Las Vacas (Eijkhout, Victor)
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Performances
Recordings
Complete performance
*#121671 - 6.93MB - 3:47 - (0) - - !N/!N/!N - 152x⇩
MP3 file (audio)
VictorEijkhout (2011/9/10)
Victor Eijkhout, recorders
Victor Eijkhout
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These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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Complete performance
*#252941 - 8.69MB - 03:48 - (0) - - !N/!N/!N - 27x⇩
Papalin (recorder ensemble)
Papalin
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Sheet Music
Scores and Parts
Complete Score
*#121672 - 0.45MB, 6 pp. - (0) - !N/!N/!N - 282x⇩
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VictorEijkhout (2011/9/10)
Victor Eijkhout
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These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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PDF typeset by Unknown
VictorEijkhout (2011/9/10)
PDF typeset by Unknown
VictorEijkhout (2011/9/10)
PDF typeset by Unknown
VictorEijkhout (2011/9/10)
PDF typeset by Unknown
VictorEijkhout (2011/9/10)
PDF typeset by Unknown
VictorEijkhout (2011/9/10)
PDF typeset by Unknown
VictorEijkhout (2011/9/10)
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VictorEijkhout (2011/9/10)
Great bass
*#121680 - 0.08MB, 1 pp. - (0) - !N/!N/!N - 39x⇩
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VictorEijkhout (2011/9/10)
Victor Eijkhout
Creative Commons Attribution Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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General Information
| Work Title | Las Vacas |
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| Alternative Title |
| Composer | Eijkhout, Victor |
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| Piece Style | Modern |
| Instrumentation | 8 recorders: AATTTBBGb |
Misc. Comments
"Las Vacas" is a set of variations, based loosely on the renaissance ground bass by the same name. The opening states the descending bass line, starting on A and finally ending on D, but after a few variations an F appears under the opening A, changing the tonality. Yet a few variations later, a B-flat is put under the F and A, leading to a chord that is anachronistic by several centuries. The final variations turn the bassline upside down, going from D up to A.
While the chord structure of this piece is sometimes far removed from the renaissance idiom, the variations end almost invariably on open fifths, maintaining the archaic feel.

