Organ Concerto in C major (Salieri, Antonio)

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Sheet Music

Full Score

 Complete score
#87113 - 1.02MB, 103 pp. -  7.7/10 2 4 6 8 10 (7) - !N/!N/!N - 3531x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/12/12)

PMLP173928-Organ Concerto.pdf
Editor:

Alonso del Arte

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Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Includes figured bass realization written in small notes, as well as figures.

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Parts

 Oboe 1
#85540 - 0.17MB, 5 pp. -  10.0/10 2 4 6 8 10 (2) - !N/!N/!N - 275x

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 Oboe 2
#85541 - 0.17MB, 4 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 205x

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 Bassoon
#85542 - 0.16MB, 4 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 191x

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 Trumpet 1 (C)
#85723 - 0.14MB, 4 pp. -  8.0/10 2 4 6 8 10 (2) - !N/!N/!N - 210x

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 Trumpet 2 (C)
#85724 - 0.14MB, 4 pp. -  8.0/10 2 4 6 8 10 (2) - !N/!N/!N - 176x

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 Timpani
#85725 - 0.07MB, 2 pp. -  10.0/10 2 4 6 8 10 (2) - !N/!N/!N - 198x

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Alonso del Arte (2010/11/22)

PMLP173928-Organ Concerto - I. Oboe.pdf
Editor:

Alonso del Arte

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Alonso del Arte

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Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

In the parts, the first movement has a metronome marking of = 50 rather than = 100. The latter metronome marking makes more sense but it will have to stay that way unless a more serious mistake is found.

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 Organ solo
#85726 - 0.41MB, 20 pp. -  9.0/10 2 4 6 8 10 (4) - !N/!N/!N - 1033x

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Alonso del Arte (2010/11/24)

PMLP173928-Organ Concerto - Organ.pdf
Editor:

Alonso del Arte

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Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Only the organ plus a few cues prior to major entrances.

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 Violins I
#85194 - 0.21MB, 8 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 341x

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 Violins II
#85314 - 0.20MB, 6 pp. -  10.0/10 2 4 6 8 10 (2) - !N/!N/!N - 200x

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 Violas
#85315 - 0.18MB, 6 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 204x

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 Cellos
#85316 - 0.16MB, 5 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 195x

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 Double Basses
#85317 - 0.16MB, 5 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 199x

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PMLP173928-Organ Concerto - Violin I.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

In the parts, the first movement has a metronome marking of = 50 rather than = 100. The latter metronome marking makes more sense but it will have to stay that way unless a more serious mistake is found.

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 Harpsichord, left hand, with figures
#87111 - 0.17MB, 5 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 171x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/12/12)

 Harpsichord, with figured bass realization
#87112 - 0.24MB, 11 pp. -  7.0/10 2 4 6 8 10 (2) - !N/!N/!N - 198x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/12/12)

PMLP173928-Organ Concerto - Harpsichord LH.pdf
Editor:

Alonso del Arte

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Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

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Arrangements and Transcriptions

For Piano and Organ (Arte)

 Organ solo with orchestral reduction written small
#89237 - 0.58MB, 31 pp. -  10.0/10 2 4 6 8 10 (3) - !N/!N/!N - 659x

PDF typeset by Alonso del Arte
Alonso del Arte (2011/1/3)

PDF typeset by Alonso del Arte
Alonso del Arte (2011/1/3)

PMLP173928-Organ Concerto wOrchReduct - Organ.pdf
Arranger:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Both of these are legal size. These are meant to enable the soloist to practice with a pianist prior to orchestra rehearsals, and not for actual public concert performance.

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General Information

Work Title Organ Concerto in C major
Alternative Title
Composer Salieri, Antonio
Key C major
Movements/Sections 3
Year/Date of Composition 1779?
First Publication 1978
Average Duration 20 minutes
Piece Style Classical
Instrumentation Solo organ, two oboes, bassoon, 2 trumpets, timpani, strings, harpsichord


Misc. Comments

From the looks of it, this Concerto is meant for a portable organ capable of only one decibel level, one easily covered up by a modest string section playing forte. If played on a mighty church organ, having all stops pulled out is probably a bad idea.

The lack of horns is rather puzzling: most music of the period with trumpets has horns as well, and it is the presence of horns that does not guarantee the presence of trumpets. If the conductor does not want the horns to sit this one out, it would be entirely feasible to give them trumpet parts and have them read them as if for horn in low C.

It is believed that the soloist is expected to improvise a slow movement. There is no explicit indication that continuo is expected, but given the time period, it is a very reasonable assumption.

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