On Shore and Sea (Sullivan, Arthur)

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 Complete score
#188909 - 5.03MB, 62 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 287x

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 Cover Pages (color)
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 Complete Score
#333602 - 4.80MB, 64 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 28x

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Afp0815 (2014/7/10)

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TN-ASullivan On Shore and Sea.jpg
Publisher Info.:

New York: G. Schirmer, n.d. [1898]. Plate 14001.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Original images: 600dpi, black and white tif files approx. 4100 by 6150 pixels.
Editing: de-skewed and set uniform margins.
#333602/603 This file is part of the Sibley Mirroring Project.

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General Information

Work Title On Shore and Sea
Alternative Title A Dramatic Cantata
Composer Sullivan, Arthur
Movements/Sections 10 numbers
  1. Choruses of sailors and women - The windlass ply, the cable haul
  2. Recitative, Song and Chorus - Il Marinajo and Sailors - 'Tis the mid-watch of night
  3. Recitative - La Sposina - From Spring-time on to Summer draws the year
  4. Song and Chorus - La Sposina and Women - Soft and sadly sea-wind swell
  5. Moresque - Instrumental
  6. Recitative and Chorus - Il Marinajo - The Crescent o'er the Cross is hoisted high
  7. Recitative - Il Marinajo - They chain not Christian souls that chain their limbs!
  8. Chorus of Sailors (prisoners) at the oar - With a will, oh brothers, with one will for all
  9. Recitative and Duet - Il Marinajo and La Sposina - Hark! on the night - the clash of falling chains
  10. Chorus - Sink and scatter, clouds of war
Year/Date of Composition 1871
First Performance 1871-05-01 - London, Royal Albert Hall
First Publication 1871 – London: Boosey
Librettist Tom Taylor (1817–1880)
Language English
Piece Style Romantic
Instrumentation Voices: Soloists (ST), mixed chorus (SATB)
Orchestra: 2 flutes (1 doubling piccolo), 2 oboes, 2 clarinets, bass-clarinet, 2 bassoons, 4 horns, 2 trumpets (doubling 2 cornets), 3 trombones, tuba, timpani, percussion (bass drum, cymbals, side drum, triangle, Turkish bells) and strings
External Links Wikipedia article
Gilbert & Sullivan Archive


Misc. Comments

Composed for the opening of the London International Exhibition.

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