Mass in B Minor, BWV 232 (Bach, Johann Sebastian)

Free public domain sheet music from IMSLP / Petrucci Music Library

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Contents

Music Files

Full Scores

Complete Mass

 I. Kyrie
#01257 - 2.41MB - 44 pages - Scan Quality: 7.67/10 (6 ratings) - V/V/V

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 II. Gloria
#01258 - 6.43MB - 108 pages - Scan Quality: 7.00/10 (1 rating) - V/V/V

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 III. Credo
#01259 - 5.03MB - 88 pages - Scan Quality: 7.33/10 (3 ratings) - V/V/V

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 IV. Sanctus
#01261 - 3.06MB - 49 pages - Scan Quality: 10.00/10 (1 rating) - V/V/V

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 V. Agnus Dei
#01262 - 0.63MB - 13 pages - Scan Quality: 10.00/10 (1 rating) - V/V/V

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Editor:

Julius Rietz (1812–1877)

Publisher Info.:

Bach-Gesellschaft Ausgabe (1851-1900), Band 6
Leipzig: Breitkopf & Härtel, (1856). Plate B.W. VI

Copyright:

Public Domain

Misc. Notes:

Error: page 139 (in Gloria, page 93 of PDF) is missing, replaced by page 239.

Amazon:

Large score: US CA UK DE FR - Dover (reprint)
Study score: US CA UK DE FR - Dover (reprint)

 I. Kyrie
#33302 - 3.32MB - 24 facing (47) pages - Scan Quality: 9.00/10 (1 rating) - V*/V*/V*

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 II. Gloria
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 III. Credo
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 IV. Sanctus
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 V. Agnus Dei
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Publisher Info.:

Leipzig: Ernst Eulenburg, n.d.(ca.1925), plate E.E. XXXX

Copyright:

Public Domain

Misc. Notes:

Based on BGA edition (vis. identical errors at the beginning of the "Et in Unum Dominum")

Sheet Music Plus:

Study score: Eulenburg

 Complete Score
#24490 - 9.00MB - 325 pages - Scan Quality: 8.00/10 (2 ratings) - !N/!N/!N

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Uploader: Perlnerd666 (16 November 2008)

Editor:

Center for Computer Assisted Research in the Humanities

Publisher Info.:

Center for Computer Assisted Research in the Humanities

Copyright:

Creative Commons Attribution 3.0

Selections

 Manuscript Score (selection)
#23835 - 28.05MB - 36 pages - Scan Quality: 9.00/10 (1 rating) - V/V/V

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Uploader: Peter (3 November 2008)

Editor:

Hermann Kretzschmar (1848-1924)

Publisher Info.:

Bach-Gesellschaft Ausgabe (1851-1900), Band 44
Leipzig: Breitkopf & Härtel, (1895). Plate B.W. XLIV

Copyright:

Public Domain

Misc. Notes:

From P 180 manuscript
page 93 is missing

Parts

Complete Mass

 Flute 1, 2
#56412 - 2.92MB - 27 (15, 12) pages - Scan Quality: 9.00/10 (1 rating) - V/V/V

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 Oboe 1, 2
Oboe d'Amore 1, 2 (in A)

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 Bassoon 1, 2
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 Horn (in D)
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 Trumpet 1, 2, 3 (in D)
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 Timpani
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 Violins I
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 Violins II
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 Violas
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 Cellos/Basses
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 Organ (Continuo, with Soprano Cues)
#56422 - 9.13MB - 81 pages - Scan Quality: No ratings yet - V/V/V

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 Harpsichord (Continuo)
#56423 - 8.06MB - 72 pages - Scan Quality: No ratings yet - V/V/V

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Publisher Info.:

Leipzig: Breitkopf, n.d. (Orch. Bibliothek)

Copyright:

Public Domain

Misc. Notes:

These files are part of the Orchestra Parts Project.

"Missa" (Kyrie and Gloria)

 Complete Parts
#57488 - 39.22MB - 142 pages - Scan Quality: No ratings yet - V/V/V

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Publisher Info.:

Manuscript

Copyright:

Public Domain

Misc. Notes:

Mus. 2405-D-21 Manuscript
See Misc. Comments

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General Information

Work Title Mass in B minor
Alternative Title The Great Catholic Mass
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 232
Key D Major
Number of Movements/Sections 4
Language Latin, Greek
Genre Mass
Piece Style Baroque
Instrumentation Orchestra - 2 Flutes, 3 Oboes/2 Oboes d’amore, 2 Bassoons, Hunting Horn, 3 Trumpets, Timpani, Strings
Voices - Soloists (SSATB), and Chorus (SSAATTBB).
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Misc. Comments

Section Listing

  1. "Missa": Kyrie & Gloria
  2. Symbolum Nicenum (Credo)
  3. Sanctus
  4. Osanna/Benedictus/Agnus Dei et Dona nobis pacem

Chronology

The Sanctus of the Mass was originally written for SSSATB in 1724 for Christmas; it was revised for SSAATB in the process of copying into the P 180 manuscript. The Kyrie and Gloria of the Mass were originally written 1733 for the Dresden court; some theorize that the Kyrie was a "Trauer-Ode" for Augustus I, and the Gloria a Coronation piece for Augustus II. It is unknown when the Credo was written, however, the manuscript is on a very different kind of paper, and Kobayashi dates it to near the end of Bach's life. Further evidence of it not being wholesalely copied is that the "Et in Unum Dominum" was revised to include a separate "Et Incarnatus Est" movement. Also, the appearance of the "bridge" between the "Confiteor" and "Et Expecto" shows clear signs of being a new composition (as does the Adagio introduction to the Kyrie).
The Osanna and Agnus Dei are all verifiable parody movements, but the date of composition is unknown. As Stauffer points out (2003), Bach may have had even more ambitious plans for the "Dona nobis Pacem," but was unable to complete it, and this explicates the extra staves ruled in the manuscript.

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