||Espejo de obsidiana para 7 instrumentos
||Obsidian Mirror for 7 instruments
|Year/Date of CompositionY/D of Comp.
||2001-10-02 in Yokohama, Japan
||dedicated to the Mayan Civilization
|Average DurationAvg. Duration
|Composer Time PeriodComp. Period
||flute, clarinet, violin, viola, cello, piano, harp
Black Stone, nocturnal, reflective smoky mirror where priests and maidens were reflected, ancient people faces and traces that were left in this black stone in the memory and history of Celestial City of Tamoanchán.
It is here a Mesoamerican calendar folded on itself (130 x 2 = 260 x 2 = 520) within which all symmetries are perfectly groomed to create mirrors. Mirrors in space (height), in time, in the form, in the orchestration and arrangement breaks. The latter serve to frame the sections of the piece as many faces reflected on the mirror reflected in time.
Symbolically, we attended very succinctly the great Mayan cycle of 5200 years, 13 "Baktun" of 400 years. For example, this factor is musically represented in the introduction of frequency modulation in the central part of the piece, the historical peak of Maya (631-683 AD) to finally disappear in the cosmic mirror of the night in the mirror time.
This work is dedicated to the Mayan people.