Mass in C major, Hob.XXII:9 (Haydn, Joseph)

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 I. Kyrie
#76314 - 4.82MB - 5:16 -  6.5/10 2 4 6 8 10 (11) - - !N/!N/!N - 5358x

MP3 file (audio)
Carolus (2010/8/24)

 II. Gloria
#76315 - 10.12MB - 11:03 -  5.0/10 2 4 6 8 10 (2) - - !N/!N/!N - 2394x

MP3 file (audio)
Carolus (2010/8/24)

 III. Credo
#76316 - 9.45MB - 10:19 -  6.5/10 2 4 6 8 10 (4) - - !N/!N/!N - 1279x

MP3 file (audio)
Carolus (2010/8/24)

 IV. Sanctus
#76317 - 2.26MB - 2:28 -  2.0/10 2 4 6 8 10 (1) - - !N/!N/!N - 1097x

MP3 file (audio)
Carolus (2010/8/24)

 V. Benedictus
#76318 - 5.99MB - 6:33 -  6.0/10 2 4 6 8 10 (1) - - !N/!N/!N - 1175x

MP3 file (audio)
Carolus (2010/8/24)

 VI. Agnus Dei
#76319 - 5.03MB - 5:30 -  5.0/10 2 4 6 8 10 (2) - - !N/!N/!N - 1247x

MP3 file (audio)
Carolus (2010/8/24)

Performers:

Gerda Hondros, soprano
Katharina Plank-Ikonomu, alto
Georg Rauchbauer, tenor
Erwin Naglreiter, bass
Orchestra and Chorus of St. Martin Eisenstadt / Christian Dreo

Publisher Info.:

Eisenstadt: Dommusik St. Martin.

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

Total duration: 41:05. Performed 23 April 2000.

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General Information

Work Title Mass
Alternative Title Missa in tempore belli ; Paukenmesse ; Mass in Time of War
Composer Haydn, Joseph
Opus/Catalogue Number Hob.XXII:9
Key C major
Movements/Sections 6 sections (11 movements)
Kyrie
Gloria
Gloria in excelsis Deo
Qui tollis peccata mundi
Quoniam tu solus sanctus
Credo
Credo in unum Deum
Et incarnatus est
Et resurrexit
Sanctus
Benedictus
Agnus Dei
Agnus Dei
Dona nobis pacem
Year/Date of Composition 1796
First Performance 1796
First Publication 1799
Language Latin
Average Duration 38 minutes
Piece Style Classical
Instrumentation 4 Voices (S,A,T,B), Mixed Chorus (STB), Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, Strings, Continuo (Organ)


Misc. Comments

Question- who published the 1799 version (Breitkopf?) The October 5 1803 Allgemeine musikalische Zeitung opens with a review of the Breitkopf publication of the score ("Partition") of this work (identifiable uniquely not just by the references to C-dur but also by the one line quote from the opening of the Credo (Oct. 5 1803 p.4 and succeeding and preceding pages - of course "Paukenmesse" is not used, etc., being nicknames of later origin! So this score was published by 1803, but reviews did often appear several years after publication - fair enough, as it prevented hurried consideration :) )

Haydn Masses
  • Early – middle period masses (c.1750–1782)
  1. Missa Rorate cœli desuper in G, Hob.XXII:3
  2. Missa brevis in F, Hob.XXII:1
  3. Missa Cellensis in hon. BVM in C, Hob.XXII:5 »Cäcilienmesse«
  4. Missa Sunt bona mixta malis in D minor, Hob.XXII:2 (fragment)
  5. Missa in honorem Beatissimæ Virginis Mariæ in E, Hob.XXII:4 »Grosse Orgelmesse«
  6. Missa Sancti Nicolai in G, Hob.XXII:6 »Nicolaimesse«
  7. Missa brevis Sancti Joannis de Deo in B, Hob.XXII:7 »Kleine Orgelmesse«
  8. Missa Cellensis in C, Hob.XXII:8 »Mariazellermesse«
  • Esterházy name day masses, (1796–1802)
9. Missa Sancti Bernardi von Offida in B, Hob.XXII:10 »Heiligmesse«
10. Missa in tempore belli in C, Hob.XXII:9 »Paukenmesse«
11. Missa in angustiis in D minor, Hob.XXII:11 »Nelsonmesse«
12. Missa in B, Hob.XXII:12 »Theresienmesse«
13. Missa in B, Hob.XXII:13 »Schöpfungmesse«
14. Missa in B, Hob.XXII:14 »Harmoniemesse«
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