Piano Sonata, Op.1 (Berg, Alban)

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#02556 - 0.55MB - 9 (20-28) pages - Scan Quality: 8.86/10 (7 ratings) - V/V/V

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Uploader: Jujimufu (27 December 2006)

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Publisher Info.:

Moscow: Muzyka, n.d.(ca.1970), plate 6250

Copyright:

Public Domain

Misc. Notes:

from unidentified collection

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General Information

Work Title Piano Sonata, Op.1
Alternative Title
Composer Berg, Alban
Opus/Catalogue Number Op.1
Number of Movements/Sections 1 Movement
Year/Date of Composition 1907-1908
Year of First Publication 1910
Genre Sonata_(piano)
Piece Style Early_20th_century
Instrumentation Piano
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Misc. Comments

The early sonata sketches of Berg while being a student under Schoenberg eventually culminated in this sonata; while considered to be his "graduating composition", it is one of the most formidable initial works ever written by any composer (Lauder, 1986)

This sonata consists of a single movement centered in the key of B minor, but Berg makes frequent use of chromaticism, whole-tone scales, and wandering key centers, giving the tonality a very unstable feel. The piece is in the typical sonata form, with an Exposition, Development and Recapitulation, but the composition also relies heavily on Arnold Schoenberg's idea of developing variation, a method to ensure the unity of a piece of music by deriving all aspects of a composition from a single idea.

Schoenberg stated that the unity of a piece is dependent on all aspects of the composition being derived from a single basic idea. Berg would then pass this idea down to one of his students, Theodor Adorno, who in turn stated: "The main principle he conveyed was that of variation: everything was supposed to develop out of something else and yet be intrinsically different". The Sonata is a striking example of the execution of this idea — the whole composition can be derived from the opening quartal gesture and from the opening leitmotif.

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