Fortuna desperata (Busnois, Antoine)

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Authorship Note
The attribution of this work to Busnois is questionable, and it is possibly by one "Ser Felice"


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 MIDI Performance
#205514 - 0.00MB - 1:17 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 84x

MID file (audio/video)
Reccmo (2012/4/16)

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Synthesized MIDI

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Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Scores and Parts

 Complete Score
#205512 - 0.03MB, 1 pp. -  4.0/10 2 4 6 8 10 (4- !N/!N/!N - 1010x

PDF typeset by Martin Schubert
Reccmo (2012/4/16)

WIMA.2518-Fortuna desperata (Busnois).pdf
Editor:

Martin Schubert

Publisher Info.:

Martin Schubert

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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 Complete Score
#282836 - 0.17MB, 2 pp. -  6.0/10 2 4 6 8 10 (3- !N/!N/!N - 350x

PDF typeset by editor
Agarvin (2013/5/30)

 Complete Parts
#282837 - 0.33MB, 7 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 109x

PDF typeset by editor
Agarvin (2013/5/30)

 Engraving files (Lilypond)
#282838 - 0.01MB, ? pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 49x

ZIP typeset by editor
Agarvin (2013/5/30)

PMLP346579-02-fortuna desperata---0-score.pdf
Editor:

Allen Garvin

Publisher Info.:

Dallas: Hawthorne Early Music, 2013.

Copyright:

Creative Commons Attribution-NonCommercial 3.0 [tag/del]

Misc. Notes:

This four-part setting from Codex Bologna Q16 adds a Si Placet to the 3-part setting by Busnois.

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General Information

Work Title Fortuna desperata
Alternative Title
Composer Busnois, Antoine
Movements/Sections 1
Language Italian
Average Duration 4 minutes ca.
Piece Style Renaissance
Instrumentation 3 voices/instruments
External Links Wikipedia article
All Music Guide


Misc. Comments

  • Possibly, even probably, spurious. (See e.g. AMG link.)
  • According to Grove Music, "Busnoys' authorship of Fortuna has recently been challenged by Joshua Rifkin on stylistic grounds and reattributed to one ‘Ser Felice’ [di Giovanni Martini] of Florence."
  • If it is indeed by Busnois, it was most probably not originally intended to be instrumental, since all of the works listed by Grove Music are specifically vocal.
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