Plöner Musiktag (Hindemith, Paul)

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Contents

Performances

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Sheet Music

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Editor First edition (reissue)
Publisher. Info. Mainz: B. Schott's Söhne, No.1622-24, 1932. Plate 33554a-c.
Copyright
Misc. Notes 600 dpi. B. Tafelmusik is actual First edition (non-reissue).
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Editor First edition
Publisher. Info. Mainz: B. Schott's Söhne, No.1691, 1932. Plate 33554d/1.
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Misc. Notes 600 dpi.
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Editor First edition
Publisher. Info. Mainz: B. Schott's Söhne, No.1695, 1932. Plate 33554d/5.
Copyright
Misc. Notes 600 dpi. Raw scans assisted by Schissel from scores made available by Cornell University Library.
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Editor First edition
Publisher. Info. Mainz: B. Schott's Söhne, No.1696, 1932. Plate 33554d/6.
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Misc. Notes 600 dpi.
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Editor First edition (reissue)
Publisher. Info. Mainz: B. Schott's Söhne, No.1691-94, 1932. Plate 33554d/1-4.
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Misc. Notes 600 dpi.
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Editor First edition (reissue)
Publisher. Info. Mainz: B. Schott's Söhne, No.1696, 1932. Plate 33554d/6.
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Misc. Notes 600 dpi.
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Parts

A. Morgenmusik

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Editor First edition (reissue)
Publisher. Info. Mainz: B. Schott's Söhne, No.1622/11-14, 1932. Plate 33554a.
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Misc. Notes 600 dpi.
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Arrangements and Transcriptions

D. Abendkonzert: Trio für Blockflöten (No.5)

For 3 Recorders (Hindemith)

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Editor Composer
Publisher. Info. Mainz: B. Schott's Söhne, No.10094, 1952. (pl. no. 5528)
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HindemithplonermusiktagabendkonzerttrioarrangementCP.jpg

Free Recordings

A. Morgenmusik
B. Tafelmusik
C. Kantate
D. Abendkonzert

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General Information

Work Title Plöner Musiktag
Alternative. Title A Day of Music at Plön
Composer Hindemith, Paul
Movements/SectionsMov'ts/Sec's 4 sections
  • A. Morgenmusik
    1. Mäßig bewegt (= 66-76)
    2. Lied: Langsame Viertel (= 60) - Ruhig
    3. Bewegt (= 120) - Ein wenig breiter
  • B. Tafelmusik
    1. Marsch: Lebhaft (♩‧ = 108)
    2. Intermezzo: Mäßig schnell (= 92-100)
    3. Trio für Streichinstrumente: Langsam (= 60)/langsamer werden
    4. Walzer: (Half note.png ‧ = 60-70)/riten. - a tempo
  • C. Kantate: Mahnung an die Jugend, sich der Musik zu befleißigen
    1. Marsch: Lebhaft (Half note.png = 90-96)
    2. Vier Chöre: Mäßig schnell (= 100)
    3. Arie,von einem Erwachsenen oder einigen Knaben, die schon mutiert haben, zu singen. Lebhaft (= 108)
    4. Kanon,Kann einaml unisono, beim zweiten Male erst als Kanon gesungen werden. Mäßig schnell (= 112)
    5. Melodram Geschichte vom Arion, von einem Schüler zu deklamieren. Lebhaft (Half note.png ‧ = 76)
    6. Schlußchor: Mäßig schnell (= 100)
  • D. Abendkonzert
    1. Einleitungsstück für Orchester:
    Breit (= 60-66) - Lebhaft (♩‧ = 72) -
    Lebhafter (= 120)/verbreitern/Sehr breit
    2. Flötensolo mit Streichern:
    Mäßig bewegt (= 80-84)
    3. Zwei Duette für Violine und Klarinette:
    I. Lebhaft (♩‧ = 112-120)
    II. Mäßig bewegt (= 80-88)
    4. Variationen für Klarinette und Streicher:
    Ruhig bewegt (= 88) -
    Variation I: Gleiches Zeitmaß -
    Variation II: Lebhaft -
    Variation III: Langsam -
    Variation IV: Im Anfangszeitmaß
    5. Trio für Blockflöten
    Lebhaft (= etwa 100)/beruhigen - Ein wenig langsam/Lebhaft/einleiten/zurückhalten
    Lebhaft (Half note.png = etwa 92)/ritard./a tempo
    Fugato: Langsam (= 40-50)/vorangehen/verbreitern/Im Anfangszeitmaß/riten./Sehr langsam
    6. Quodlibet für Orchester:
    Breite Viertel (= 72) - Mäßig schnell (= 100) -
    (= 108)/verbreitern - Lebhaft (= 112)/Breiter
Year/Date of CompositionY/D of Comp. 1932
First Performance. 1932-06-20 in Plön, Schüler und Lehrer des Gymnasiums Plön
Edgar Rabsch und Paul Hindemith (conductors)
First Publication. 1932
Librettist Martin Agricola (1486-1556) in Kantate
Language German
Average DurationAvg. Duration 60 minutes
4.5 - 5 minutes (A. Morgenmusik)
9.5 - 10 minutes (B. Tafelmusik)
15 - 16 minutes (C. Kantate)
30 minutes (D. Abendkonzert)
5.5 - 6 minutes (D/1.)
3 minutes (D/2.)
4 minutes (D/3.)
3/3.5 - 4 minutes (D/4.)
7 - 8 minutes (D/5.)
4.5 - 5 minutes (D/6.)
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Orchestra and Various Chamber Ensembles:
    A. 4-part brass (variable): trumpets (B), flugelhorns (B), horns (F), trombones, tuba (ad. lib.)
    B. flute (trumpet or clarinet in C), 3-part strings
    C. voices, speaker, children's chorus, ensembles (woodwind, brass, percussion (ad lib.), strings)
    D. orchestra: (high, medium, low) (Nos.1, 6), flute and strings (2), violin and clarinet (3),
    clarinet and strings (4), 3 block flutes (soprano recorder (D), 2 alto recorders (A)) (5)
External Links Hindemith Foundation (Morgenmusik)
Hindemith Foundation (Tafelmusik)
Hindemith Foundation (Kantate: Mahnung an die Jugend, sich der Musik zu befleißigen)
Hindemith Foundation (Abendkonzert)

Misc. Comments

Full original names for each part of Plöner Musiktag:

A. Morgenmusik von Blechbläsern auf einem Turm aufzuführen
B. Tafelmusik. Stücke zur Unterhaltung, beim Mittagessen zu spielen
C. Mahnung an die Jugend, sich der Musik zu befleißigen (English translation by Henry C. Turk)
D. Abendkonzert
1. Einleitungsstück für Orchester
2. Flötensolo mit Streichern
3. Zwei Duette für Violine und Klarinette
4. Variationen für Klarinette und Streicher
5. Trio für Blockflöten, einzeln oder chorisch besetzt
6. Quodlibet, orchester
D/5. The Bergmann edition was necessitated by the cessation of production of the D and A recorders Hindemith had written for; it also contains numerous editorial changes criticized by Peter Thalheimer as unstylistic and praised by Loretto as having been approved by the composer.
-Paul Hindemith: A Research and Information Guide

For D/5: Trio für Blockflöten, a common arrangement was written for a soprano recorder in C and 2 alto or tenor recorders in F (under arrangements tab above) because of the change over in the mid 20th century from the original recorders in D and A.

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