Magnificat Sexti Toni (Titelouze, Jean)

Movements/SectionsMov'ts/Sec's	7 Fugues Magnificat Quia respexit Et misericordia Deposuit potentes (version 1) Deposuit potentes (version 2) Suscepit Israel Gloria Patri et Filio
First Publication	1626, in Le Magnificat, ou Cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Église (Paris: Ballard)
Genre Categories	Magnificats; Religious works; Vespers; For organ; Scores featuring the organ; For 1 player

Performances

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Synthesized performance
*#315355 - 0.04MB - 10:20 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28x⇩ - MID - editor

MID file (audio/video)
editor (2014/2/11)

Performers	MIDI file by Pierre Gouin
Publisher Info.	Montréal: Les Éditions Outremontaises, 2014
Copyright	Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Complete Score
*#315354 - 0.20MB, 7 (#39-45) pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 503x⇩ - editor

PDF typeset by editor
editor (2014/2/11)

Editor	Pierre Gouin - Contact
Publisher. Info.	Montréal: Les Éditions Outremontaises, 2014
Copyright	Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes	Urtext edition after the Guilmant AMO (1897) edition.
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Work Title	Magnificat Sexti Toni
Alternative. Title	Magnificat du 6e ton
Composer	Titelouze, Jean
Key	F major
Movements/SectionsMov'ts/Sec's	7 Fugues Magnificat Quia respexit Et misericordia Deposuit potentes (version 1) Deposuit potentes (version 2) Suscepit Israel Gloria Patri et Filio
First Publication.	1626, in Le Magnificat, ou Cantique de la Vierge pour toucher sur l’orgue, suivant les huit tons de l’Église (Paris: Ballard)
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	Organ