Nordestinas (Larson, Eduardo)

Free public domain sheet music from IMSLP / Petrucci Music Library
Jump to: navigation, search



No files submitted.

Sheet Music

Scores and Parts

 Complete score (concert pitch)
#258313 - 0.17MB, 10 pp. -  10.0/10 2 4 6 8 10 (2- !N/!N/!N - 1257x

PDF typeset by composer
Dudalarson (2012/11/12)

 Flute Part
#400061 - 0.08MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 6x

PDF typeset by composer
Dudalarson (2015/11/18)

 Clarinet part (B)
#400062 - 0.07MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 3x

PDF typeset by composer
Dudalarson (2015/11/18)

 Bassoon part
#400063 - 0.08MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 3x

PDF typeset by composer
Dudalarson (2015/11/18)

PMLP418902-Eduardo Larson - Nordestinas.pdf
Publisher Info.:

Eduardo Larson


Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]


Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Nordestinas
Alternative Title
Composer Larson, Eduardo
Movements/Sections 3
Year/Date of Composition 2012
First Publication 2012
Average Duration 5 minutes
Piece Style Modern
Instrumentation flute, clarinet, bassoon

Misc. Comments

Composer's Note

“Nordestinas” is a piece for woodwind trio in three movements based on traditional musical and dance forms from Brazil’s northeast region. In addition to the use of idiosyncratic rhythmic patterns, this composition is freely built upon a scale that merges the Mixolydian with augmented forth and the Dorian modes, the most common configurations for major and minor tonalities in that cultural context. The first movement stands for a musical genre that is often performed as a “call and response” singing with a repetitive musical beat and a modal accompaniment. "Côco" (coconut) is a Brazilian slang for “head” and this type of music has this name because the lyrics are normally improvised. The second movement “Toada” stands for a broader musical form generally more melodic and with fixed lyrics. It is often used to narrate sad stories about the hard life of the cowboys in the "sertão" (the semi-arid backlands in Northeastern Brazil). The last movement refers to “Maracatu”. Despite its various manifestations, it can be broadly defined as a vibrant dance or performance genre with an afro-indigenous origin and distinctive musical rhythms.

Personal tools
Browse scores
Browse recordings
For iPhone & iPad


Associated with