Hamlet, Op.77 (Prokofiev, Sergey)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies. See public domain for details.
This work may not be in the public domain in all countries. Please check the copyright laws of your country.

Contents

Performances

Sheet Music

Full Scores

PDF scanned by Unknown
Dbmiller (2024/1/24)

Publisher. Info. Moscow: Sovyetsky Kompozitor, 1973.
Copyright
Purchase
Javascript is required for this feature.

Arrangements and Transcriptions

Gavotte (No.8)

For Piano solo (Prokofiev)

PDF scanned by US-Nau
Wilson Music Lib. (2015/6/4)

Editor First edition (reprint)
Publisher. Info. Paris: Gutheil, 1939. Plate A. 10488 G.
Reprinted New York: E.F. Kalmus, n.d.(1940).
Copyright
Misc. Notes 600 dpi
Purchase
Javascript is required for this feature.

PDF scanned by Unknown
Madcapellan (2011/11/17)

Editor Levon Atovmyan (1901-1973)
Publisher. Info. Collected Works (Собрание сочинений), Vol.3 (pp.50-53)
Moscow: Muzgiz, 1956. Plate M. 25443 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted New York: E.F. Kalmus, n.d.(ca.1960). (later Belwin-Mills, Alfred)
Copyright
Misc. Notes 600 dpi
Purchase
Javascript is required for this feature.

PDF scanned by piano.ru
Mcroskell (2007/6/23)

Editor Pavel Lukyanchenko
Publisher. Info. Сочинения в фортепиано в 5-ти томах, т.3 (pp.156-59)
Moscow: Muzyka, 1984. Plate 12475.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Music to the Mousetrap Scene
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Hamlet. Incidental music for small orchestra
Alternative. Title Гамлет. Музыка к спектаклю, для малого симфонического оркестра
Composer Prokofiev, Sergey
Opus/Catalogue NumberOp./Cat. No. Op.77
I-Catalogue NumberI-Cat. No. ISP 13
Year/Date of CompositionY/D of Comp. 1937–38
First Performance. 1938-05-15 in Leningrad, Radlov Theatre-Studio: Sergey Radlov (director)
First Publication. 1938
Librettist Boris Pasternak (1890-1960) and Anna Radlova (1891-1949), after William Shakespeare (1564-1616)
Language Russian
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation voices, orchestra
Solo Voices
soprano, baritone
Orchestra
flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone
triangle, tambourine, snare drum, cymbals, bass drum, accordion, piano, strings
External Links Prokofiev Catalogue
Extra Information The Gavotte (No.8) was arranged for piano by the composer, 1938, and published by Gutheil as "Op.77bis". The arrangement was first performed on 22 November 1939 in Moscow (radio broadcast) by Heinrich Neuhaus (piano)