Oda a las Ranas (Fine, Vivian)
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Performances
Recordings
Complete performance
*#245123 - 20.91MB - 11:25 - (0) - - !N/!N/!N - 37x⇩
MP3 file (audio)
rhymesandchymes (2012/8/3)
Veil of Isis vocal ensemble
Jane Lenoir, flute; William Banovetz, oboe; Carol Negro, bassoon;
Sandra Mabee, percussion; Joan Gallegos, conductor
Vivian Fine Estate
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
Recorded live July 29, 1983, Berkeley, California
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Sheet Music
Scores
Complete score and poem with translation
*#245122 - 3.98MB, 21 pp. - (0) - !N/!N/!N - 66x⇩
PDF typeset by Paul Hawkins
rhymesandchymes (2012/8/3)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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General Information
| Work Title | Oda a las Ranas |
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| Alternative Title |
| Composer | Fine, Vivian |
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| Movements/Sections | One movement |
| Year/Date of Composition | 1980 |
| First Performance | 1981-06-13 in Philadelphia, Pennsylvania.
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| Librettist | Pablo Neruda (1904-1973) |
| Language | Spanish |
| Average Duration | 11 1/2 minutes |
| Piece Style | Modern |
| Instrumentation | Women’s chorus, flute, oboe, cello and percussion |
Misc. Comments
Fine divided the women’s choir into four parts and chose a simple instrumentation of flute, oboe, and cello with a colorful array of percussion using ratchets, gongs, cymbals, castanets, and vibraphone. The vibraphone provides pitch support, and at one point…the voices are asked to match the vibraphone timbre. Like she did in the nightingale texts in previoius music, Fine enjoyed writing froglike text painting, using quivering figures and doubly dotted rhythms to portray the text and having the cello add percussive textures of snapped and glissandi pizzicati. Frequently the voices are doubled by the instruments, making Oda a las Ranas accessible.
- —Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999
- Works not in public domain
- Recordings
- Pages with scores
- Scores
- Fine, Vivian
- Modern
- Odes
- For female chorus, flute, oboe, vibraphone, percussion, cello
- Scores featuring female chorus
- Scores featuring the flute
- Scores featuring the oboe
- Scores featuring the vibraphone
- Scores featuring percussion soloists
- Scores featuring the cello
- For chorus with solo instruments

