5 Short Pieces for Flutes (Torre, Salvador)

Contents

Performances

Recordings

MP3 file (audio)
SalvaTorre (2015/5/23)

Performers Salvador Torré and Clara Novakova, Paris 1988
Publisher Info. Salvador Torré
Copyright
Misc. Notes Please note that in the recording there is two versions for Crossnotes (3th. mvt.): Diagonal reading and 'Normal' reading
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MP3 file (audio)
SalvaTorre (2015/5/23)

Performers Salvador Torre and Clara Novakova, Paris 1988
Publisher Info. Salvador Torré
Copyright
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MP3 file (audio)
s.t. (2012/5/23)

Performers Sibila de Villa
Publisher Info. Salvador Torré
Copyright
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Sheet Music

Scores

PDF typeset by S.T.
S.T. (2012/5/23)

Editor Pierre-Yves Artaud (collection editor)
Publisher. Info. Pour la flûte traversière: Méthod élémentaire
Pars: Lemoine, 1972, 1989. / Salvador Torré
Copyright
Misc. Notes This 5 pieces can be played separately. Read the instructions in each piece. For ex. in the first piece is recommended: four players minimum. Spatiallyse the performers as far as possible, and detune the instruments in a 1/8 of tone. The 2nd. piece is for two players. The 3th. piece is for the largest number of performers. The 4th. piece is to be played in pairs relaying the performers on a sign given by a instrumentalists thereof.
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PMLP368115-Cinco piezas pedagógicas.pdf
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General Information

Work Title Five pedagogical pieces for flutes
Alternative. Title Five pieces for any instrument
Composer Torre, Salvador
Movements/SectionsMov'ts/Sec's 5
Year/Date of CompositionY/D of Comp. 1988
First Performance. 1988 Boulogne Conservatory, France
First Publication. 1989 - Paris: Lemoine
Dedication Jhon Cage, Luciano Berio, Olivier Messiaen, Steve Reich and André Boucourechliev
Average DurationAvg. Duration variable
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation flutes or equivalent (Vn. Ob. Cl. etc.)

Misc. Comments

This 5 pieces can be played separately. Read the instructions in each piece. For ex. in the first piece is recommended: four players minimum. Spatiallyse the performers as far as possible, and detune the instruments in a 1/8 of tone. The 2nd. piece is for two players. The 3th. piece is for the largest number of performers. The 4th. piece is to be played in pairs relaying the performers on a sign given by a instrumentalists thereof.