Jay pris amours (Japart, Jean)

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 MIDI performance
#210888 - 0.00MB - ? -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 46x

MID file (audio/video)
wrshannon (2012/4/26)

Performers:

Eric Haas

Publisher Info.:

Eric Haas

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Scores and Parts

 Complete score
#210882 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 308x

PDF typeset by Eric Haas
wrshannon (2012/4/26)

 Superius
#210883 - 0.05MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 51x

PDF typeset by Eric Haas
wrshannon (2012/4/26)

 Contratenor
#210884 - 0.06MB, 1 pp. -  4.0/10 2 4 6 8 10 (1- !N/!N/!N - 47x

PDF typeset by Eric Haas
wrshannon (2012/4/26)

 Tenor
#210885 - 0.06MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 41x

PDF typeset by Eric Haas
wrshannon (2012/4/26)

 Bassus
#210886 - 0.04MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 44x

PDF typeset by Eric Haas
wrshannon (2012/4/26)

 Engraving files (Sibelius)
#210887 - 0.02MB, ? pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 53x

ZIP typeset by Eric Haas
wrshannon (2012/4/26)

WIMA.57f8-Jay-pris-amours.pdf
Editor:

Eric Haas

Publisher Info.:

Eric Haas

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

Edition from Petrucci's first printed collection, Harmoniche Musices Odhecation, Canti A, Venezia 1501.
Transposed a whole-tone up.
These file(s) are part of the Werner Icking Music Collection.

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Arrangements and Transcriptions

For 4 Lutes (Höger)

 Complete Score (tablature)
#408896 - 0.53MB, 4 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 13x

PDF typeset by arranger
Hoeger (2016/1/28)

PMLP352867-Japart, Jean - Jay pris amours.pdf
Arranger:

Anton Höger

Publisher Info.:

Anton Höger

Copyright:

Creative Commons Attribution 4.0 [tag/del]

Misc. Notes:

Intabulation in French lute-tablature (Unisono). Intabulation in French lute-tablature (Unisono)

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General Information

Work Title Jay pris amours
Alternative Title
Composer Japart, Jean
Composer Time Period Renaissance
Piece Style Renaissance
Instrumentation 4 voices


Misc. Comments

  • Grove Music cites two versions of this work.
  • Grove Music mentions this work in a passage where it says that Japart had "a tendency to use ingenious puzzle canons when taking over pre-existing material; thus in one of his two settings of J’ay pris amours the pre-existing melody carries the inscription ‘Fit aries piscis in licanos ypathon’, indicating that the melody (in the superius) is to be transposed down a 12th and sung in retrograde motion, resulting in its sounding as the lowest voice."
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