The following information is given for each work, where available:
| Opus | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|
| Op.1 | String Quartet No.1 | 2vn va vc | D major | 1882 | Chamber | |
| Op.2 | Suite on the Name 'Sascha':
|
pf | 1883 | Keyboard | ||
| Op.3 | Overture No.1 on Three Greek Themes | orch | G minor | 1882 | Orchestral | |
| Op.4 | Romances (5):
|
v pf | 1882–85 | Vocal | ||
| Op.5 | Symphony No.1 («Славянская») ("Slavonic") | orch | E major | 1881–82, rev. 1885, 1929 | Orchestral | |
| Op.6 | Overture No.2 on Greek Themes | orch | D major | 1883 | Orchestral | |
| Op.7 | Serenade No.1 | orch | A major | 1883 | Orchestral | |
| Op.8 | To the Memory of a Hero (Памяти героя), elegy | orch | 1885 | Orchestral | ||
| Op.9 | Suite caractéristique:
|
orch | D major | 1884–87 | Orchestral | |
| Op.10 | String Quartet No.2 | 2vn va vc | F major | 1884 | Chamber | |
| Op.11 | Serenade No.2 | orch | F major | 1884 | Orchestral | |
| Op.12 | Poème lyrique (Andantino) | orch | D♭ major | 1884–87 | Orchestral | |
| Op.13 | Stenka Razin (Стенька Разин), symphonic poem | orch | B minor | 1885 | Orchestral | |
| Op.14 | Pieces (2) | orch | 1886–87 | Orchestral | No.2 arr. from Rêverie orientale (1886) | |
| Op.15 | Novelettes (5):
|
2vn va vc | 1886 | Chamber | ||
| Op.16 | Symphony No.2 ("A la memoire de François Liszt") | orch | F♯ minor | 1886 | Orchestral | also arr. for pf4h (1886) |
| Op.17 | Elegie | vc pf | D♭ major | 1887 | Chamber | |
| Op.18 | Mazurka | orch | G major | 1888 | Orchestral | |
| Op.19 | The Forest (Лес), fantasy | orch | C♯ minor | 1887 | Orchestral | |
| Op.20 | Morceaux (2):
|
vc orch | 1887–88 | Orchestral | ||
| Op.21 | Wedding Procession (Свадебное шествие) | orch | E♭ major | 1889 | Orchestral | |
| Op.22 | Morceaux (2):
|
pf | 1889 | Keyboard | ||
| Op.23 | Waltzes on the Name 'Sabela' | pf | 1890 | Keyboard | ||
| Op.24 | Rêverie | hn pf | D♭ major | 1890 | Chamber | |
| Op.25 | Prélude et mazurkas (2):
|
pf | 1888 | Keyboard | ||
| Op.26 | String Quartet No.3 («Славянский»)( "Slavonic") | 2vn va vc | G major | 1886–88 | Chamber | Finale arr. for orch as Op.26a |
| Op.26a | Slavonic Festival (Славянский праздник), symphonic sketch | orch | G major | ? | Orchestral | Based on the finale of Op.26 |
| Op.27 | Romances (2):
|
v pf | 1887–90 | Vocal | Words by Aleksandr Pushkin. Arr. for v orch as Op.27bis | |
| Op.27bis | Mélodies (2)
|
v orch | ? | Vocal | Arr. from Op.27 | |
| Op.28 | La mer (Море) | orch | E major | 1889 | Orchestral | |
| Op.29 | Rhapsodie orientale (Восточная рапсодия) | orch | G major | 1889 | Orchestral | |
| Op.30 | The Kremlin (Кремль), symphonic picture | orch | 1890 | Orchestral | ||
| Op.31 | Études (3):
|
pf | 1891 | Keyboard | ||
| Op.32 | Meditation (Размышление) | vn pf | D major | 1891 | Chamber | |
| Op.33 | Symphony No.3 | orch | D major | 1890 | Orchestral | |
| Op.34 | Spring (Весна), musical picture | orch | D major | 1891 | Orchestral | |
| Op.35 | Suite | 2vn va vc | C major | 1887–91 | Chamber | |
| Op.36 | Petite valse (Маленький вальс) | pf | D major | 1892 | Keyboard | |
| Op.37 | Nocturne | pf | D♭ major | 1889 | Keyboard | |
| Op.38 | In modo religioso | hn tpt 2tbn | 1892 | Chamber | ||
| Op.39 | String Quintet | 2vn va 2vc | A major | 1891–92 | Chamber | |
| Op.40 | Triumphal March (Торжественный марш) | (ch) orch | E♭ major | 1892 | Vocal | For opening of the 1893 Columbia International Exhibition in Chicago |
| Op.41 | Grande valse de concert | pf | E♭ major | 1893 | Keyboard | |
| Op.42 | Miniatures (Миниатюры) (3):
|
pf | 1893 | Keyboard | ||
| Op.43 | Valse de salon (Салонный вальс) | pf | C major | 1893 | Keyboard | |
| Op.44 | Elégie (Элегия) | va pf | G minor | 1893 | Chamber | |
| Op.45 | Carnaval (Карнавал), overture | orch | F major | 1892 | Orchestral | org part ad lib |
| Op.46 | Chopiniana [Les Sylphides (Шопениана)], suite:
|
orch | 1893 | Orchestral | Based on piano pieces Opp.40, 15, 50 and 43 by Frédéric Chopin | |
| Op.47 | Concert Waltz No.1 | orch | D major | 1893 | Orchestral | |
| Op.48 | Symphony No.4 | orch | E♭ major | 1893 | Orchestral | |
| Op.49 | Morceaux (3):
|
pf | 1894 | Keyboard | ||
| Op.50 | Cortège solennel (Торжественное шествие) | orch | D major | 1894 | Orchestral | |
| Op.51 | Concert Waltz No.2 | orch | F major | 1894 | Orchestral | |
| Op.52 | Scènes de ballet (Балетная сюита):
|
orch | A major | 1894 | Orchestral | |
| Op.53 | From Darkness to Light (От мрака ко свету) | orch | 1894 | Orchestral | ||
| Op.54 | Impromptus (2):
|
pf | D♭ major A♭ major |
1895 | Keyboard | |
| Op.55 | Symphony No.5 | orch | B♭ major | 1895 | Orchestral | |
| Op.56 | Coronation Cantata (Коронационная кантата) | 4vv ch orch | 1896 | Vocal | ||
| Op.57 | Raymonda (Раймонд), ballet in 3 acts | 1896–97 | Stage | Also arr. for by the composer and Aleksandr Winkler (1898). Extracts arranged as Op.57a. See also Op.68 | ||
| Op.57a | Raymonda (Раймонда), suite from the ballet | orch | 1898 | Orchestral | Extracted from the ballet, Op.57 | |
| Op.58 | Symphony No.6 | orch | C minor | 1896 | Orchestral | |
| Op.59 | Romances (6):
|
v pf | 1898 | Vocal | Words by Aleksandr Pushkin (Nos. 1, 5); Apollon Korinfsky, after Francesco Petrarca (Nos. 2, 3); Apollon Korinfsky (No. 4); Apollon Maykov (No. 6) | |
| Op.60 | Romances (6):
|
v pf | 1897–98 | Vocal | Words by Aleksandr Pushkin (Nos. 1–4), Apollon Maykov (No. 5) | |
| Op.61 | Ruses d'amour (Барышня-служанка), ballet in 1 act | 1898 | Stage | Libretto by Marius Petipa | ||
| Op.62 | Prélude et fugue | pf | D minor | 1899 | Keyboard | |
| Op.63 | Festive Cantata | vv fch 2pf8h | 1898 | Vocal | For the 100th anniversary of the Pavlovsk Institute | |
| Op.64 | String Quartet No.4 | 2vn va vc | A minor | 1894 | Chamber | |
| Op.65 | Memorial Cantata | vv ch orch | 1899 | Vocal | For the centenary of the birth of Aleksandr Pushkin | |
| Op.66 | Hymn to Pushkin | fch (+pf) | 1899 | Vocal | ||
| Op.67 | The Seasons (Времена года), ballet in 1 act | 1900 | Stage | Libretto by Marius Petipa | ||
| Op.68 | Pas de caractère | orch | G major | 1899 | Stage | Additional number for Op.57 |
| Op.69 | Intermezzo romantico | orch | D major | 1900 | Orchestral | |
| Op.70 | String Quartet No.5 | 2vn va vc | D minor | 1898 | Chamber | |
| Op.71 | Chant du ménestrel | vc orch | 1900 | Orchestral | ||
| Op.72 | Thème et variations on a Finnish Folk Song | pf | F♯ minor | 1900 | Keyboard | |
| Op.73 | Ouverture solennelle | orch | 1900 | Orchestral | ||
| Op.74 | Piano Sonata No.1 | pf | B♭ minor | 1901 | Keyboard | |
| Op.75 | Piano Sonata No.2 | pf | E minor | 1901 | Keyboard | |
| Op.76 | Marche sur un thème russe | orch | E♭ major | 1901 | Orchestral | |
| Op.77 | Symphony No.7 ("Pastoral") («Пасторальная») | orch | F major | 1902–03 | Orchestral | |
| Op.78 | Ballade | orch | F major | 1902 | Orchestral | |
| Op.79 | From the Middle Ages (Из средних веков), suite:
|
orch | E major | 1902 | Orchestral | Also arr. for pf4h (1903) |
| Op.80 | Chant sans bornes (Эх ты, песня) | sop alt pf | 1904 | Vocal | ||
| Op.81 | Fortune-Telling and Dancing (Гадание и пляска), scène dansante | orch | A major | 1904 | Orchestral | |
| Op.82 | Violin Concerto | vn orch | A minor | 1904 | Orchestral | |
| Op.83 | Symphony No.8 | orch | E♭ major | 1905 | Orchestral | |
| Op.84 | Song of Destiny (Песнь судьбы), dramatic overture | orch | D minor | 1908 | Orchestral | |
| Op.85 | Preludes (2)
|
orch | 1906–08 | Orchestral | ||
| Op.86 | Russian Fantasy | A major | 1906 | Chamber | For balalaika ensemble | |
| Op.87 | In Memory of Gogol (Памяти Н. Гоголя), symphonic prologue | orch | C major | 1909 | Orchestral | |
| Op.88 | Finnsh Fantasy | orch | C major | 1909 | Orchestral | |
| Op.89 | Finnish Sketches | orch | E major | 1912 | Orchestral | |
| Op.90 | Introduction et la Danse de Salomée | orch | 1908 | Stage | For Oscar Wilde's drama Salomé | |
| Op.91 | Cortège solennel | orch | B♭ major | 1910 | Orchestral | |
| Op.92 | Piano Concerto No.1 | pf orch | F minor | 1910–11 | Orchestral | |
| Op.93 | Prélude et fugue | org | D major | 1906–07 | Keyboard | |
| Op.94 | Love (Любовь), chorus | ch | 1907 | Vocal | ||
| Op.95 | The King of the Jews (Царь Юдейский) | orch | 1913 | Stage | Music to K. K. Romanov's drama | |
| Op.96 | Paraphrase on the Anthems of the Allied Nations | orch | 1914–15 | Orchestral | ||
| Op.97 | Theme and Variations | str (or 2vn va vc) | G minor | 1895 | Orchestral | For string quartet or string orchestra |
| Op.97 (Belaieff) | Song of the Volga Boatmen («Эй ухнем») | mch orch | 1905 | Vocal | ||
| Op.98 | Prélude et fugue | org | D minor | 1914 | Keyboard | |
| Op.99 | Karelian Legend | orch | A minor | 1916 | Orchestral | |
| Op.100 | Piano Concerto No.2 | pf orch | B major | 1917 | Orchestral | |
| Op.100A/B | Mazurka-oberek | vn pf | 1917 | Chamber | Also arr. for vn orch (1917) | |
| Op.101 | Préludes et fugues (4)
|
pf | 1918–23 | Keyboard | ||
| Op.102 | Romance de Nina | v orch | 1916 | Stage | For Mikhail Lermontov's play Masquerade (Маскарад) | |
| Op.103 | Idylle | pf | F♯ major | 1926 | Keyboard | |
| Op.104 | Fantaisie | 2pf | F minor | 1920 | Keyboard | |
| Op.105 | Elegy in Memory of M. P. Beliaeff | 2vn va vc | D minor | 1928 | Chamber | |
| Op.106 | String Quartet No.6 | 2vn va vc | B♭ major | 1920–21 | Chamber | |
| Op.107 | String Quartet No.7 ("Hommage au passé") | 2vn va vc | C major | 1930 | Chamber | |
| Op.108 | Concerto ballata | vc orch | C major | 1931 | Orchestral | |
| Op.109 | Saxophone Quartet | 4sax | B♭ major | 1932 | Chamber | |
| Op.109 | Saxophone Concerto | sax str | E♭ major | 1934 | Orchestral | |
| Op.110 | Fantaisie in G minor | org | G minor | 1934–35 | Keyboard | |
| — | Rêverie orientale | cl 2vn va vc | 1886 | Chamber | arr. for pf as Op.14/2 | |
| — | Small Gavotte | pf | C major | 1900 | Keyboard | |
| — | String Quartet on the Theme 'B-la-F' | 2vn va vc | 1886 | Chamber | Contribution (Finale) for a collaborative work with Aleksandr Borodin, Anatoly Lyadov and Nikolay Rimsky-Korsakov | |
| — | Variations on a Russian Theme | 2vn va vc | G major | 1899 | Chamber | Contribution to a collaborative work with 9 other Russian composers |
| — | Les Vendredis (Пятницы) | 2vn va vc | 1898–99 | Chamber | Composed with Aleksandr Borodin and others | |
| – | A Toast (Здравица) | ch | 1903 | Vocal | ||
| – | Album Leaf | tpt pf | D♭ major | 1899 | Chamber | |
| – | Allegro vivo | orch | E♭ major | 1895 | Orchestral | Revised for string orchestra (1917). |
| – | Arab Melody | vc pf | ? | Chamber | ||
| – | Cantata in Memory of M. Antokolsky | 1903 | Vocal | Composed with Anatoly Lyadov | ||
| – | Cantata in Memory of M. D. Skobelev | ch orch | 1914 | Vocal | ||
| – | Do I Hear your Voice?, romance | v pf | 1891 | Vocal | Words by Aleksandr Pushkin | |
| — | Down By Mother Volga (Вниз по матушке по Волге) | ch | 1921 | Vocal | Arr. of Russian folksong | |
| — | Duets (10) | 2cl/(cl pf) | ? | Chamber | For 2 clarinets or clarinet and other instruments | |
| — | Eastern Dance | orch | 1911 | Orchestral | ||
| — | Fanfares (Славление), for Nikolay Rimsky-Korsakov's jubilee | br perc | 1890 | Chamber | Composed with Anatoly Lyadov | |
| — | Fanfares (Фанфары) | ww perc | 1889 | Orchestral | For the silver jubilee of Nikolay Rimsky-Korsakov. Composed with César Cui | |
| — | Fantaisie | 2pf | 1929–30 | Keyboard | ||
| — | Fantaisie | org | 1934–35 | Keyboard | ||
| — | Festive Procession | orch | G major | 1907 | Orchestral | |
| — | For Restful Death I Cry (Зову я смерт), song | v pf | ? | Vocal | Words by William Shakespeare | |
| — | From Hafiz ("Don't Be Lured by Warlike Glory") (Из Гафиза: «Не пленяя бранной славой»), romance | v pf | 1888 | Vocal | Words by Aleksandr Pushkin | |
| — | Gagliarde and Mazurka | pf | F minor | 1900 | Keyboard | |
| — | Idylle | hn str | 1884 | Orchestral | ||
| — | Improvisations (4) | pf | 1896 | Keyboard | Contribution to a collaborative work by Sergey Taneyev, Sergei Rachmaninoff and Anton Arensky | |
| — | Joke (Шутка), quadrille | pf4h | 1890 | Keyboard | Composed with Anatoly Lyadov and others | |
| — | Les chanteurs de Noël | 2vn va vc | F major | 1888 | Chamber | Contribution to a collaborative string quartet Jour de Fête |
| — | Madrigal | 2pf | A major | 1895 | Keyboard | |
| — | March of the Devil | orch | B♭ major | 1889 | Orchestral | |
| — | Masha is Told Not to Cross the River (Не велят Маше за реченьку ходит) | ch orch | 1916 | Vocal | Arr. of folksong | |
| — | Minuet | pf | ? | Keyboard | Composed with Anton Arensky and others | |
| — | Miniature | pf | C major | 1883 | Keyboard | |
| — | Movements (2), for string quartet | 2vn va vc | 1898–99 | Chamber | ||
| — | My Songs are Venomous (Песни мои ядовтиы), song | v pf | ? | Vocal | Words by Nikolay Dobrolyubov | |
| — | Nameday (Именины), essays | 2vn va vc | 1887–88 | Chamber | Composed with Anatoly Lyadov and Nikolay Rimsky-Korsakov | |
| — | Oriental Suite | orch | 1895 | Orchestral | ||
| — | Petite suite de ballet | orch | 1910 | Orchestral | ||
| — | Pieces (5) | 2vn va vc | 1879–81 | Chamber | ||
| — | Poème épique | orch | 1933–34 | Orchestral | ||
| — | Poems-Improvisations (2):
|
pf | G minor E minor |
1917–18 | Keyboard | |
| — | Prelude-Cantata for the 50th anniversary of the St. Petersburg Conservatory | ch orch | 1912 | Vocal | ||
| — | Preludio e Fuga | pf | E minor | 1926 | Keyboard | Also arr. for org (1929) |
| — | Procession dedicated to V.V. Stasov | v pf | 1883 | Vocal | ||
| — | Procession | pf4h | D major | 1907 | Keyboard | For the birthday of Nikolay Rimsky-Korsakov |
| — | Proud Song | 1892 | Vocal | |||
| — | Serenade No.2 | hn str | 1884 | Orchestral | ||
| — | Spanish Romance (Испанский романс) | v pf | ? | Vocal | Words by Aleksandr Pushkin | |
| — | Stifling (Душно! Бех счастья и воли), song | v pf | ? | Vocal | Words by Nikolay Nekrasov | |
| — | Symphony No.9 | orch | D major | 1910 | Orchestral | 1st movement only (incomplete) |
| — | The Belle (Красавица), romance | v pf | 1888–90? | Vocal | Words by Aleksandr Pushkin | |
| — | The Elected of the Russian People, song/hymn | mch orch | 1906 | Vocal | Words by Nikolay Sokolov | |
| — | Valse lente | orch | F major | 1901 | Orchestral | |
| — | Valse miniature | pf | G minor | 1893 | Keyboard | |
| — | Variation on a Russian Theme | pf | 1899 | Keyboard | Var. 8 (Finale. Alla polacca). Composed with Anatoly Lyadov and others | |
| — | Variations | str | G minor | 1917 | Chamber | Based on the Variations for string quartet (1895) |
| — | Variations on a Russian Theme | pf | 1901 | Keyboard | ||
| — | Whenever I Hear Your Voice (Слышу ли голос твой), song | v pf | ? | Vocal | Words by Mikhail Lermontov |