Les Passepiedz de Bretaigne, TMA 24 (Caroubel, Pierre-Francisque)

Contents

Performances

Naxos

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Synthesized/MIDI

For 5 Recorders (Praetorius-Upton)

MID file (audio/video)
DillonUpton1992 (2015/1/19)

MID file (audio/video)
DillonUpton1992 (2015/1/19)

Publisher Info. Dillon Upton
Performers Dillon Upton
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For Oboe and Harpsichord (Praetorius-Rondeau)

MP3 file (audio)
Michrond (2015/4/3)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

PDF typeset by editor
Abonds (2023/7/13)

Editor Alan Ernest Bonds (b. 1949)
Publisher. Info. Alan Ernest Bonds, 2023.
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Misc. Notes Flexiband for 4-part mixed ensembles in C & Bb
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Arrangements and Transcriptions

For 5 Recorders (Kemp)

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Dadvid (2020/6/7)

Arranger David Edward Kemp (b. 1948)
Publisher. Info. David Edward Kemp, 2016.
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Misc. Notes Terpsichore XXIV - Les Passepiedz de Bretaigne transcribed for 1 Sopranino 1 Soprano 1 Alto 1 Tenor 1 Bass
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For 5 Recorders (Praetorius-Upton)

PDF typeset by arranger
DillonUpton1992 (2015/1/19)

PDF typeset by arranger
DillonUpton1992 (2015/1/19)

Arranger Dillon Upton
after Michael Praetorius (1571-1621)
Publisher. Info. Dillon Upton
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For Oboe and Harpsichord (Praetorius-Rondeau)

PDF typeset by arranger
Michrond (2015/4/3)

ZIP typeset by arranger
Michrond (2015/4/3)

Arranger Michel Rondeau
after Michael Praetorius (1571-1621)
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Les Passepiedz de Bretaigne
Alternative. Title
Composer Caroubel, Pierre-Francisque
Opus/Catalogue NumberOp./Cat. No. TMA 24 ; RISM A/I, P 5366.024
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 1 (2 subdivisions)
First Publication. 1612 in Terpsichore, Musarum Aoniarum (No.24)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 instruments
Extra Information These pieces were assembled and arranged by Praetorius for his 1612 collection. It is unknown how many, or if any, of the works in the collection were actually composed by Caroubel as opposed to being popular dance tunes arranged by him. The instrumentation is not specified in the original, and simply listed as "à 5"