s Magnificat cum 4 vocibus, Liber 1, published in 1542.
- The first edition of Telemann’s 6 Overtures for Clavier, TWV 32:5-10, published by Balthasar Schmid.
- The autograph manuscript of Mendelssohn’s Violin Concerto in D minor, MWV O 3.
- The first edition of Schubert’s Schäfers Klagelied, D.121, published by Diabelli.
- The first edition (parts) of Sousa’s Anchor and Star, published by Carl Fischer.
- Scotto’s I madrigali a tre voci, published in 1541.
- The first edition of Telemann’s 6 Concerts et 6 Suites, published by the composer.
- The autograph manuscript of Mendelssohn’s Piano Quartet in D minor, MWV Q 10.
- The first edition of Schubert’s Schwanengesang, D.744, published by Sauer & Leidesdorf.
- The first edition (parts) of Sousa’s Ben Bolt, published by Harry Coleman.
- Scotto’s Hymnorum musica, published in 1542.
- The first edition of Telemann’s 3 Trietti methodichi e 3 Scherzi, published by Georg Christian Grund.
- The autograph manuscript of Mendelssohn’s Piano Concerto in A minor, MWV O 2.
- The first edition of Schubert’s Schatzgräbers Begehr, D.761, published by Sauer & Leidesdorf.
- The first edition (parts) of Sousa’s Bonnie Annie Laurie, published by J.W. Pepper.
- Susato’s L’unziesme livre des chansons, published in 1549.
- The first edition of Handel’s Alexander's Feast, HWV 75, published by John Walsh.
- The autograph manuscript of Mendelssohn’s 3 Fantaisies, Op.16.
- The first edition of Schubert’s Rastlose Liebe, D.138, published by Diabelli.
- The first edition (parts) of Sousa’s Boy Scouts of America, published by T.B. Harms.
- Susato’s Le Dixiesme livre des chansons, published in 1545.
- The first edition of Handel’s Acis and Galatea, HWV 49, published by John Walsh.
- A set of early sketches for Mendelssohn’s Athalie, Op.74.
- The first edition of Schubert’s Morgenlied, D.685, published by Diabelli.
- The first edition (parts) of Sousa’s Bullets and Bayonets, published by Schirmer.
- Georg Rhau’s Officiorum (ut vocant) de Nativitate etc., Tome 1, published in 1545.
- The holograph manuscript of Bach’s Das wohltemperierte Klavier I, BWV 846-869.
- The holograph manuscript of Berlioz’s Les Troyens, H 133.
- The first edition of Schubert’s Memnon, D.541, published by Diabelli.
- The first edition (parts) of Sousa’s Comrades of the Legion, published by Sam Fox.
- Georg Rhau’s Officia Paschalia de resurrectione et ascensione Domini, published in 1539.
- The holograph manuscript of Bach’s Wir danken dir, Gott, wir danken dir, BWV 29.
- The holograph manuscript of Berlioz’s Symphonie fantastique, H 48 .
- The first edition of Schubert’s Meeres Stille, D.216, published by Diabelli.
- The first edition (parts) of Sousa’s Congress Hall, published by Harry Coleman.
- Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 2, published in 1545.
- The holograph manuscript of Bach’s Wer mich liebet, der wird mein Wort halten, BWV 59.
- The holograph manuscript of Berlioz’s Harold en Italie, H 68.
- The first edition of Schubert’s Lob der Tränen, D.711, published by Diabelli.
- The first edition (parts) of Sousa’s Corcoran Cadets, published by Carl Fischer.
- Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 1, published in 1545.
- The holograph manuscript of Bach’s Hunt Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208.
- The holograph manuscript of Berlioz’s Grande messe des morts, H 75.
- The first edition of Schubert’s Geheimes, D.719, published by Diabelli.
- The first edition (parts) of Sousa’s Dwellers of the Western World, published by John Church.
- Georg Rhau’s Sacrorum hymnorum, Book 1, published in 1542.
- The holograph manuscript of Bach’s Was mein Gott will, das g'scheh allzeit, BWV 111.
- The holograph manuscript of Berlioz’s La damnation de Faust, H 111.
- The first edition of Schubert’s Gebet, D.815, published by Diabelli.
- The first edition (parts) of Sousa’s El Capitan March, published by John Church.
- The first edition of Sweelinck’s Chansons a 5 parties, published by Pierre Phalèse.
- The holograph manuscript of Bach’s Wär Gott nicht mit uns diese Zeit, BWV 14.
- The holograph manuscript of Berlioz’s Béatrice et Bénédict, H 138.
- The first edition of Schubert’s Erster Verlust, D.226, published by Diabelli.
- The first edition (parts) of Sousa’s Flags of Freedom, published by John Church.
- The Bergamo Organ Book, an important early source of Italian organ music.
- The holograph manuscript of Bach’s Wahrlich, wahrlich, ich sage euch, BWV 86.
- The full score and parts for Ravel’s Daphnis et Chloé, published by Durand.
- The first edition of Schubert’s Erlafsee, D.586, published by Diabelli.
- The first edition (parts) of Sousa’s From Maine to Oregon, published by John Church.
- The The Robert ap Huw Manuscript, a major source of early Welsh music.*The holograph manuscript of Bach’s Unser Mund sei voll Lachens, BWV 110.
- The full score and parts for Delibes’s Lakmé, published by Heugel.
- The first edition of Schubert’s Die Liebe hat gelogen, D.751, published by Sauer & Leidesdorf.
- The first edition (parts) of Sousa’s Invincible Eagle, published by John Church.
- The Laudario di Cortona, a major 13th-century collection of laude.
- The holograph manuscript of Bach’s Tritt auf die Glaubensbahn, BWV 152.
- The full score and parts for Donizetti’s Lucia di Lammermoor, published by Ricordi.
- The first edition of Schubert’s Die abgeblühte Linde, D.514, published by Diabelli.
- The first edition (parts) of Sousa’s Picador March, published by Harry Coleman.
- A 12th-century collection of Latin Sequences, Tropes, Cantiones, GB-Lbl AddMS.36881 housed in the British Library.
- The holograph manuscript of Bach’s lute Suite in E major, BWV 1006a.
- The first edition score and parts of Gounod’s Roméo et Juliette, published by Choudens.
- The first edition of Schubert’s Der Zwerg, D.771, published by Sauer & Leidesdorf.
- The first edition (parts) of Sousa’s Powhatan's Daughter, published by Harry Coleman.
- The Toledo Codex, including Alfonso X of Castile's Cantigas de Santa Maria.
- The holograph manuscript (parts) of Bach’s Sonata for Viola da Gamba in G major, BWV 1027.
- The first edition score and parts of Gounod’s Faust, published by Choudens.
- The first edition of Schubert’s Der Wanderer, D.489, published by Diabelli.
- The first edition (parts) of Sousa’s Semper Fidelis, published by Harry Coleman.
- The Cancionero de la Colombina, a major source for 15th-century Spanish music.
- The holograph manuscript of Bach’s Sinfonia in D major, BWV 1045.
- A condensed score sketch for Debussy’s Rapsodie for Orchestra and Saxophone.
- The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
- The first edition (parts) of Sousa’s Sound Off! March, published by Harry Coleman.
- Phalèse’s Carminum quae chely vel testudine canuntur, printed in 1547.
- The holograph manuscript of Bach’s Siehe, ich will viel Fischer aussenden, BWV 88.
- The first edition of Chopin’s Mazurka in A minor, B.140, published by Chabal.
- The first edition of Schubert’s Der Schäfer und der Reiter, D.517, published by Diabelli.
- The first edition (parts) of Sousa’s The Beau Ideal March, published by Harry Coleman.
- Attaingnant’s 13 Motetz nouvelement composez, printed in 1528.
- The holograph manuscript of Bach’s Siehe zu, dass deine Gottesfurcht, BWV 179.
- The first edition of Chopin’s Mazurkas, Op.7, published by Kistner.
- The first edition of Schubert’s Der König in Thule, D.367, published by Diabelli.
- The first edition (parts) of Sousa’s The Belle of Chicago, published by Harry Coleman.
- Attaingnant’s 12 Motetz musicaulx a quatre et cinq voix, printed in 1529.
- The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 183.
- The first edition of Chopin’s Mazurkas, Op.17, published by Schlesinger.
- The first edition of Schubert’s Der Jüngling auf dem Hügel, D.702, published by Diabelli.
- The first edition (parts) of Sousa’s The Bride-Elect March, published by John Church.
- Attaingnant’s Motettorum, Book 14, printed in 1539.
- The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 44.
- The first edition of Chopin’s Mazurkas, Op.24, published by Pleyel (reprinted by Schlesinger).
- The first edition of Schubert’s Der Flug der Zeit, D.515, published by Diabelli.
- The first edition (parts) of Sousa’s The Chantyman's March, published by Carl Fischer.
- Attaingnant’s Motettorum, Book 13, printed in 1534.
- The holograph manuscript of Bach’s Selig ist der Mann, BWV 57.
- The first edition of Chopin’s Mazurkas, Op.33, published by Schlesinger.
- The first edition of Schubert’s Der Fischer, D.225, published by Diabelli.
- The first edition (parts) of Sousa’s The Charlatan March, published by John Church.
- Attaingnant’s Motettorum, Book 12, printed in 1534.
- The holograph manuscript of Bach’s Quodlibet, BWV 524.
- The first edition of Chopin’s Mazurkas, Op.41, published by Troupenas.
- The first edition of Schubert’s Antigone und Oedip, D.542, published by Diabelli.
- The first edition (parts) of Sousa’s The Diplomat, published by John Church.
- Attaingnant’s Motettorum, Book 11, printed in 1534.
- The holograph manuscript of Bach’s O ewiges Feuer, o Ursprung der Liebe, BWV 34.
- The first edition of Chopin’s Mazurkas, Op.56, published by Maurice Schlesinger.
- The first edition of Schubert’s Am Strome, D.539, published by Diabelli.
- The first edition (parts) of Sousa’s The Fairest of the Fair, published by John Church.
- Attaingnant’s Motettorum, Book 10, printed in 1535.
- The first edition of Bach’s Musikalisches Opfer, BWV 1079, published by the composer.
- The first French edition of Chopin’s Mazurkas, Op.50, published by Maurice Schlesinger.
- The first edition (parts) of Schubert’s 8 Variations on a French Song, D.624, published by Diabelli.
- The first edition (parts) of Sousa’s The Free-Lance (march), published by John Church.
- Attaingnant’s Motettorum, Book 9, printed in 1535.*The holograph manuscript of Bach’s Magnificat in E-flat major, BWV 243a.
- The first edition of Chopin’s Mazurkas, Op.59, published by Maurice Schlesinger.
- The first edition (parts) of Schubert’s 38 Waltzes, Ländler and Ecossaises, D.145, published by Diabelli.
- The first edition of Sousa’s The High School Cadets, published by Harry Coleman.
- Attaingnant’s Motettorum, Book 8, printed in 1534.
- A holograph manuscript of Bach’s Jesus nahm zu sich die Zwölfe, BWV 22.
- The first edition of Chopin’s Mazurkas, Op.63, published by Brandus.
- The first edition (parts) of Schubert’s 36 Originaltänze, D.365, published by Diabelli.
- The first edition (parts) of Sousa’s The Mikado March, published by Harry Coleman.
- Attaingnant’s Motettorum, Book 7, printed in 1534.
- A holograph manuscript of Bach’s Two-part Inventions, BWV 772-786.
- The first edition of Chopin’s Mazurkas, Op.67, published by J. Meissonnier fils.
- The first edition (parts) of Boyce’s 12 Trio Sonatas, published by John Walsh.
- The first edition of Sousa’s The Washington Post, published by Harry Coleman.
- Attaingnant’s Motettorum, Book 6, printed in 1534.
- The holograph manuscript of Bach’s Ich bin vergnügt mit meinem Glücke, BWV 84.
- The first edition of Chopin’s Mazurkas, Op.68, published by J. Meissonnier fils.
- The first edition (parts) of Praetorius’s Terpsichore, Musarum Aoniarum, published by the Fürstliche Druckerei of Wolffenbüttel.
- The holograph manuscript of Sousa’s The Stars and Stripes Forever.
- Attaingnant’s Motettorum, Book 5, printed in 1534.
- The holograph manuscript of Bach’s Ich bin in mir vergnügt, BWV 204.
- The first edition of Chopin’s Nocturne in C minor, B.108, published by J. Maho.
- The first edition (parts) of Praetorius’s Polyhymnia Caduceatrix et Panegyrica, published by Elias Holwein.
- The holograph manuscript of Sousa’s The Directorate.
- Attaingnant’s Motettorum, Book 4, printed in 1534.
- The holograph manuscript of Bach’s Höchsterwünschtes Freudenfest, BWV 194.
- The first edition of Chopin’s Nocturnes, Op.15, published by Maurice Schlesinger.
- The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
- The holograph manuscript of Sousa’s The Diplomat.
- Attaingnant’s Motettorum, Book 4, printed in 1534.
- The holograph manuscript of Bach’s Die Himmel erzählen die Ehre Gottes, BWV 76.
- The first edition of Chopin’s Nocturnes, Op.27, published by Maurice Schlesinger.
- The first edition (parts) of Praetorius’s Musae Sioniae, Theil 3, published by the composer.
- The holograph manuscript of Sousa’s Corcoran Cadets.
- Attaingnant’s Motettorum, Book 2, printed in 1534.
- The holograph manuscript of Bach’s Herr Jesu Christ, wahr' Mensch und Gott, BWV 127.
- The first edition of Chopin’s Nocturnes, Op.48, published by Maurice Schlesinger.
- The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
- The holograph manuscript of Sousa’s El Capitan (march).
- Attaingnant’s Motettorum, Book 1, printed in 1534.
- The holograph manuscript of Bach’s Halt im Gedächtnis Jesum Christ, BWV 67.
- The first edition of Chopin’s Nocturnes, Op.62, published by Brandus.
- The first edition (parts) of Praetorius’s Musae Sioniae, Theil 2, published by the composer.
- The holograph manuscript of Sousa’s Boy Scouts of America.
- Attaingnant’s Missarum, Book 3, printed in 1540.
- The holograph manuscript of Bach’s Gott fähret auf mit Jauchzen, BWV 43.
- The first edition of Chopin’s 3 Nouvelles études, B.130, published by Maurice Schlesinger.
- The first edition (parts) of Praetorius’s Musae Sioniae, Theil 1, published by the composer.
- Attaingnant’s Missarum, Book 2, printed in 1534.
- The holograph manuscript of Bach’s Freue dich, erlöste Schar, BWV 30.
- The first edition of Chopin’s Polish Songs, Op.74, published by Gustawa Gebethnera.
- The first edition (parts) of Scheidt’s Cantiones sacrae, SSWV 1-38, published by Paul Langius.
- The holograph manuscript of Strauss Jr.’s Die Fledermaus.
- Attaingnant’s Missarum, Book 1, printed in 1534.
- The holograph manuscript of Bach’s Flute Sonata in B minor, BWV 1030.
- The first (French) edition of Chopin’s Polonaise in F-sharp minor, Op.44, published by Maurice Schlesinger.
- The first edition of Scheidt’s Das Görlitzer Tabulaturbuch, SSWV 441-540, published by Martin Herman.
- The full score and parts for Glazunov’s Saxophone Concerto, Op.109, published by Alphonse Leduc.
- Attaingnant’s Chansons musicales esleves de plusieurs livres, printed in the 1530s.
- The holograph manuscript of Bach’s Es ist euch gut, dass ich hingehe, BWV 108.
- The first (French) edition of Chopin’s Polonaises, Op.26, published by Maurice Schlesinger.
- The first and second editions of Niedt’s Musicalische Handleitung, including Mattheson's revisions, published by Benjamin Schiller.
- The full score and parts for Rachmaninoff’s Piano Concerto No.1, Op.1, published by Muzgiz and A. Gutheil.
- The Möller Manuscript, partially copied by J.S. Bach.
- The holograph manuscript of Bach’s Es ist ein trotzig und verzagt Ding, BWV 176.
- The first (French) edition of Chopin’s Polonaises, Op.40, published by Troupenas.
- Robert Schumann’s collected letters, published by Breitkopf. Edited by Friedrich Gustav Jansen.
- The full score and parts for Rachmaninoff’s Piano Concerto No.3, Op.30, published by A. Gutheil.
- The Fayrfax Manuscript, a major source for 15th century English secular music.
- The holograph manuscript of Bach’s Erfreut euch, ihr Herzen, BWV 66.
- The first (French) edition of Chopin’s Polonaises, Op.71, published by J. Meissonnier.
- The first edition of Martini’s Storia della musica, published by the Bologna Instituto delle scienze.
- The full score and complete parts for Rachmaninoff’s Aleko, published by P. Jurgenson and Muzgiz.
- The Basevi Codex, a major source for early 16th century music.
- The holograph manuscript of Bach’s Er rufet seinen Schafen mit Namen, BWV 175.
- The first (French) edition of Chopin’s Prelude in C-sharp minor, Op.45, published by Maurice Schlesinger.
- The first edition of Schubart’s Musicalische Rhapsodien, published by the Stuttgart Carlschule.
- The holograph manuscript of Bartók’s Allegro Barbaro, Sz.49.
- Both books of Petrucci’s Tenori e contrabassi intabulati col sopran in canto figurato, published in 1509 and 1511.
- The holograph manuscript of Bach’s Die Elenden sollen essen, BWV 75.
- The first (German) edition of Chopin’s Rondo à la mazur, Op.5, published by Friedrich Hofmeister.
- The first edition (parts) of Penna’s Li primi albori musicali per li principianti della musica figurata, published by Giacomo Monti.
- The holograph manuscript of Brahms’s 1864 Albumblatt für Clara Schumann.
- The first edition (1774) of Gerbert’s De cantu et musica sacra.
- The holograph manuscript of Bach’s Ein Herz, das seinen Jesum lebend weiss, BWV 134.
- The first (French) edition of Chopin’s Rondo in C minor, Op.1, published by Maurice Schlesinger.
- The first edition (parts) of Penna’s Direttorio del canto fermo, published by Eredi Cassiani.
- The holograph manuscript of Saint-Saëns’s song Danse macabre.
- The Manuscript, V-CVbav MS S. Pietro B.80, a 15th-century source of music sung in St. Peter's, Rome.
- The holograph manuscript of Bach’s Durchlauchtster Leopold, BWV 173a.
- The first (French) edition of Chopin’s Rondo in E-flat major, Op.16, published by Maurice Schlesinger.
- The first edition (parts) of Buonamente’s Varie sonate, Libro 4, published by Alessandro Vincenti.
- The holograph manuscript of Saint-Saëns’s Danse macabre, Op.40.
- The Manuscript, I-Rc MS 2856, a songbook made for Isabelle d'Este.
- The holograph manuscript of Bach’s Du wahrer Gott und Davids Sohn, BWV 23.
- The first (French) edition of Chopin’s Tarantella, Op.43, published by Troupenas.
- The first edition (parts) of Buonamente’s Varie sonate, Libro 5, published by Alessandro Vincenti.
- The holograph manuscript of Saint-Saëns’s song Les cloches de la mer.
- The Mancini Codex, an important source for Italian Trecento music.
- The holograph manuscript of Bach’s Brich dem Hungrigen dein Brot, BWV 39.
- The first (French) edition of Chopin’s Variations brillantes, Op.12, published by Maurice Schlesinger.
- The first edition and second English edition of Tosi’s Opinioni de’ cantori antichi e moderni.
- The holograph manuscript of Saint-Saëns’s song L'attente.
- The Manuscript, I-PEc MS 431, a monastic manuscript from the 1480s.
- The holograph manuscript of Bach’s Bleib bei uns, denn es will Abend werden, BWV 6.
- The first (French) edition of Chopin’s Variations sur un air national allemand, B.14, published by Maurice Schlesinger.
- The first edition of Lenz’s Beethoven et ses trois styles, published by Bernard.
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