Harmonie in F major, Op.77 (Krommer, Franz)

Contents

Sheet Music

Scores and Parts

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

PDF typeset by editor
Kalliwoda (2014/6/20)

Editor N. Spoerel
Publisher. Info. N. Spoerel
Copyright
Misc. Notes Typeset with Finale 2009. Based on the first edition parts.
Can be performed without a contrabassoon or string bass from key notes in bassoon II. For booklet printing of Bassoon 1 and Bassoon 2 page 2 (=first page of music) should be printed on a separate page.
Purchase
Javascript is required for this feature.
PMLP534519-Krommer Harmonie op. 77 score.pdf
Javascript is required to submit files.

General Information

Work Title Harmonie, Op.77
Alternative. Title Partita, Octet-Partita
Composer Krommer, Franz
Opus/Catalogue NumberOp./Cat. No. Op.77, Padrta P IV:10
Key F major
Movements/SectionsMov'ts/Sec's 4 movements
  1. Allegro vivace
  2. Andante (Allegretto)
  3. Menuetto. Allegretto
  4. Allegro
First Publication. 1809 - Vienna: Magasin de l'imprimerie chimique, Plate 1380.
Dedication Franz I., Emperor of Austria
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 2 oboes, 2 clarinets (in B♭), 2 horns (in F), 2 bassoons, contrabassoon

Misc. Comments

Krommer's 9 partitas for wind nonet (opp.57, 67, 69, 71, 73, 76, 77, 78 and 79) were originally published as "Harmonie". Several manuscript sources listed in RISM, however, use Partitta or Parthia. The modern editions by Musica rara (opp. 57, 67, 69 and 79) dropped the title "Harmonie" using "Octet-Partita" instead, hinting thereby at the possibility to perform the works as octets. While the Contrabassoon improves the sonorities of the ensemble substantially, Bassoon II and Contrabassoon are mostly in octave parallels and only a few bars have a distinct contrabassoon part.