Fredlys din Jord, Du danske Mand!, CNW 295 (Nielsen, Carl)

Contents

Performances

Sheet Music

Scores

PDF scanned by US-R
Schissel (2011/12/7)

PDF scanned by US-R
Schissel (2011/12/7)

Publisher. Info. Leipzig: Wilhelm Hansen, 1914. Plate 15868.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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IS (2016/7/9)

Editor Niels Bo Foltmann
Peter Haugen
Elly Bruunshuus Petersen
Kirsten Flensborg Petersen
Publisher. Info. Vaerker, Series III, No.5
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2009.
Made available by courtesy of DCM.
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Arrangements and Transcriptions

For Male Chorus (Nielsen)

PDF typeset by New Notations
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Arranger composer
Editor Niels Bo Foltmann
Peter Haugen
Elly Bruunshuus Petersen
Kirsten Flensborg Petersen
Publisher. Info. Vaerker, Series III, No.6
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2009.
Made available by courtesy of DCM.
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Misc. Notes (B-flat major)
The choral voicing is TTBB
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For Horn, Trumpet and Euphonium (Messerschmidt)

PDF typeset by arranger
Messerman (2021/5/4)

PDF typeset by arranger
Messerman (2021/5/4)

PDF typeset by arranger
Messerman (2021/5/4)

PDF typeset by arranger
Messerman (2021/5/4)

Arranger Hans Jorgen Messerschmidt (b. 1944)
Publisher. Info. Hans Jorgen Messerschmidt, 2020.
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General Information

Work Title Fredlys din Jord, Du danske Mand!, CNW 295
Alternative. Title Preserve your soil, each Danish man!
Composer Nielsen, Carl
Opus/Catalogue NumberOp./Cat. No. CNW 295
I-Catalogue NumberI-Cat. No. ICN 72
Key G major
Movements/SectionsMov'ts/Sec's Værdigt, men ikke for langsomt
Year/Date of CompositionY/D of Comp. 1914
Librettist Anders Wilhelm Holm (1878-1959)
Language Danish
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
mens choir (TTBB) 1914 (B-flat major)
External Links Nielsen catalogue

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In a letter of August 1914, the poet Anders W. Holm asked Nielsen to compose a melody to one of Holm's poems. Nielsen had concerns about fitting a melody to the different rhythmic structure of the poem's first two lines. The correspondence also reveals that they had difficulties reaching an agreement on the publication of the music.