Resonet in laudibus (Lassus, Orlande de)

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Synthesized/MIDI

For 2 Trumpets and 2 Trombones (Rondeau)

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Michrond (2012/5/26)

Performers MIDI
Publisher Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores and Parts

Prima pars: Resonet in laudibus

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Editor Allen Garvin
Publisher. Info. Dallas: Hawthorne Early Music, 2015.
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PMLP369704-17-resonet in laudibus---0-score.pdf

Seconda pars: Hodie apparuit

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Tertia pars: Magnum nomen Domini

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Editor Allen Garvin
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PMLP369704-19-resonet in laudibus 3p magnum nomen---0-score.pdf

Arrangements and Transcriptions

For 2 Trumpets and 2 Trombones (Rondeau)

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Michrond (2012/5/26)

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Michrond (2012/5/26)

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Michrond (2012/5/26)

PDF typeset by arranger
Michrond (2012/5/26)

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Michrond (2012/5/26)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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WIMA.fa51-LHodSco.pdf
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General Information

Work Title Resonet in laudibus
Alternative. Title
Composer Lassus, Orlande de
Key F Ionian mode
Movements/SectionsMov'ts/Sec's 3 parts:
  1. Resonet in laudibus
  2. Hodie apparuit
  3. Magnum nomen Domini
First Publication. 1569 in Cantiones aliquot cinque vocum
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation SATTB voices
Mss Sources Mss copy, ca.1575, Albert Weißenberger. D-Dl, Mus.Pi.Cod.II (f.172v-180r)
Kbd. tablature, ca.1580-1600. S-Uu, Vok. mus. i hs. 89

Misc. Comments

  • Re: the title: see Resonet in laudibus. As the title is from a 14th century carol and the opening of the Lassus is the same (more or less?) as that of the carol (see Wikipedia) (at least as printed in a 1582 source - of the carol, not of the Lassus) suggesting that this is not a coincidence, have also tagged as Carols. (Wikipedia: "and there are many variations and parodies in various sacred songbooks, as well as extended, embellished versions (for example motets by the Franco-Flemish composer Orlande de Lassus" ... -- etc.) - Schissel
  • For two reasons, the carols tag is removed again: 1) in a variations form, we don't tag the underlying theme, i.e. "variations on an air" is tagged "variations", not "air". Only the opening will be similar to the original, not the whole piece, and we tag for the whole. 2) This motet has three separate sections, of which Resonet is the first. Tagging the first part on its own would be like tagging an individual movement in a sonata, and we don't do that. Tagging is for the whole.