Missa Eucharistica (Steffen, Elmer Andrew)

Movements/SectionsMov'ts/Sec's	5 (or 7) movements
First Publication	1932
Genre Categories	Masses; Religious works; For 4 voices, organ; For voices with keyboard; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring the organ; For 4 voices, orchestra; For voices with orchestra; Scores featuring the orchestra; For mixed chorus, organ; Scores featuring mixed chorus; For chorus with keyboard; For mixed chorus, orchestra; For chorus with orchestra; Latin language

Sheet Music

Complete Score (CA)
*#499390 - 9.44MB, 27 pp. - 0.0/10 2 4 6 8 10 (-) - V/28/34 - Jaquick

PDF scanned by Jaquick
Jaquick (2017/11/5)

Publisher. Info.	New York: J. Fischer & Brother, 1932. Plate J. F. & B. 6612-21.
Copyright	Public Domain - Non-PD US, Non-PD EU [tag/del]
Misc. Notes	Uploaded without additional Credo harmonization by Carlo Rossini (d. 1975), which is commercially available.
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Work Title	Missa Eucharistica
Alternative. Title
Composer	Steffen, Elmer Andrew
I-Catalogue NumberI-Cat. No.	IES 1
Key	G major
Movements/SectionsMov'ts/Sec's	5 (or 7) movements
First Publication.	1932
Librettist	Catholic litergy
Language	Latin
Dedication	"Dedicated to His Excellency the Most Reverend Joseph Chartrand, D. D., Bishop of Indianapolis"
Composer Time PeriodComp. Period	Early 20th century
Piece Style	Romantic
Instrumentation	voices (SATB), organ (or orchestra)
Extra Information	Also exists in arrangements for TTBB (1932) and for unison voices (1942)

There are 2 Credo settings (7 movements total) in the published score, but neither claims to be original work. The main setting is Nicola Montani's (1880-1948) harmonization of Credo III with interpolated polyphony by Montani. Appended to the end is a harmonization of Credo V by Carlo Rossini (1890-1975).
The indication "With Organ or Orchestra" is situated on the title page beneath the indications for the arrangements, so it is difficult to tell whether either of these is an arrangement with the mixed chorus version as well. Tagged with both as original for now, subject to correction if an orchestral version is ever uploaded that clarifies this.