Mass in E-flat major, Op.5 (Beach, Amy Marcy)

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 Complete score
#382033 - 83.11MB, 173 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 140x

PDF scanned by US-Be
Carolus (2015/6/15)

PMLP10012-Beach - Grand Mass.pdf
Publisher Info.:

Holograph manuscript, 1890

Copyright:

Public Domain [tag/del]

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Vocal Scores

 Complete score
#16964 - 12.51MB, 84 (82) pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 1221x

PDF scanned by Google
Carolus (2008/5/17)

Beach-Op5vs.jpg
Editor:

First edition

Publisher Info.:

Boston: Arthur P. Schmidt, 1890. Plate A.P.S. 2637.

Copyright:

Public Domain [tag/del]

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Includes color cover.

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 1. Kyrie
#04084 - 0.44MB, 4 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 582x

PDF scanned by MSCuthbert
Mscuthbert (2007/2/24)

 2. Gloria
#04085 - 2.06MB, 18 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 323x

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Mscuthbert (2007/2/24)

 3. Credo; 4. Sanctus; 5. Agnus Dei
#04086 - 2.38MB, 21 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 299x

PDF scanned by MSCuthbert
Mscuthbert (2007/2/24)

Beach Mass Kyrie.pdf
Editor:

First edition

Publisher Info.:

Boston: Arthur P. Schmidt, 1890. Plate A.P.S. 2637.

Copyright:

Public Domain [tag/del]

Misc. Notes:

two-page spreads

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General Information

Work Title Mass in E major
Alternative Title Grand Mass in E for Voices and Orchestra
Composer Beach, Amy Marcy
Opus/Catalogue Number Op.5
Key E-flat major
Movements/Sections 5 sections
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus Dei
Year/Date of Composition 1889, revised 1892
First Performance 1892 February 7
First Publication 1890
Language Latin
Piece Style Romantic
Instrumentation voices, chorus, orchestra
Solo Voices
soprano, alto, tenor, bass
Mixed Chorus (SATB)
Orchestra
2 flutes, 2 oboes (2nd also English horn), 2 clarinets, 2 bassoons
4 horns, 3 trumpets, 3 trombones, timpani, organ, harp, strings
External Links Wikipedia article


Misc. Comments

Begun around 1886 according to Adrienne Fried Block, Amy Beach, Passionate Victorian: The Life and Work of an American Composer, p.64. Completed in 1889 (the vocal and choral parts in 1886 and 1887, the orchestral score in 1889) also according to Block (according to Clara Cheney). Also, in the premiere, the work contained a sixth section, a Gradual(e) by Beach setting a proper for the Feast of the Immaculate Conception (8 December), sung between the Gloria and the Credo; this was published separately somewhat later.

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