Ditson
Free public domain sheet music from IMSLP / Petrucci Music Library
Contents |
History
Ditson's claim to being the USA's oldest music publisher traces its history to the firm of Ebenezer Batelle, who started selling music from his "Boston Book Store" in 1783. This concern was sold to Benjamin Guild in 1785, who added a circulating music library and issued new publications. Upon Guild's death in 1796, the enterprise was taken over by William Pelham, who was succeeded by William Blagrove in 1804. The company was later sold (1811) to Samuel H. Parker, who engaged a young apprentice in 1823, Oliver Ditson (1811-1888). Ditson left briefly (1826-1835) for work at another Boston publisher (Isaac R. Butts) but returned in the wake of a fire that destroyed Parker's premises as a partner in the reorganized firm, Parker & Ditson (1836-1856). Ditson acquired Parker's interest after his partner's death in 1842. When employee John C. Haynes joined the firm as partner, the company name was changed to Oliver Ditson Co. (1857).
Tremendous expansion followed, fueled by the acquistion of the catalogues of more than 50 American publishers, including those of the New York firms William Hall & Son and John Firth & Son. By Ditson's death in 1888, the company was the largest enterprise of its type in the United States, with subsidiary companies established in New York (C. H. Ditson), Philadelphia (J. E. Ditson), Cincinnai (John Church) and Chicago (Lyon & Healy), and a catalog of more than 100,000 titles.
In additon to publishing music in all genres, Ditson issued an imprtant American music periodical. Initially named Dwight's Journal of Music (1868), it was renamed The Monthly Musical Record a decade later, them simply The Musical Record (1898), and finally The Musician (1901), only ceasing publication in 1919. Ditson started an ambitious series, The Music Students Library, in 1897. The most famous volumes of the series are the section devoted to piano and vocal music entitled The Muscian's Library, consisting of over 100 volumes - each edited by a reknowned musician - that was started in 1903. Ditson continued to operate in Boston, acquiring fellow Boston publisher Arthur P. Schmidt until it was finally sold to Theodore Presser of Philadelphia in 1937.
Ditson Catalogue, 1915
The catalogue of Ditson's piano music, up to 1915, is available online here. Retrieved from Sibley Music Library.
Plate Numbers
Regular Issues
| Plate | Composer | Work | Year |
|---|---|---|---|
| 22491 | Gottschalk | Orfa, Op.71 | 1864 |
| 28007 | Gottschalk | Rayons d'Azur | 1873 |
| 28384 | Gottschalk | Célèbre Tarantelle | 1874 |
| 29901-25 | Beethoven | Piano Sonatas | 1876 |
| 45391 | Thayer | Concert variations on the choral 'Nuremburg' | 1876 |
| 46752 | Bizet | Carmen - piano arr. of extracts | 1878 |
| 48190 | Henselt | Das ferne Land, Op.26 | 1881 |
| 48858 | Clementi | Gradus ad Parnassum | 1882 |
| 48974 | Grieg | 4 Songs Op.15 | 1882 |
| 49004 | Rheinberger | Ballade, Op. 7 No.2 | 1882 |
| 49030 | Audran | Les Noces d'Olivette (arr. LeBaron) | 1882 |
| 50965 | Godard | Mazurka No.3, Op.74 | 1885 |
| 51300-01 | Grieg | 4 Songs, Op.2 | 1885 |
| 52678 | Hofmann | Mazurka No.1 | 1887 |
| 73147 | Chabrier | Habanera | 1919 |
| 75318 | Beach | Tyrolean Valse-Fantaisie, Op.116 | 1926 |
Musicians' Library Series
| Plate | Composer | Work | Year |
|---|---|---|---|
| ML-865 | Coleridge-Taylor | 24 Negro Melodies, Op.59 | 1905 |
| ML-1670-49 | Grieg | Piano Concerto, Op.16 | 1908 |
| ML-1887-41 | Brahms | Piano Sonata No.3, Op.5 | 1910 |
| ML-2224 | Muffat | Minuet in Bb | 1914 |
| ML-2498-6 | Henselt | Spring Song, Op.15 | 1914 |
| ML-2504-7 | Jensen | Idylls, Op.43 | 1914 |
| ML-2507-10 | Scharwenka | 2 Piano Pieces, Op.22 | 1914 |
| ML-3019 | Franck | Premier Grand Caprice | 1922 |
