Magnificat tertii et octavi toni (Gombert, Nicolas)

Movements/SectionsMov'ts/Sec's 6 movements
Composition Year 1552 or before
Genre Categories Magnificats; Religious works; Vespers; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; For 4 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For 2 mixed choruses; For 8 voices; Latin language

Sheet Music

Parts

 Complete Parts
#106635 - 1.49MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 282×⇩ - RTM

PDF scanned by E-Mn
RTM (2011/6/23)

Editor First edition
Publisher. Info. Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Copyright
Public Domain [tag/del]
Misc. Notes Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
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General Information

Work Title Magnificat tertii et octavi toni
Alternative. Title Magnificat on the Third or Eighth Tones
Composer Gombert, Nicolas
I-Catalogue NumberI-Cat. No. ING 22
Movements/SectionsMov'ts/Sec's 6 movements
  1. Et exsultavit (3 vv)
  2. Quia fecit mihi magna (4 vv)
  3. Fecit potentiam (5 vv)
  4. Esurientes (6 vv)
  5. Sicut locutus est (7 vv)
  6. Sicut erat in principio (8 vv)
Year/Date of CompositionY/D of Comp. 1552 or before
First Publication. 1552 in Canticum Beatae Mariae Virginis (No.3)
Librettist Biblia Vulgata, Lucam 1:46–55 and Doxology
Language Latin
Average DurationAvg. Duration 10-12 minutes
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 3-8 voices (SAB, each verse adds an extra voice)
External Links CPDL page
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