Iberia (Albéniz, Isaac)

Sheet Music

• Scores (13)
• Parts (0)
• Arrangements and Transcriptions (1)
• Other (0)
• Source Files (0)

Scores

 Complete Score
*#515472 - 9.18MB, 162 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 126×⇩ - Music Addict

PDF scanned by musicologie.org
Music Addict (2018/3/14)

⇒ 4 more: Cahier 1 • Cahier 2 • Cahier 3 • Cahier 4

 Cahier 1
*#02900 - 1.77MB, 34 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 24169×⇩ - Peter

PDF scanned by musicologie.org
Peter (2006/12/31)

 Cahier 2
*#02901 - 2.74MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13408×⇩ - Peter

PDF scanned by musicologie.org
Peter (2006/12/31)

 Cahier 3
*#02902 - 2.89MB, 46 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9825×⇩ - Peter

PDF scanned by musicologie.org
Peter (2006/12/31)

 Cahier 4
*#02903 - 1.77MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7020×⇩ - Peter

PDF scanned by musicologie.org
Peter (2006/12/31)

Editor First edition (reprint) Publisher. Info. Paris: Edition Mutuelle, 1906-08. Plate E. 3083-3086. M. Reprinted Madrid: Unión Musical Española, n.d.(ca.1915). Copyright Public Domain [tag/del/mrg] Purchase Javascript is required for this feature.

 Complete score (scan) (Preview)
*#313242 - 25.26MB, 161 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6692×⇩ - Piupianissimo

PDF scanned by piupianissimo
Piupianissimo (2014/1/25)

 Complete score (Preview)
*#01256 - 8.90MB, 161 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 23813×⇩ - Schumann

PDF scanned by Unknown
Schumann (2006/8/10)

Editor First edition (reprint) Publisher. Info. Paris: Edition Mutuelle, 1906-08. Plate E. 3083-3086. M. Reprinted Iberia and España Mineola: Dover Publications, 1987. Copyright Public Domain [tag/del/mrg] Misc. Notes scan: score scanned at 600dpi (High Quality Scanning) Purchase Javascript is required for this feature.

Cahier 1

 1. Evocación,
*#494109 - 15.70MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 41×⇩ - JacopoTore

PDF scanned by Unknown
JacopoTore (2017/9/23)

Publisher. Info. Holograph manuscript, 1905 Copyright Public Domain [tag/del] Misc. Notes Dated December 9, 1905. Titled "Prélude" here. Purchase Javascript is required for this feature.

 2. El Puerto
*#526571 - 1.25MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 59×⇩ - Raybird

PDF typeset by editor
Raybird (2018/6/4)

Editor Ray Alston Publisher. Info. Ray Alston Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes High quality, re-worked text for maximum clarity, sostenuto pedal added Purchase Javascript is required for this feature.

 3. El Corpus en Sevilla
*#503833 - 1.60MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 300×⇩ - Raybird

PDF typeset by editor
Raybird (2017/12/7)

Editor Ray Alston Publisher. Info. Piano Practical Editions Copyright Creative Commons Zero 1.0 [tag/del] Purchase Javascript is required for this feature.

Cahier 2

 6. Triana
*#519240 - 1.56MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 187×⇩ - Raybird

PDF typeset by editor
Raybird (2018/4/10)

Editor Ray Alston Publisher. Info. Ray Alston Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes High quality, also working well with tablets Purchase Javascript is required for this feature.

Cahier 3

 7. El Albaicín
*#510844 - 1.80MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 290×⇩ - Raybird

PDF typeset by editor
Raybird (2018/1/29)

Editor Ray Alston Publisher. Info. Ray Alston Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes High quality Purchase Javascript is required for this feature.

 9. Lavapiés
*#494112 - 0.28MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - JacopoTore

PDF scanned by Unknown
JacopoTore (2017/9/23)

Editor First edition (reprint) Publisher. Info. Paris: Edition Mutuelle, 1907. Plate E. 3085. M. Reprinted New York: Edwin F. Kalmus, n.d.(1933-70). Copyright Public Domain [tag/del] Purchase Javascript is required for this feature.

Arrangements and Transcriptions

Triana (No.6)

For Piano solo (Godowsky)

 Complete Score (EU)
*#08439 - 0.51MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/34/09 - 5093×⇩ - Hobbypianist

PDF scanned by Unknown
Hobbypianist (2007/6/21)

Arranger Leopold Godowsky (1870-1938) Publisher. Info. New York: Carl Fischer, 1938. Plate 29542 Copyright Public Domain - Non-PD US [tag/del] Misc. Notes Concert arrangement Purchase Javascript is required for this feature.

Free Recordings

Cahier 1

• Francois de Larrard (Piano Society)

1. Evocación

2. El puerto

3. Fête-dieu à Seville

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General Information

Misc. Comments

One of the most important works in the Spanish piano literature. Iberia is a wonderful mixture of Spanish music with impressionist influences. It is probably one of the most dificult Spanish works, with Granados' Goyescas or Falla's Fantasía Baetica.

In the first book, we find Evocación, a little easy introduction to Iberia; El Puerto - de Cádiz? - [The Cadiz Port], a very funny zapateado - an Andalusian dance; and the impressive El Corpus en Sevilla [The Corpus-Christi in Seville], a musical version of the story of these celebrations.

The Rondeña is the first dance in Iberia's second book. It is based in peteneras, Andalusian dances with continuous metric change - 3/4 and 6/8. After that comes the famous Almería with the copla based in a fandango - a Spanish dance. Triana - a popular Sevillian district - is probably the most brilliant piece in the whole collection. It is a fireworks' spectacle of Andalusian essence with an important gitana influence.

In Albaicín, Albéniz expresses his vision of Granada's gyspy district. It has more melancholy than any other piece in Iberia. El Polo is a palo flamenco, a flamenco dance in which the cantaor sings with a supernatural anguish. Lavapiés, not "feet washing" but one of the most popular Madrilenian districts, is a habanera - a Spanish dance with Cuban origins - devoid of Spanish frivolities, but with an apotheosis of lo castizo. The spectacular Málaga is full of movement so typical of the malagueñas - Andalusian dances in flamenco style. It demands a completely overwhelming virtuosity. In Jerez - a little Spanish city between Huelva and Portugal with an important agricultural industry -, Albéniz gives us one of the most exquisite coplas with a dense compositional texture. Finally, the brilliant and happy Eritaña has a determination that hardly requires further interpretation.