List of works by Adolf Terschak

This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Terschak, Adolf.
A list of works in the composer category that are not included here can be found on this page.

Sources

  • Hofmeisters Monatsberichte (used with caution, but no other A. Terschak known to have been composing and publishing at the time, and all the works listed are for Terschak’s signature medium, flute, piano (sometimes with cello.) A few works attributed to Terschak, e.g. at the Library of Congress, are solo or choral songs, also (the latter is from opus 173 below, and is so marked on its score.) Nothing to say he didn’t diversify, even if at first his music was remarkably unified in instrumentation- of the first 60-or-so opus numbers, only about 2 or 3 of those that show up in HMB - the trios opus 20 and 22 - aren’t primarily for flute and piano, whatever arrangements and alternate versions they may have. (Some have versions for flute and piano or flute and orchestra which were, at least, published at the same time. I do not presently know if a good biography exists tracking composition times, etc.- one which would make this list redundant, at that.)
  • Emil Prill - Führer durch die Flötenliteratur, Jul. Heinr. Zimmermann
  • Musikalisches Wochenblatt, other contemporary journals

Dates, publishers and plate (numbers) where available are usually the earliest ones known (to me or the person who entered that record?...)- or if better information is available, of course, e.g. evidence for date of composition, date and perhaps some brief marker as to the source of evidence, explained in more detail elsewhere here (E.g. under "Sources".) Generally, Hofmeister or perhaps Pazdirek (which has been scanned in online- haven't checked whether it lists works by Terschak but will be doing so soon), or other sources as available - for dates; for plates, library catalogs, with the caveat as usual that it is sometimes difficult to be sure that the plate number information locked down by the library catalog listing (which is often uncertain as to date) is for the same edition as the HMB entry which is in turn certain as to date (for which the library catalog is usually equally uncertain- the more we can be certain about both and publisher too, we can fill in more entries in the useful publisher plate tables.)

Works with Opus Number

For flute and piano unless specified.

  • Op.3. - Farewell (J. Schuberth)
  • Op.4. - Serenade (J. Schuberth)
  • Op.9. - 6 Chansons sans Paroles (Schott, 1856. Plate 13945.)
  1. Barcarole
  2. Chanson d’Amour
  3. Berceuse
  4. Coquetterie
  5. La Prière
  6. La Joie
  • Op.10. - The Remembrance, Rapsodie élégiaque. (Schott, 1857)
  • Op.11. - Danse des Paysans (Schott, 1857. Plate 13946.)
  • Op.12. - La Sirène. Caprice. (Schott, 1861. Plate 16252.)
  • Op.13. - Le Fou. Grande Etude. (Schott, 1862. Plate 16253.)
  • Op.14. - Grande Valse de Concert (Schott, 1862)
  • Op.15. - Mazurka (Glöggl, 1857)
  • Op.16. - Grande Fantaisie romantique (Lewy, 1858)
  • Op.17. - Ballade. (Kahnt, 1859)
  • Op.18. - Grand Allegro de Concert - Schuberth, 1859
  • Op.19. - 6 Pieces(Wessely, 1860)
  1. Reproche
  2. Adieu
  3. Marche des Arabes
  4. Scherzo
  5. Vision
  6. Danse des Montagnards
  • Op.20. - Saltarella for flute, cello and piano (Spina, 1859)
  • Op.21. - Barcarolle et Humoresque(Haslinger, 1860)
  • Op.22. - Trio for flute, cello and piano (Schuberth & Co., 1860. Plate 2601.)
  • Op.23. - Le Babillard (Kistner, 1860)
  • Op.24. - 3 Salon-Stücke. (Kahnt, 1861)
  1. Scherzo
  2. Erinnerung
  3. Hora
  • Op.25. - La Favorite de Vienne, Caprice. (Schuberth, 1861.)
  • Op.26. - 6 Pensées fugitives. (Spina, 1860)
  1. L'Espérance
  2. Romance italienne
  3. L'Inquiétude
  4. Idylle
  5. Chanson à boire
  6. Danse rustique
  • Op.28. - Grande Fantaisie de Concert. (Schuberth, 1866 or earlier)
  • Op.29. - Salut à L’Hongrie. (Schott, 1861. Also pub. Kistner, with orchestral accompaniment by Kistner, also 1861. fl/pf version plate 2516 (Kistner).)
  • Op.30. - 2 Pieces. (Breitkopf&Härtel, 1861.)
  1. Rêverie
  2. Chant des Matelots
  • Op.31. - Chant des Gondoliers. (Breitkopf&Härtel, 1861.)
  • Op.32. - L’Espérance, Morceau de Salon. (Breitkopf&Härtel, 1861)
  • Op.33. - Sérénade. (Breitkopf&Härtel, 1861)
  • Op.34. - Chant des Bédouines (Breitkopf&Härtel, 1861)
  • Op.35. - L’Amazone. Marche de Bravoure. (Breitkopf, by 1868)
  • Op.36. - Chant lugubre. (Kistner, 1861)
  • Op.37. - Saltarella romanesque. (Kistner, 1860s)
  • Op.39. - La Rose. Morceau de Salon. (Kahnt, 1861)
  • Op.40. - La Joie (Christoph u.K., 1861)
  • Op.42. - Fantaisie de Concert (with piano or orchestra) (Breitkopf&Härtel, 1861)
  • Op.43. - Fantaisie sur des Thèmes de Bellini de La Sonnambula (w/pf. or orchestra) (Breitkopf & Härtel, 1861)
  • Op.45. - An der Wiege. Lied ohne Worte. (Kahnt, 1861)
  • Op.46. - Salut à Moscou, Mazourka. (Spina, 1861)
  • Op.47. - La Joie (Rieter-Biedermann, 1862. Plate 221.)
  • Op.48. - Mon Portrait, Humoresque (piano solo) (Falter, 1862)
  • Op.50. - L’Amitié, morceau de salon. (Aibl, 1862).
  • Op.51. - Conzertstück in E minor (with piano or orchestra) (Peters or Rieter-Biedermann respectively, 1862) (Rieter-Biedermann orchestral material - plate 222) (some further information at RISM RISM 455003414 here and also at RISM 455002746.)
  • Op.52. - Caprice militaire. (Hofmeister, 1861)
  • Op.53. - Salut à Vienne. Caprice. (Hofmeister, 1861)
    • also Jugendträume, in several books. (Simrock, 1862.)
  1. Die Erzählung
  2. Zurechtweisung
  3. Trübsinn
  4. Frohsinn
  5. Klage
  6. Plaudereien, Scherzo

-Neue Folge (Aibl, February 1862): -1st 3 books, 1.Lieferung:

  1. Die Versprechung
  2. Das erste Gebet
  3. Der Gang zur Kirche
  4. In der Schule
  5. Verzeihung

-2.Lieferung:

  1. Die Versprechung
  2. Das erste Gebet
  3. Der Gang in die Schule
  4. Der Schlaf
  5. Marsch aus der Schule
  • Op.54. - Ballade (Aibl, 1862)
  • Op.55. - Chant de Voyage. (Aibl, 1862)
  • Op.56. - L’Impatience, Morceau de Salon (Klemm, 1863)
  • Op.57. - Plaisir du soir, Valse élégante (Klemm, 1863)
  • Op.59. - Sommernächte, 6 Lieder ohne Worte (Haslinger, 1863)
  • Op.60. - 3 Fantaisies faciles (1863, Breitkopf & Härtel)
  1. Lucrezia
  2. Ernani
  3. Lucia di Lammermoor
  • Op.61. - La Coquette. Morceau de Salon. (Weinholtz, 1863.)
  • Op.62. - Danses des montagnardes (Weinholtz, 1863.)
  • Op.64. - 6 Lieder ohne Worte (Cranz, 1863 (violin, cello), 1865 (flute))
  • Op.65. - Chant d’amour, Morceau de Salon (Cranz, 1864.)
  • Op.66. - Réveille des chasseurs, Morceau (Cranz, 1864.)
  • Op.67. - 3 Transcriptions in Light Style (Haslinger, 1864)
  1. Rigoletto
  2. Il Trovatore
  3. La Traviata
    • also 64 Uebungen (Cranz)
  • Op.68. - Don Sebastian fantasy (Spina, 1865)
  • Op.69. - 12 Duos caractéristiques for 2 flutes. (Cranz, 1867.)
  • Op.70. - 12 duos progressifs for 2 flutes. (Schott, 1873.)
    • also 60 Kleine Vorstudien f. Flute. (Oberdörffer, 1889.)
  • Op.71. - Tägliche Studien for Flute (Schott, 1867)
  • Op.72. - Oberösterreichische Original-Volkslieder (Glöggel, 1864)
  • Op.73. - Le Murmure de Ruisseau, piano solo (Forberg, 1865.)
  • Op.74. - L’Attaque, Etude, piano solo (Forberg, 1865.)
  • Op.75. - Ecole de mécanisme. 20 Etudes pour la Flûte. suite to op. 71. (Schott, 1873.)
  • Op.76. - Le Désir ardent. Pièce de Salon. (Kahnt, 1865.)
  • Op.77. - La Babillarde. Morceau de Salon. (Kahnt, 1865. related to op.23?)
  • Op.78. - Epheuranken. 2 characterstücke. (Präger u.M., 1867.)
  • Op.81. - 12 oberösterreichische Alpenlieder (Spina, 1867.)
  • Op.82. - 6 Duos faciles for 2 flutes. (Spina, 1869.)
  • Op.83. - Lieder aus den Alpen (Präger, 1868)
  • Op.84. - Flüchtige Gedanken. (for flute, violin, or cello and piano.) (Präger u M, 1868)
  • Op.85. - 2 duos for piano and flute. (Cranz, 1867.)
  • Op.86. - Fleurs des Alpes, 12 Chansons populaires (Schott)
  • Op.87. - Ein Mährchen, concertstück. (Schuberth, 1879.)
  • Op.89. - Frühlingsboten, 6 Lieder ohne Worte (Ries&Erler; Breslau: Hientzsch, 1868. Published in versions for cello, violin or flute and piano.)
  • Op.90. - Polka-Caprice (Schuberth, 1870. Plate 4763.)
  • Op.91. - Yankee Doodle. (Schuberth, 1870.)
  • Op.94. - Feldblumen (Schuberth, 1871)
  • Op.95. - Ein Kinderball (Schuberth, 1872)
  1. Walzer
  2. Mazurka
  3. Quadrille
  4. Polka
  • Op.96. - Souvenir de Naples. (Schuberth, 1871.)
  • Op.97. - 2 Morceaux de Salon (Litolff, 1876.)
  1. Auf Wiederschen
  2. Vorwarts!
  • Op.99. - Ein Kinderball (revision of opus 95) für 4 kl. Hände. (Litolff, 1878.)
  • Op.100. - La Styrienne, Morceau de Salon (from Die Musikalische Welt, organized by Franz Abt and Clemens Schultze. Litolff, 1872.)
    • also? Le Carnaval de Venise varié (1879, Schuberth.)
  • Op.101. - Die Wacht am Rhein (J. Schuberth, by 1871)
  • Op.102. - 2 Morceaux de Salon (Litolff, 1876.)
  1. Idylle
  2. Réveil militaire
  • Op.103. - 2 norwegische Lieder. (Aibl, 1872.)
  1. Norwegisches Berglied
  2. Dalekarlier Tanzlied
    • Home sweet Home (süsse Heimath), transcribed (Schuberth, 1874)
  • Op.104. - Causerie, Morceau de Salon. (Aibl, 1872.)
  • Op.105. - Ruhelos. Salonstück. (Aibl, 1872)
  • Op.106. - 2 Albumblätter for piano. (Litolff, 1877)
  1. Hoffnung
  2. Dolce far niente
  • Op.107. - La Tyrolienne. (Aibl, 1872)
  • Op.108. - Das Glöckchen des Eremiten (piano solo) (die musikalische Welt, Heft 4, 1872)
  • Op.110. - 3 russische Volkslieder (Bote&Bock, 1873)
  1. Der rote Sarafan
  2. Das Dreigespann
  3. Die Nachtigall
    • also Von Blume zu Blume. Salonstück. (Barth, 1872)
  • Op.114. - Improvisations on beloved Folksongs of various Nations. (Challier, 1872)
  1. Kathleen Mavourneen
  2. O Susanna (Amerikanisch)
  3. Im Rosenduft (Swedisch)
  4. Die Bajadere (Französisch)
  5. An den Ufern des Guadalquivir (Spanisch)
  6. In einem kühlen Grunde (Deutsch)
  • Op.115. - Mein Stern. Salonstück. (Barth, 1872.)
  • Op.116. - Heimweh. Salonstück. (Barth, 1872.)
  • Op.117. - 3 Volkslieder (Schott)
  • Op.118. - Caleidoscop. (Barth, 1872.) (Otto Junne, 18??, Plate B.&F. 39.)
  • Op.120. - Skizzen, Lieder ohne Worte, Heft I + II (Challier, 1873)
  • Op.121. - Schutt, Lieder ohne Worte (Schlesinger? and Haslinger, 1873)
  • Op.122. - 5 Kinderlieder. (Habermann’s Nachfol., 1872)
  1. Morgengebet
  2. Aufmunterung
  3. Schnee
  4. Ermahnung
  5. Abend
  • Op.123. - Almrausch u. Edelweiss. Lieder aus den Alpen. (Schuberth, 1875.)
  • Op.125. - Reverie polonaise Mazurka (Forberg)
  • Op.126. - Nachtschatten, Polka-Mazurka (Haslinger, 1874)
  • Op.127. - 12 melodische Studien for a flute (Forberg (could be Otto or Robert), 1873)
  • Op.128. - 2 Morceaux (Cranz)
  1. Chant des Gondoliers
  2. Saltarella
  • Op.129. - Sérénade militaire. (André plate 11463. 1873.)
  • Op.130. - Aux Alpes, fantaisie facile. (Schreiber, 1874.)
  • Op.131a. - Leichte Duette for 2 Flutes (Andre)
  • Op.131b. - Leichte Uebungen (Andre)
  • Op.131c. - Grosse Studien (Andre)
  • Op.131d. - 12 Studies. (André 12833.)
  • Op.132. - Columbus, rapsodie américaine (flute and piano or flute and orchestra) (André. Plate 11456 for piano reduction. Piano: 1873. Orch.: 1877.)
  • Op.133. - Carnaval suisse (with orchestra or piano) (piano - plate 11462, André. Orch. version 1878.)
  • Op.134. - Oberösterreichische Dorfgeschichten
  • Op.135. - Die Nachtigall for soprano, flute and piano (Andre)
  • Op.136. - La Caravane (Schlesinger) (also published by Haslinger, 1874)
  • Op.137. - Plaisir du soir (Schlesinger)
  • Op.138. - Murillo (Kistner, 1889)
  • Op.139. - Le Papillon en Voyage (Kistner)
  • Op.140. - Hommage a Venise (Kistner)
  • Op.141. - Mordio (Kistner)
  • Op.143. - Die Jahreszeiten
  • Op.144. - Capriccio (Andre)
  • Op.145. - Fioritta. Souvenir à Como (André, 1875).
  • Op.146. - Schierling (André, 1875.)
  • Op.147. -Allegro de concert (Andre)
  • Op.148. - Raphaela
  • Op.149. - Mélancolie hongroise. (André 11651.) (v/pf arr. pub. 1883 by André.)
  • Op.150. - 3 songs for soprano or tenor and piano. (Har?linger? Haslinger? 1874)
  1. Ich sass im Hain alleine
  2. Frühling (Lenz mit seinen Büthensegen)
  3. Wiegenlied (Süsse Ruh’ o steig bernieder)
  1. Rom
  2. Sorento
  3. Genua
  4. Florenz
  5. Neapel
  6. Venedig
  • Op.153. - Méditation (C) p. Fl. et Piano. (Schmid, 1875)
  • Op.154. - Giftpflanzen (Schlesinger)
  • Op.155. - 9 Salonstücke. 3 books. (Aibl, 1880.)

-England

  1. Begone dull care
  2. Rocket in the cradle of the deep
  3. Gaily, the Troubadour

-Schottland

  1. Ye Branks and Braes ò bonny Doon
  2. The yellow-haired ladie
  3. Weel may the Keel row

-Irland

  1. Garry Owen
  2. By that Lake
  3. Oh the Shamrock
  • Op.156. - Deutsche Soldatenbilder (Andre)
  • Op.157. - Rubens (J. Schuberth)
  • Op.158. - Rhapsodie slave. (Schuberth, 1881.)
  • Op.159. - Julietta, Scène italienne. (Schuberth, 1882.)
  • Op.160. - Fantaska, Morceau de Salon (J. Schuberth)
  • Op.161. - Aus dem hohen Norden, 6 Transcriptionen für Pfte. und Flöte. (Warmuth, 1878.)
  1. Astri, mi Astri.
  2. Langebergs Laat’n
  3. Huldra aa Elland. Ballade.
  4. Ja, vi elske dette Landet.
  5. Strilevise aus Bergen.
  6. Halling.
  • Op.163. - Vater unser for solos , mixed chorus and orchestra (Warmuth, 1878). (Text by Mahlmann.)
  • Op.164. - Nordlands Bilder
  • Op.165. - Pélerinage en Italie. Petite Suite. (Augener, 1879.)
  • Op.166. - 3 Duos über englische, schottische und irische Volkslieder (Hansen)
  • Op.168. - Flute Sonata No.1 (Schott, 1880)
  • Op.169. - Erin, o Erin for Men’s chorus and bass solo. (Leuckart, 1881.)
  • Op.170. - Polka-Caprice (Schott)
  • Op.171. - 6 Lieder ohne Worte (Schott)
  • Op.173. - 2 Poems after Texts by Thomas Moore (Siegel, 1882.)
  1. Dich vergessen?
  2. Geh’, wo Ruhm dir winket.
  • Op.175. - Flute Sonata No.3 (Schott, 1881)
  • Op.176. - Russian Rhapsody (Zimmermann, 1888) (plate Z.1323.)
  • Op.177. - Hora, Reverie orientale (Andre)
  • Op.178. - Er und Sie, Humoreske. (André, 1897.)
  • Op.181. - Die Flammen von Surachani (Zimmermann)
  • Op.182. - Aus den Alpen (Zimmermann)
  • Op.183. - Vision
  • Op.184. - Unsere Bauern (Zimmermann)
  • Op.185. - Rhapsodie orientale (Zimmermann)
  • Op.186. - Der Raub der Sabinerinnen (Zimermann)
  • Op.187. - Herbstblätter
  • Op.188. - Sakura und Hana-Kurabe (Zimmermann)
  • Op.189 - Auf dem Flusse Peiho (Zimmermann)
  • Op.190. - 4. Concert-Allegro (Zimmermann)
  • Op.194. - Frühlingsboten. (Zimmermann, 1898).
  • Op.195. - Allegro de concert (J. Rieter-Biedermann, 1899. Plate 2258.)
  • Op.196. - Steppen-Blumen (Zimmermann)
  • Op.197. - Schneeflocken

Works without Opus number

  • La Naiade, Concertino (Hansen)
  • 3 Morceaux (Hansen
  1. Contradiction
  2. Reverie
  3. Danse bergamasque
  • Impressioni di viaggio in Italia (Ricordi)
  1. Roma
  2. Sorrento
  3. Genova
  4. Firenze
  5. Napoli
  6. Venezia
  • The last Rose of Summer (Schott)
  • Alpen-Rose (Augener / Durand, published 1879)