Canzon prima 'La Brivia' (Soderini, Agostino)

Contents

Performances

Recordings

No files submitted.

Synthesized/MIDI

For 2 Lutes (Höger)

MP3 file (audio)
Anton Höger (2012/9/23)

Performers Computer
Publisher Info. Anton Höger
Copyright
Misc. Notes Because most of my Intavolations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
Purchase
Javascript is required for this feature.
For 2 Guitars (Höger)

MP3 file (audio)
Hoeger (2014/6/24)

Performers Computer
Publisher Info. Anton Höger
Copyright
Misc. Notes Because most of my transcriptions are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
Purchase
Javascript is required for this feature.

Sheet Music

Arrangements and Transcriptions

For 2 Lutes (Höger)

PDF typeset by arranger
Anton Höger (2012/9/23)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes In French lute-tablature (Unisono) with diminutions in the tradition of the great luteplayers of the 16th century. If performed I would look forward toward a small reference to my efforts.
Purchase
Javascript is required for this feature.
PMLP408155-Soderino, Agostino - La Brivia.pdf
For 2 Guitars (Höger)

PDF typeset by arranger
Anton Höger (2014/6/24)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes If performed I would look forward about a small reference to my efforts.
Purchase
Javascript is required for this feature.
PMLP408155-Soderino, Agostino - La Brivia -2Git.pdf
Javascript is required to submit files.

General Information

Work Title La Brivia
Alternative. Title
Composer Soderini, Agostino
First Publication. 1608 in Canzoni a 4 e 8 voci libro primo, Op.2
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation see below, Comments


Misc. Comments

  • According to Grove Music, these had dedications to "a family of the Milanese nobility in accordance with the Lombard custom of the time". The 4-part canzonas were instrumental, and of the 8-voice canzonas, three are "really ‘motetti e canzoni’; of the two ensembles used, the first consists of instruments and the second of voices. The last two motets in eight parts, however, are for voices only."
  • It is unclear whether this canzona is one of the 4-voice or 8-voice canzonas. Therefore, tagging is "und" (undetermined), and the tag can be changed when the original can be confirmed.